for Double Bass and String Orchestra

for Trumpet and String Orchestra-In Larssons 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestras technical proficiency. The idea wasborn when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra andwith piano accompaniment.Full score for Trumpet and String Orchestra.

for Double Bass and String Orchestra

for Trumpet and String Orchestra-In Larssons 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestras technical proficiency. The idea wasborn when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra andwith piano accompaniment.Full score for Trumpet and String Orchestra.

for Double Bass and String Orchestra

for Trumpet and String Orchestra-In Larssons 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestras technical proficiency. The idea wasborn when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra andwith piano accompaniment.Full score for Trumpet and String Orchestra.

for Trumpet and String Orchestra-In Larssons 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestras technical proficiency. The idea wasborn when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra andwith piano accompaniment.Lars-Erik Larsson's Concertino For Trumpet and Strings Op.45 No.6 set here with a Piano reduction of the original string orchestra material.

for Trombone and String Orchestra [Piano Score with Solo Part]- The prolific and hard-working Swedish composer Lars-Erik Larsson composed this splendid set of Concertini as a reaction to the lack of performance pieces for amateur orchestras and their principal players. Written between 1953 and 1957 they demonstrate the influence on his compositions of Romantic composers rather than the more rigid or severe rules from other periods and requiring moderate skill these are practical and ultimately enjoyable pieces. Relatively unknown there has been little enthusiasm for this work outside Sweden perhaps considered too simple for most performing musicians though this is precisely the reason that they are so versatile andpleasurable. Concertino Nr. 7 for Trombone contains a satirical element poking fun in a youthful manner with considered and ponderous notes contrasting with pompous blasts in the outer movements. Originally composed for String Orchestra and Trombone this piece has been beautifully set here for Trombone and features an accompanying Piano reduction.

for Horn and String Orchestra-In Larsson's 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestra's technical proficiency. The idea was born when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra and with piano accompaniment. The prolific and hard-working Swedish composer Lars-Erik Larsson composed this splendid set of Concertini as a reaction to the lack of performance pieces for amateur orchestras and their principal players. Written between 1953 and 1957 they demonstrate the influence on his compositions of Romantic composers rather than the more rigid or severe rules from other periods and requiring moderate skill these are practical and ultimately enjoyable pieces. Relatively unknown there has been little enthusiasm for this work outside Sweden perhaps considered too simple for most performing musicians though this is precisely the reason that they are soversatile and pleasurable. No. 5 was scored for Horn in F with String Orchestra. It is presented here with a Piano reduction.

for Trumpet and String Orchestra-In Larssons 12 Concertini Op. 45 each and every instrument of an ordinary orchestra is given a relatively demanding solo concerto but of a modest length and with modest demands on the accompanying orchestras technical proficiency. The idea wasborn when Larsson during the late 1940s was inspector of the National Association of Swedish Orchestral Societies (SOR). He then learned more about what amateurs need and can do. The Concertini are frequently performed both with string orchestra andwith piano accompaniment.Full score for Trumpet and String Orchestra.

for Double Bass and String Orchestra