George Nicholson 's Madrigals In Memoriam Henri Pousseur for Trumpet (doubling Flugelhorn) Trombone and Piano. Score only. This work in nine movements was composed and published 2016. The duration is 24 minutes. George Nicholson 's Madrigals In Memoriam Henri Pousseur for Trumpet (doubling Flugelhorn) Trombone and Piano. Score only. This work in nine movements was composed and published 2016. The duration is 24 minutes.

James Weeks ' Schilderkonst for Chamber Ensemble/String Quartet/Piano. Study score. Composed 2003-4 this piece is dedicated to Michael Finnissy. It is broken into three movements: I - Saenredam for Chamber Ensemble (8 players) II - Low Country for String Quartet III - Duinland for solo Piano with Vibraphone James Weeks ' Schilderkonst for Chamber Ensemble/String Quartet/Piano. Study score. Composed 2003-4 this piece is dedicated to Michael Finnissy. It is broken into three movements: I - Saenredam for Chamber Ensemble (8 players) II - Low Country for String Quartet III - Duinland for solo Piano with Vibraphone

Sadie Harrison's Squish! (King Kong's Love Song) for String Quartet. Composed and published 2016. Dedicated to Cuatro Puntos and The American School for the Deaf. Squish! is a love story King Kong's love story. But not the conventional one immortalised in the 1933 Hollywood film - the terrifying giant ape astride the Empire State Building who clasps the fainting heroine while swiping hopelessly at the planes which eventually send him crashing dead to the ground. This is the American Sign Language (ASL) version which has something of a twist at the end. Squish! was written as Composer-in-Residence with Cuatro Puntos and was commissioned with fundsfrom the Connecticut Office of the Arts. The premiere took place at the American School for the Deaf (the oldest permanent school for the deaf in the United States founded in 1817) in West Hartford Connecticut on 7th December 2016.

For String Quartet. Published in 2002. Commissioned by the Vale of Glamorgan Festival. First performed by Chamber Domaine Museum of Welsh Life Cardiff as part of the Vale of Glamorgan Festival September 2002. Score. For String Quartet. Published in 2002. Commissioned by the Vale of Glamorgan Festival. First performed by Chamber Domaine Museum of Welsh Life Cardiff as part of the Vale of Glamorgan Festival September2002. Score.

For 12 Voices (SATB SATB SATB). A motet for Easter Saturday morning written for Keren Terpstra. For 12 Voices (SATB SATB SATB). A motet for Easter Saturday morning written for Keren Terpstra.

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes Oboe d'amore 2 Clarinets (in A) Vibraphone Guitar Organ accompaniment). Parts. This is one movement from Schilderkonst which was composed 2003-4 and is dedicated to Michael Finnissy. James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes Oboe d'amore 2 Clarinets (in A) Vibraphone Guitar Organ accompaniment). Parts. This is one movement from Schilderkonst which was composed 2003-4 and is dedicated to Michael Finnissy.

Struwwelpeter - Score-To The Children has been beautifully composed by Laurence Roman Soprano Mezzo Soprano and Alto. Words by Heinrich Hoffman . 3 copies will be provided per order. To The Children has been beautifully composed by Laurence Roman Soprano Mezzo Soprano and Alto. Words by Heinrich Hoffman . 3 copies will be provided per order.

For Clarinet ensemble. E flat Clarinet 7 B flat Clarinets Alto Clarinet (or Bassett Horn) 2 Bass Clarinet Contra-Alto Clarinet in B flat (or Contra-Bass Clarinet in B flat) For Clarinet ensemble. E flat Clarinet 7 B flat Clarinets Alto Clarinet (or Bassett Horn) 2 Bass Clarinet Contra-Alto Clarinet in B flat (or Contra-Bass Clarinet in B flat)

Vocal Part-For SATB (with Divisi). Vocal Part. For SATB (with Divisi). Vocal Part.

Thomas Simaku 's String Quartet No.5 (2015). Score. Dedicated to Terry Holmes. Commissioned by the Huddersfield Contemporary Music Festival. World Premiere: Quatuor Diotima 28 November 2015. Thomas Simaku 's String Quartet No.5 (2015). Score. Dedicated to Terry Holmes. Commissioned by the Huddersfield Contemporary Music Festival. World Premiere: Quatuor Diotima 28 November 2015.

Vocal Score-Text from a Scottish Border Ballad. Text from a Scottish Border Ballad.

Piano reduction of the Concertino For Flute And Orchestra by Laurence Roman a 19 minute long piece for solo Flute and Orchestra dedicated to Ann and Kevin Mead. Composed in 2013 and published 2014. In four movements: I - Allegretto con moto II - Presto volante - Moderato languido III - Larghetto teneroso IV - Non troppo allegro ma ben ritmato Piano reduction of the Concertino For Flute And Orchestra by Laurence Roman a 19 minute long piece for solo Flute and Orchestra dedicated to Ann and Kevin Mead. Composed in 2013 and published 2014. In four movements: I - Allegretto con moto II - Presto volante - Moderato languido III - Larghetto teneroso IV - Non troppo allegro ma ben ritmato

For 12 voices SATB. For 12 voices SATB.

Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with the moon ('lunar'= 'lunacy') and with cuckoos. Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with themoon ('lunar'= 'lunacy') and with cuckoos.

(Metioron) by Evis Sammoutis was first performed 2 September 2010 at 2nd Contemporary Music Festival (The Shoe Factory Nicosia Cyprus) by Peter Sheppard Skaerved violin Neil Heyde cello Roger Heaton clarinet & Jan Phillip Schulze piano. 15'; for clarinet violin cello and piano.

Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006) Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006)

Morag Galloway 's Dream of You for three voices (SSA). Duration: 2 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Dream of You sets Morag 's own poem and was commissioned by Juice for performance in a late night concert 'the witching hour' in York Spring Festival May 2004. The poem describes a dream in which a single night with someone is remembered. The compositional aim was to set the words as they came without repetition and not to repeat any musical material either. This was to try to recreate the strange familiarity of this dream and attempt to let it unfold in ‘real time’; to be as fleeting as the original night itself. Morag Galloway 's Dream of You for three voices (SSA). Duration: 2 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Dream of You sets Morag 's own poem and was commissioned by Juice for performance in a late night concert 'the witching hour' in York Spring Festival May 2004. The poem describes a dream in which a single night with someone is remembered. The compositional aim was to set the words as they came without repetition and not to repeat any musical material either. This was to try to recreate the strange familiarity of this dream and attemptto let it unfold in ‘real time’; to be as fleeting as the original night itself.

For Piano and String Quartet. Published in 2001. Parts. For Piano and String Quartet. Published in 2001. Parts.

Dressed In White-Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song has its own flavour and character. Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song hasits own flavour and character.

Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014. Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014.