Sonatine Op. 44 (1926) for Oboe (or Violin) and Piano by Niels Otto Raasted. Sonatine Op. 44 (1926) for Oboe (or Violin) and Piano by Niels Otto Raasted.

Etudes de trombone - Partition- Special Legato - 24 Studies For Tenor And Tenor bass Trombone by Gerard Pichaureau is a set of 24 easy and complete studies. Perfect to develop the technique and the sonority these pieces are really interesting for intermediate players. Born in 1916 Gerard Pichaureau is a Trombonist and composer. Soloist for the French Republican Guard he also taught Trombone at the Paris Conservatoire after André Lafosse.

Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. Includes: Simple Gifts The Boatmen's Dance Ching-A-Ring-Chaw.

Sanctus-SSAA. Lang R.

Three symphonic movements-Study Score - Hawkes Pocket Score 1041. Ginastera A

Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Walther Durr presents Volume 8 of the new Urtext edition of Schubert 's lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the New Schubert Edition Clear and uncluttered engraving Foreword by Walther Durr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore

16 late intermediate Piano Duets in their orignal form written by 10 composers from the 18th and 19th centuries. Each duet has been carefully edited and fingered for ease in performance by intermediate students. These duets can be used as supplementary material for any course of study. They are excellent repertoire selections for group lessons ensemble classes or monster concerts. Students will be motivated by music making with friends as they aquire security with tempo and rhythm provided by ensemble performance.

(Parts). Carter E

Excerpts from the Ballet. Arrangement for two pianos by the composer-2 Pianos 4 Hands. Copland A

For High Voice- Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht” of which he wrote several settings.

March No. 1-Score and parts for Elgar's March Theme from Pomp and Circumstance arranged by Charles Woodhouse. Hawkes School Series 25.

80 Studies in 5 Volumes of progressive Difficulty (for flute (with piano ad lib.))

For SATB chorus.

Jubiloso s’inscrit dans la lignée des marches Slipstream et The Bandwagon : un style « broadwayien » des mélodies fortement syncopées un trio cantabile assez conventionnel et quelques surprenantes mesures irrégulières qui viennent troubler le rythme régulièrement cadencé de la marche. Une marche idéale pour une ouverture de concert.

Concerto No 3 for Euphonium and Band- Diamond Concerto was commissioned by Musikverein Mörschied from Germany - Dr. Eric Grandjean conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist which has included many mutual CD projects and concerts and now a concerto. Sparke had Steven Mead’s special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMörschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title Diamond Concerto . Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer’s Music for Battle Creek including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written at Steven Mead’s suggestion in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6 Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and concert band (AMP 354-010).

Previously unpublished Bernstein's Variations on an Octatonic Scale was originally composed for recorder and cello in 1988-89 in Key West. Available in the original version or in a transcription for clarinet in B-flat and cello.

Hawkes Pocket Scores HPS 691-Study Score - Hawkes Pocket Score 691.

This piece was commissioned by a brass band from the Jura in Switzerland to thank its resigning conductor for his loyalty and work. The first and last sections of this composition develop a joyful and highly energetic theme which expresses the complete commitment required of a conductor in order to get the best out of the musicians. The central passage mirrors an atmosphere full of nostalgia. After so many years of intense and relentless work it is always difficult for a keen conductor to retire.

Dance of Joy depicts a medieval festival in a small town. The great square in the town centre is decorated the people are wearing their festival costumes and are waiting excitedly for the music to begin—the first notes signal the start of the festival and the dancing can begin! If you have an anniversary performance some good news a birthday a new beginning or simply want to celebrate the fun of music-making Dance of Joy puts you in just the right mood.

ABRSM Guitar Examination Grade 8.