Endelig Version-Antikrist Fortabelsen (endelig version). Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str. BVN192 Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in a prologue and six scenes. Composed 1921-23 BVN 192. Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str.

Violoncello- Based on the Henle Complete Edition of the Works of Joseph Haydn Orchestral parts in a large format (25.5 x 32.5 cm) Full score and orchestral parts available for sale Haydn 's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince. Haydn 's Symphony No.92 received its nickname “Oxford” in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791. This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn’s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Although Cesar Franck won many prizes during his student days his music was generally unrecognised by his contemporaries. His pieces were written in the romantic style whilst retaining a classical structure and his later compositions were referred to as 'cathedrals of sound'. Panis Angelicus is poetic and almost serene and this arrangement by Philip Sparke retains all of the beauty of the original.

Elegy for Band-The initial idea was for a millennium piece which it is but rather than add to the many celebratory pieces that have understandably been written to salute the 3rd millennium Philip Sparke thought it would perhaps be appropriate to think about the aspects of life that are constantly with us (such as faith and philosophy) rather than the exciting changes that the year 2000 has undeniably wrought. This calm meditative work will bring a moment of serenity and reflection to any concert.

En 1848 Johann Strauss père (1804-1849) compose la plus célèbre de ses dix-huit marches la Marche de Radetzky . Cette œuvre pétillante commémore la victoire du Feld-Maréchal autrichien le Comte Radetzky sur des insurgés Italiens lors de la bataille de Custozza. Cette marche souvent interprétée lors des Concerts du Nouvel An ou à l’occasion de grands concerts de gala est connue dans le monde entier.

Sea Pictures is a song-cycle for Contralto and Orchestra which was first performed on 5th October 1899 at the Norwich Festival. This edition features a Piano reduction of the Orchestral score.

The most famous pieces by Astor Piazzolla in easy arrangements for Cello by Alessandro Cerino . Includes MP3 CD with full performances and play-along tracks for complete and highly satisfying solo performances. **Please note: the CD included in this set can only be played using an MP3-compatible player.**

SATB

MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Güdel conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure featuring the brass before the main them is introduced over staccato chords. After a short syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the ‘tenor’ tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea which is treated fugally and this in turn leads to the main melodic idea of the movement over staccato chords. A contrasting subject is then introduced in the middle of the band followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.

An informative preface and critical commentary by Ales Brezina and Ivan Straus (Cz / Ger / Engl / Fr) - A new practical edition at the forefront of Martinu scholarship - All existing sources consulted. The String Quartet no. 6 by Bohuslav Martinu (1890-1959) represents a distinct step on the journey which the composer characterised as his development from geometry to fantasy and for which the almost continuous use of the principle of developing variations restless harmonic development the pulsation of minute rhythmic values and inventive work with sound are characteristic. The quartet which was written in New York in the autumn of 1946 constitutes the beginning of the composer's later works in which moods freely overflow regardless of any predefined formal layout. The editors of the new edition (based on the composer's autograph) have carefully removed all of the problematic and somewhat arbitrary editorial intervention in the sole existing edition dating from 1950 (actually 1955). With its urtext edition of the 6th quartet Editio Bareneriter Praha has continued in its series of new publications of works by Bohuslav Martinu - quartets nos. 4 and 5 have already been published for this instrumental line-up.

Text: Stengaard From the Palladium motion picture Det Gælder Os Alle! mws Ilelil og Poul Reichardt. Text: Stengaard From the Palladium motion picture 'Det Gaelder Os Alle!' mws Ilelil og Poul Reichardt.

BWV 10- Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M. With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the New Bach Edition.

2 Violins 2 Violas Cello (parts). Gal H 2 Violins 2 Violas Cello (parts). Gal H

Leroy Anderson 's Sleigh Ride for Organ arranged by Thomas Trotter.

1.Hommage à Scarlatti; 2.Bransle de Touraine; 3.Tempo di Gavotta (for harpsichord or piano)

Kyrie eleison-Gloria in excelsis deo- The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century. The second volume of the complete edition of mass tropes from Bohemian manuscripts of the 12th to 16th century includes 45 Kyrie tropes and 7 Gloria tropes. They represent thee distinct traditions as they developed in Bohemia in the High and Late Middle Ages: those of Cathedral the Prague Diocese and the late Utraquist liturgy. A considerable number of texts and melodies are presented for the first time in this publication. As in the first volume theedition is complemented by comprehensive commentaries an introduction and plates. The tropes are edited along with their native chants as such this publication will be of interest to both the academic community as well as those interested in performance. Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál.. Also available: - Part 1: Tropi ordinarii missae. Tropi proprii missae H7878 - Part 3: Tropi ordinarii missae. Sanctus H8017 - Part 4: Tropi ordinarii missae. Agnus Dei H8030

Pour voix flûte et piano- Pour conjurer le 'Bogue!' (To ward off the Bug) for flute (or voice) flute and piano

Sergio Leone a renouvelé les codes du western en lui redonnant un souffle épique et moderne. C’est ainsi qu’est né le western italien. The Italian Western est un arrangement qui rassemble trois thèmes ( Santa Fe Express Funerale Nero et Marcia dei MacGregor ) composés par Ennio Morricone pour deux westerns “made in Cinecittà”.

Trombone Quartet - 'Preludio Scherzo e Variazioni per quattro tromboni' was composed by Bo Holten in 2015. Trombone Quartet - 'Preludio Scherzo e Variazioni per quattro tromboni' was composed by Bo Holten in 2015.

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