for C or B flat trumpet and piano

For Soprano and Tenor Soli and Mixed Voice Choir. For Soprano and Tenor Soli and Mixed Voice Choir.

A Fantasy on the Hymn Tune 'Helmsley'- With Clouds Descending is a fantasy on the powerful Advent hymn Helmsley which is long associated with another Advent hymn - Wesley’s Lo! He Comes with Clouds Descending . The hymn tune is divided into an introduction and three complete verses of Helmsley which surround a slower central section whose melody is derived from the last line of the hymn tune. Philip Sparke’s grade 4 arrangement of this majestic piece for Brass Band is equally suitable as a concert opener or a main concert piece.

Mozart 's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ. Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

This second volume in the Beautiful Etudes series contains 14 elementary-level pieces for the Piano by such noted composers as Czerny Gurlitt Köhler and Löschnorn. When pupils are assigned good-quality etudes their technique improves dramatically. This compilation concentrates on level-appropriate essentials such as shaping phrases with two and three voices playing a left hand melody with right hand chords extended hand positions melodic octaves Alberti bass descending scales and more. Each etude is prefaced with concise composer facts and helpful practice advice.

from the Paramount Pictures THE GODFATHER-Francis Ford Coppola‘s 1972 film The Godfather is seen by many to be a turning point in cinematic history. The sparse score written by Nino Rota is famous for its haunting main theme played by a solo trumpet from which The Godfather Waltz is derived. Philip Sparke has created a stunning arrangement of this theme which appears in all three parts of the trilogy.

1. Choir Viola- Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach ’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based. - Study score format 22.5 x 16.5cm - Urtext of the New Bach Edition -Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

A new and unique cantata mixing old and new superbly by combining medieval and folk sources with original text and music. Arranged for Treble Voices (SSAA) Electric Keyboard and Percussion.

for 5 timpani glockenspiel xylophone marimba vibraphone (1 player) and piano

The Hal Leonard Classical Play-Along series will help you play great classical pieces. Using the Amazing Slow-Downer technology included on the CD (adapted for PC and Mac computers) you can adjust the recording to any tempo you like without altering the pitch. Listen first to the full performance tracks to hear how the piece sounds with an accompaniment and then play along using the accompaniment tracks. Hal Leonard Classical Play-Along is an effectice and time-tested method of practising.

for recorder (or flute or oboe or violin) and bass continuo

uit de Mattheus Passion-From Mattheus-Passion. From Mattheus-Passion.

Hawkes School Series 36 (score & parts). Woodhouse C

Those who dare to dream can access a world of hope and those who believe in miracles open their eyes to wonders everywhere! Gilbert Tinner was inspired by these thoughts when he composed this dynamic concert piece. Dreams fantasies and visions are represented with an array of colourful tones that are brought together through expressive musical themes.

From Four Sketches .

Op. 40 - 2 flt ob 2 clr 2 hrn 2 bsn.

1725- “A mendicant woman from the Haynstrasse aged 59 years Anna Magdalena née Wilckin widow of Mr. Johann Sebastian Bach cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760 in the Leipzig 'Ratsleichenbuch” (City Register of Deaths) for a woman whose name has become known throughout the world thanks to the two music books put together for her by Johann Sebastian Bach. Bach himself opened the book with two of the large Partitas subsequently published in the first part of the 'Clavierübung”; the rest of the contents was determined by Anna Magdalena. On the whole these are short pieces of “galanterie”: minuets polonaises marches compositions by the elder children and attempts by the younger ones little pieces which she copied out of the family guest book and which had been written there more or less as tokens of friendship by the many visitors in the Bach home. - Urtext of the New Bach Edition - Edition with fingering also available BA5242 - Bibliophile performing edition hardback BA5115

Missa Pro Defunctis- Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra. This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Terra Vulcania paints impressive and captivating musical images depicting the creation history and life today in the Styrian Vulkanland Austria. Powerful and explosive natural forces create a foundation for growth interrupted by political strife and uncertainty until the fire and chaos of years past give way to a bright future. Embracing their unique geographical setting people of this region have learned to live in harmony with nature.

Duets 1 to 25 of Bartok's celebrated set for two Violins that exhibit all the hallmarks of the composer's love of Hungarian folk music. All the duets are concise and straight-forward to play making this ideal material for two confident Violin students and an excellent resource for some entertaining and thought-provoking concert repertoire. Arranged in order of progressive difficulty each melody is derived from a peasant folktune and may be performed in any order or combination.