For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? - The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.

Traditional Scottish song arranged sensitively by Michael Neaum for SSA choir a capella.

Opera in two acts- Maxwell Davies Taverner in a music book study score format. Number 1103 in the Hawkes Pocket Score series.

This classic piece has been reworked by many people a great many times. From Orchestras to Brass Bands to Rock Groups this piece will be known and remembered in one of its forms by almost everyone. Here Copland's masterpiece is arranged for Keyboard.

Triple Concerto- In Beethoven ’s Triple Concerto a Piano trio provides the soloists – a first in the history of music. Beethoven ’s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web – the orchestral Piano Violin and Cello voices interplaying and entwining – and he produces a truemasterpiece. Bärenreiter’s new Urtext edition of Beethoven ’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven ’s day might have recognized with all necessary information for directing the piece included in the solo Piano part. Piano reduction with separate parts for all three soloists. Draws on three new sources. Correction of many errors found in previous editions.

Psalm 130 and Gregor's 112th metre.

Erbarme Dich mein Gott from St Matthew Passion- Have Mercy Lord from J.S. Bach’s St Matthew Passion is one of the most beautiful arias from the baroque period. In Philip Sparke’s arrangement it is envisaged that the soloists stand together as a group stage right while the other musicians stand behind to form the tutti group. This piece is easily playable for both the soloists and the band and will create a beautiful moment of reflection whether performed on the concert stage or in a church.

New findings in Beethoven’s first Piano concerto. The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’s works now turns his focus on the piano concertos. In the Piano Concerto No.1 in C major Op.15 Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor. This new critical edition sets the highestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research - Includes Beethoven’s cadenzas - Piano reduction with a separate solo Piano part - Performance material and piano reduction available for sale

This series offers a versatile selection of hit movie and TV music for flute clarinet alto sax tenor sax trumpet horn in F trombone violin viola cello and mallet percussion. Each book contains carefully edited arrangements appropriate to each instrument and well suited for level 2--3 students. The CD includes a fully orchestrated demo track of each song which features a live instrumental solo performance followed by a play-along track. Also included are PDFs of piano accompaniments and Alfred's Tempo Changer Software. Titles include: Amazons of Themyscira (Wonder Woman) Another Day of Sun (La La Land) Beauty and the Beast (Beauty and the Beast) City of Stars (La La Land) Everything Is Awesome (The LEGO® Movie) Ghostbusters (Ghostbusters) Heathens (Suicide Squad) Just Like Fire (Alice Through the Looking Glass) Kowalski Rag (Fantastic Beasts and Where to Find Them) A Man and His Beasts (Fantastic Beasts and Where to Find Them) Mia & Sebastian's Theme (La La Land) Newt Says Goodbye to Tina / Jacob's Bakery (Fantastic Beasts and Where to Find Them) Runnin' Home to You (The Flash) Westworld: Opening Theme (Westworld).

for Pianoforte and Orchestra op. 37- Beethoven ’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime. Piano reduction with a separate solo Piano part. A must for pianists orchestras and Beethoven scholars.

No.6 from '9 Croquis faciles'

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera For Oboe transcribed for the Oboe by Fernand Gillet or for Cor Anglais by G. A. Leduc contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies Pièce En Forme De Habanera For Oboe clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create furtherexcitement. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition the clear print of separate solo and accompaniment parts in this edition make it an irresistible purchase for aspiring Oboe and Cor Anglais players.

English-This opera is the final section of the entertainment for young people called Let`s Make an Opera. The first section of this is in the form of a play and illustrates the preparation and rehearsal of an opera.Professionals or very gifted amateurs are needed to play the grown-up parts and also the part of Juliet (provided of course that she can look convincingly youthful). It is essential that real children should play the children's parts. The accompaniment is for solo string quartet piano-duet (four hands on one piano) and percussion (one player can manage). The string parts are not very easy. The songs Nos. I IX XIV and XVII are to be sung by the whole audienceunder the direction of the conductor. They must of course be rehearsed beforehand. Allowance is made for such rehearsal in Part One of Let`s Make an Opera. This opera is the final section of the entertainment for young people called Lets Make an Opera . The first section of this is in the form of a play and illustrates the preparation and rehearsal of an opera.Professionals or very gifted amateurs are needed to play the grown-up parts and also the part of Juliet (provided of course that she can look convincingly youthful). It is essential that real children should play the children's parts. The accompaniment is for solo string quartet piano-duet (four hands on one piano) and percussion (one player can manage). The string parts are not very easy. The songs Nos. I IX XIV and XVII are to besung by the whole audience under the direction of the conductor. They must of course be rehearsed beforehand. Allowance is made for such rehearsal in Part One of Let`s Make an Opera .

Conflation of 2 Folk Songs: There was an old man & This Old Man. For two-part choir and piano accompaniment.

(Our Lady of the Spring)-This four movement Missa Brevis is full of multicultural influences with deep roots in the dance. Drawing from Bulgarian rhythm and melodic Turkish finger cymbals mandolin figures of bluegrass waltzes plainsong chant and the Peking Opera this is a fresh and exciting look at a traditional musical form. This four movement Missa Brevis is full of multicultural influences with deep roots in the dance. Drawing from Bulgarian rhythm and melodic Turkish finger cymbals Mandolin figures of bluegrass waltzes plainsong chant and the Peking Opera this is a fresh and exciting look at a traditional musical form.

from Lohengrin-Hawkes School Series 23 (score & parts). Wagner R

All Praise to Music!-3 Trumpets 3 Trombones Tuba Timpani. Nelson R

Today the three Violin concertos BWV 1041–3 are among Johann Sebastian Bach ’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire. Barenreiter's Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing fingering and comments on performance by Andrew Manze. Full score and performance material (BA5190) Violin and Piano reduction (BA5190-90) and study score of BWV1041-1042 (TP269) available for sale.

As performed by Queen-The rock anthem We Are the Champions was one of Queen’s largest hits and is instantly recognised by all. This monster hit is now available in an authentic-sounding brass band arrangement by Gilbert Tinner.

for wind orchestra-Another award-winning composition by Johan de Meij: a spectacular orchestral adventure exploring the endless possibilities of the note ‘E’ in all its different forms and appearances.