Schöne Klavierstücke für alle Fälle-Carl Czerny (1791-1857) and William Gillock (1917-1993) unfortunately did not have the opportunity to meet each other personally. But in her witty comic strips Martina Schneider brings the two men together by means of a trans-Atlantic phone call.Both composers exchange brief comments about their masterpieces musically demanding little etudes and studies. Though they each speak their own language have no fear: it’s all translated! What the 27 Delightful Piano Pieces for All Occasionshave in common is that they are all ideal both for teaching and recital purposes. Contents: Czerny: op. 139 Nr. 24 Nr. 38 Nr. 40 Nr. 59 Nr. 72 Nr. 88 / op. 261 Nr. 69 / op. 481 Nr. 27 / op. 599 Nr. 56 Nr. 73 Nr. 86 / op. 718 Nr. 11 / op. 821 Nr. 88 Gillock: Capriccietto / Carnival in Rio / Castanets / Flamenco / Mission Bells / Mister Trumpet Man / Moonlight / Sarabande / Summertime Blues / Taking it easy / The Constant Bass / The Juggler / Yo-Yo Tricks This delightful book by Elisabeth Haas contains 27 pieces by two renowned composers from different centuries - Carl Czerny and William Gillock . Fun and rewarding to play the pieces in Hello Mr Gillock! Carl Czerny! are designed to stimulate the imagination make the fingers supple touch the emotions and train the mind. This book contains the pieces Summertime Blues Moonlight Yo-Yo Tricks (Gillock) Etude in G Op.139 No.24 Etude in F Op.139 No.40 Etude in D Op.481 No.27 (Czerny) and more and offers a great repertoire of pieces that are perfect forrecitals. Hello Mr Gillock! Carl Czerny! contains two pieces that are featured in the LCM Piano 2013-2017 grade exams - Gillock's Carnival In Rio (grade 3) and The Juggler (grade 4).

für Oboe Violine Tasteninstrument Cello ad lib.- Here is a publication that springs from the spirit of Baroque transcription practice at its best. In this case it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key editor Klaus Hofmann decided against C minor which the previous generation had preferred and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired transparent 'Clavier' reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will undoubtedly welcome this arrangement which boldly transgresses the conventions of Piano scores and presents a 'new' work the 'TrioSonata' in D minor BWV 1060.

Easy piano pieces with the keyboard crocodile.

Mendelssohn: Caprices Nos 1-3 Op. 33 (Complete) Mendelssohn: Kinderstucke (6) Op. 72 'Christmas Pieces' Mendelssohn: Preludes & Fugues (6) for piano Op. 35 (complete) Mendelssohn: Variations in B flat major Op. 83 Mendelssohn: Variations in E flat major Op. 82 Mendelssohn: Variations sérieuses in D minor Op. 54

Max Reger composed the present work in 1899 for the 'Schonberger Orgelalbum' which served as a means of funding the new organ in Schonberg im Taunus. Other renowned organ composers of the time also contributed works to this project such as Guilmant Rheinberger and Widor. Reger referred to his piece as a 'little work' that is 'intentionally not difficult' - yet he succeeded in creating a highly skillful piece that was hailed as a confirmation of Reger's artistry at the organ and enjoyed great popularity from the very start.

Carl Reinecke (1824-1910) was a highly respected German pianist composer and conductor. During his lifetime he was known as the standard-setting performer of Mozart's Piano works and was also the earliest-born pianist to be recorded in any format having made recordings in 1904 at the age of 80. His 6 Miniatur-Sonatinen (6 Miniature Sonatinas Op. 136) were written in 1875. They form a collection of 6 exquisitely charming little pieces for solo Piano each comprising three or four movements. Any movement would make a suitable first performance piece for the beginner-intermediate pianist while each complete Sonatina could bethe perfect piece for a junior recital. Whatever they are used for these versatile and enjoyable miniatures are sure to meet with approval from both audience and performer alike.

The Piano runs through Jean Sibelius's oeuvre like a red thread. After some first student pieces he composed the Sonata op. 12 (EB 8142) in 1893 and his first cycle of Piano pieces the Six Impromptus op. 5. Here the Finnish composer self-assuredly takes up a great romantic genre significantly shaped by Schubert and Chopin. Sibelius draws inspiration from some of his own early works in this composition yet he also uses the last two pieces from opus 5 as the groundwork for an autonomous 'Impromptu' for string orchestra which he put together shortly after completing the Piano pieces. 'You must judge me on the basis of my orchestral works. The Piano does not interest me. Itcannot sing ' said Sibelius. Yet how seriously can we take this famous quote when considering how masterfully he crossed the boundaries with his Impromptus? Pianists such as Ralf Gothoni Glenn Gould and Olli Mustonen have not let themselves be deterred by the composer's harsh self-criticism and with their interpretations have provided compelling proof of the opposite.

With Piano accompaniment.

Piano score for mixed choir solo voice and piano. Soli: SATB - Choir: SATB

Bach's Come Thou the World's Redeemer in German and English language. Set here for SATB Soli SATB Chorus and Orchestra.

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SAB - Chor: SATB.

Overtures

Karelia Suite Op.11

Missa Solemnis In C KV 337

Arpeggione-Sonate A-Moll D 821

Auf Dem Strom Op. 119 D943

In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 54 Piano Concerto in A minor op. 92 Introduction and Allegro appassionato (Concert Piece for Piano and Orchestra) op. 134 ConCert-Allegro with Introduction in D minor/D major In 1925 Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition] the results of the Schumann research the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.” The present edition thus conveys the reading of one of the most important pianists of the twentieth century which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 54 Piano Concerto in A minor op. 92 Introduction and Allegro appassionato (Concert Piece for Piano and Orchestra) op. 134 ConCert-Allegro with Introduction in D minor/D major

Sechs Trio-Sonaten / Trio / Anhang: Trio-Kompositionen (Lohmann Edition)

En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest orchestral works filled with youthful dynamism and energy. It is also highly atmospheric clearly evocative of the composer's beloved Finland - its people proud history countryside and landscapes. The title translates as the Swedish (rather than Finnish) for A Fairy Tale suggesting a programmatic work but despite there seeming to be a 'story' present the composer never identified any specific extra-musical inspiration. The work was originally composed in 1892 but not to great success. However the composer later revised the work in 1902 shortly afterhaving composed the Symphony No.2 when it received the acclaim it deserved. Available here is a study score of Sibelius' tone poem En Saga Op.9 which is ideal for study and perusal usage.

40 Stücke für links oder rechts / 40 pieces for Left or Right-Dislocated shoulder? Left thumb broken? Does the weaker hand need special attention? No matter what’s amiss the 40 fun pieces in One-Hand Piano are the right medicine! No prescription needed highly effective to be taken in doses rangingfrom very easy to very challenging. Lots of pieces are playable “either or ” thus with either hand! Stylistically you’ll find everything your heart desires. There are arrangements of pieces from the Renaissance to the Comedian Harmonists as well asoriginal pieces ranging from classical music to film and folk music. One-Hand Piano is also ideal for competitions and little recitals. It would be a shame to wait for a sprained finger – after all these pieces don’t need an emergency tosound great! No matter what's amiss the 40 fun pieces in One Hand Piano are the right medicine! No prescription needed highly effective to be taken in doses ranging from very easy to very challenging. Lots of pieces are playable either or thus with either hand! Stylistically you'll find everything your heart desires. There are arrangements of pieces from the Renaissance to the Comedian Harmonists as well as original pieces ranging from classical music to film and folk music. One Hand Piano is also ideal for competitions and little recitals. It would be a shame to wait for a sprained finger after all these pieces don't need an emergency to sound great!