Everybody knows the great films that came out of the Walt Disney Studios. A Tribute to Disney is a lively succession of four of the most famous Disney melodies: Mickey Mouse March It’s a Small Word Zip-A-Dee-Doo-Dah and Winnie the Pooh.

SA. Elliot D

Cuba had been on Copland's mind for some time. A commission to write a piece for the Leage of Composers' 20th anniversary gave him the incentive to compose Danzón Cubano for two pianos. It is based on Cuban dance rhythms particularly the danón a stately dance somewhat like the waltz. In two contrasting sections Copland makes use of four Cuban dances with syncopated beats and polyrhythms. Copland explained I did not attempt to reproduce an authentic Cuban sound but felt free to add my own touches of displaced accents and unexpected silent beats.2 Pianos 4 Hands. Copland A

SSAA. Hatfield S

pour voix élevée- Melodies Francaises Du Xxe Siecle (Kimball) for High Voice and Piano accompaniment.

Most of Czech composer Leoš Janá ek ’s music for solo Piano was produced during the relatively short period between 1900 and 1912. This was a period in which Janá ek suffered the death of his second child and had to come to terms with multiple rejections from the Prague music scene which denied the composer and his distinctive musical language the opportunity to participate in international musical developments until 1916 when his work finally managed to gain international recognition. In the Mists was composed during this period of great difficulty and despair in a house in the garden of the Brno Organ School hidden from the eyes ofthe world with a broken self confidence and a mind in a state of melancholy. Influenced by Debussy’s impressionism In the Mists is one of the most remarkable works in 20th-century Piano literature said to be 20 years ahead of its time. In the Bärenreiter Urtext edition Janá ek ’s cycle is presented in the form that can be found in the Complete Critical Edition of the Works of Leoš Janá ek . A preface by Ji í Zahrádka is also included in Czech English and German. Because of the virtuoso nature of Janá ek ’s work it is more challenging and less accessible but extremely rewarding when mastered.

Using the universal language of music Al Shlosha D'Varim conveys an important and universal theme through its beautiful simplicity. A lyrical setting of the popular maxim from Pirkei Avot (Jewish morality laws). Arranged for 2 part Treble voices with Piano Accompaniment.

The sparkling Oxford Intrada is based on the well-known Christmas carol O Come All Ye Faithful . The piece takes its name from the place where it was first performed namely Oxford Cathedral in England.

(Full score). Rachmaninov S

for Euphonium and Brass Band- Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim Norway. After a short introduction the soloist introduces a rather nostalgic melody accompanied by the lower brass parts. A fast central section is then played by the band which leads to a climax. Eventually the main melody played by the solo cornet and flugel horn returns overlaid with an ornamented counter-melody from the soloist who then closes the piece with a short cadenza.

Eine Auswahl originaler Klaviermusik aus dem 17. bis 20. Jahrhundert-A selection of original piano music from the 17th to the 20th Centuries providing exciting repertoire for the pianist of today. Book one is suitable for Pianists at Associated Board grades 1-3.

Francis Jackson's A Prayer Of John Donne arranged for SATB. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Hardly any cycle of piano pieces can match the magnetic attraction of Chopin’s “24 Préludes” published in 1839. Schumann called them “sketches beginnings of études [...] ruins stray eagles pinions all disorder and wild confusion”.Christoph Flamm has critically reevaluated the sources bringing to light new readings of this well-known musical text. Hardy Rittner a hammerklavier specialist and two-time winner of the ECHO Classic prize who has recorded Brahms’ piano music andall of Chopin’s “Études” on period pianofortes has supplemented Chopin’s fingering from a historically informed perspective. He also provides valuable notes on performance practice especially with regard to pedalling rubato latent polyphony legato and Chopin’s perception of sound.An aesthetically presented engraving and practical page-turns make this current edition indispensable for today’s scholars and performers. Hardly any cycle of Piano pieces can match the magnetic attraction of Chopin ’s “ 24 Préludes ” published in 1839. Schumann called them “sketches beginnings of études [...] ruins stray eagle's pinions all disorder and wild confusion”. Christoph Flamm has critically reevaluated the sources bringing to light new readings of this well-known musical text. Hardy Rittner a hammerklavier specialist and two-time winner of the ECHO Classic prize who has recorded Brahms’ Piano music and all of Chopin ’s “Études” on period pianofortes has supplemented Chopin ’s fingering from a historically informed perspective. He also providesvaluable notes on performance practice especially with regard to pedalling rubato latent polyphony legato and Chopin ’s perception of sound. An aesthetically presented engraving and practical page-turns make this current edition indispensable for today’s scholars and performers. Urtext edition with new readings. Notes on performance practice (Ger/Eng). With historically informed fingering and practical page-turns. Informative Foreword (Ger/Eng) and detailed Critical Commentary (Eng).

The title song to the 1992 film The Bodyguard I Will Always Love You written by Dolly Parton and sung by Whitney Houston spent over 10 weeks at number one in the UK charts. The beautiful ballad has been sensitively arrangement for brass band and is sure to be a big hit with both musicians and audiences.

A wonderfully uplifting and joyful spiritual arranged by Mark Hayes for SATB Choir with Keyboard accompaniment.

(Full score). Hoeller Y

Italien Op. 59 No. 5-For Flute and Piano. For Flute and Piano.

Two delightful Organ pieces by Samuel Wesley an instrumental figure in introducing the English musical community to the works of J.S. Bach and father to the much-loved hymn composer Samuel Sebastian Wesley. Suitable for Grade 5 standard.

Everybody knows this beautiful song by Amanda McBroom. Juri Briat has made an arrangement of The Rose in his own natural style.

for Violin and Orchestra-Beethoven’s 'Romances' are performed all over the world yet how many conductors performers and listeners are aware that op. 50 which was incidentally composed before op. 40 comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer. Bärenreiter’s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven’s autograph with editorial markings clearly indicated the second score has beenedited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances. Barenreiter No. BA9026