Choral Cantata- Erhalt uns Herr bei deinem Wort - Uphold us by Thy Mighty Word (BuxWV 27) Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. This cantata uses the hymn by Martin Luther 'Erhalt uns Herr bei deinem Wort' as its basis with additional verses by JustusJonas. Score with parts (BA3196) separate parts (BA3196) and choral score (BA3196-91) available for sale

A collection of popular songs for little ones with activities. Arranged for easy piano or keyboard with guitar symbols. Includes pictures to colour.

aus Songs of the Hebrides-TTBB. Kennedy-fraser.

This lively modern concert march from the Norwegian composer Morten J.Wallin is an ideal opening piece for your concerts. Hearty rhythmic brass alternates with tuneful melodies in all instrument groups.

Francis Jackson's Capriccio arranged for Organ.

A collection of Latin Music Hits. Some of them are complete PVGs and the others are Melody lines with lyrics and chord boxes. Una colección de éxitos latinos. Algunos están preparados para piano voz y guitarra; otros contienen la melodía con las letras y los acordes para guitarra.

Cantata for the 4th Sunday after Easter- Wo gehest du hin? BWV 166 Cantata for the 4th Sunday after Easter The cantata Wo gehest du hin? which dates from the first year of Bach's appointment in Leipzig and was given for the first time on 7 May 1724 takes as its starting point a phrase from the gospel for the fourth Sunday after Easter (St. John xvi 5-15). Bach's setting of this text is simple and concise. The scoring is light - apart from Strings and continuo it calls only for an Oboist and three Vocal soloists and a Chorus in the closing chorale. Urtext of the New Bach Edition Performance material (BA10166) and Vocalscore (BA10166-90) available for sale

Opéra-bouffe en 3 Actes

20 Easy Studies-French clarinetist Ulysse Delécluse (1907-1995) worked as a performer orchestral player and teacher during his prolific career. Considering his wide experience and expertise his 20 Easy Studies for Clarinet are very well-informed. The 20 Easy Studies are composed in a variety of tempos key signatures and time signatures and address elements including breath control articulation dynamics scales arpeggios rhythm range intervals phrasing ornamentation performance directions and accidentals among other aspects. Delécluse 's studies are flawless making his notorious 20 Easy Studies enjoyably accessible for the Clarinet. French clarinetist Ulysse Delécluse (1907-1995) worked as a performer orchestral player and teacher during his prolific career. Considering his wide experience and expertise his 20 Easy Studies for Clarinet are very well-informed. The 20 Easy Studies are composed in a variety of tempos key signatures and time signatures and address elements including breath control articulation dynamics scales arpeggios rhythm range intervals phrasing ornamentation performance directions and accidentals among other aspects. Delécluse 's studies are flawless making his notorious 20 Easy Studies enjoyably accessible for the Clarinet.

Saxophonist Robert Bariller 's understanding and virtuosity of his instrument led to the composition of his excellent Rapsodie Bretonne suitable for advanced saxophonists. Published in 1953 Rapsodie Bretonne addresses virtuosic features of semiquaver flourishes much variation in time sigantures and tempo complex rhythm and articulation and wide intervals amongst other aspects. Dedicated to Marcel Mule Bariller 's Rapsodie Bretonne is an exciting and exquisite addition to the Alto Saxophone repertoire and is essential to advanced players of the instrument.

20 Progressive pieces for Euphonium or Baritone with Piano Accompaniment-Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can nowexperience the important aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone. Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can now experience theimportant aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone.

Nr. 2- For Flute and Piano.

A Progressive Series for the Adult Pianist-The Adult Piano Series is a progressively structured piano repertoire series suitable for individual study or lesson with the guidance of a teacher. The primary goal of the series is to provide adult pianists with a library of accessible and rewarding repertoire that will further stimulate their musical growth at piano. This book contains 26 classical piano pieces selected specifically for early-intermediate-level adult pianists.

You take your place in an aeroplane and wait expectantly for the motors to spark into life and for the plane to taxi onto the runway. Then it’s full throttle and with a roar of the engines you leave everything behind you. Below the world is in miniature you thrill at the freedom of flying high and take in the spectacular drama of the clouds. It’s moments such as these that Daniel Weinberger has captured in music in Take Off .

for oboe and piano

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies so characteristic of Philip Sparke’s arranging are augmented with exquisite solo figures for cornet and flugel horn. Once you have played this you will want it on every concert programme.

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation sound and balance.

Sounding Success QMB 206-Symphonic Band (score & parts). Grundman C

SATB chorus

Overture-In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto based on the play Le mariage de Figaro by Beaumarchais was written by Lorenzo da Ponte—who also made the libretti of Mozart’s opera’s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart—at times in a humorous way—reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music.