First performance: Lontano with clarinettist Andrew Sparling and conducted by Odaline de la Martinez Purcell Room London 30th September 2002. Recorded on Metier Records MSV CD 92084. First performance: Lontano with clarinettist Andrew Sparling and conducted by Odaline de la Martinez Purcell Room London 30th September 2002. Recorded on Metier Records MSV CD 92084.

Prelude & Postlude-First performance: Thames Singers conducted by Louis Halsey BBC Invitation Concert 11th November 1968. First performance: Thames Singers conducted by Louis Halsey BBC Invitation Concert 11th November 1968.

For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006 For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006

For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by Adalberto Alves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score. For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by AdalbertoAlves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score.

On Track-13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument and these parts come with a licence for printing as many copies as needed directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation Sadie Harrison comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles approaches and sounds. There is something in here for everybody at whatever level and on whatever instrument. This is what GCSE Music teachers are crying out for and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb violin 'cello piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet 'cello piano Matthew Roddie — Gone Clubbin' for violin 'cello Thomas Simaku — From Across the Sea for 2 flutes clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Luís Tinoco — Diversion for four instruments 13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all theparts for all the pieces and transpositions for any in

Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus. Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus.

For two voices. Published in 1974. Score. For two voices. Published in 1974. Score.

For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981. For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981.

For Folk Violin Folk Melodeon plus Flute (doubling alto flute) Clarinet (doubling bass clarinet) Violin Cello Piano Percussion. For Folk Violin Folk Melodeon plus Flute (doubling alto flute) Clarinet (doubling bass clarinet) Violin Cello Piano Percussion.

For Contralto and Piano. Published in 1979. Text by Flaubert. First performed by Susan Tyrrell David Owen Norris Purcell Room 7th January 1980. Score. For Contralto and Piano. Published in 1979. Text by Flaubert. First performed by Susan Tyrrell David Owen Norris Purcell Room 7th January 1980. Score.

11 claims and a turn for student pianists for solo Piano. 11 claims and a turn for student pianists for solo Piano.

For SATB Choir. Published in 1984. Commissioned by the Choir of St James's Piccadilly. First performed by the Choir of St James's PIccadilly on 11th May 1984 conducted by Harry Bickett. Choral Score. For SATB Choir. Published in 1984. Commissioned by the Choir of St James's Piccadilly. First performed by the Choir of St James's PIccadilly on 11th May 1984 conducted by Harry Bickett. Choral Score.

For Bass Voice and Piano. Published in 1970. Text from the Opera 'Isis and Osiris' Op.74 First performed by David Read and Susan Bradshaw BBC. Score. For Bass Voice and Piano. Published in 1970. Text from the Opera 'Isis and Osiris' Op.74 First performed by David Read and Susan Bradshaw BBC. Score.

My music is influenced by all kinds of polyphonic writing - meaning both vocal and instrumental varieties. Recently I have become interested in the ways in which musical forms based on rhythmic processes can enable layering to emerge so that harmonies and textures coexist rather than resolve. Chamber Concerto scored for seven players (Flute Clarinet Bass Clarinet Horn Piano Violin Cello) works with this idea in a piece conceived for the virtuoso musicians of The New Music Players. The work is in four movements. - Ed Hughes Chamber Concerto was first performed by The New Music Players conducted by Patrick Bailey Kings Place London Out Hear Series 27September 2010. ' My music is influenced by all kinds of polyphonic writing - meaning both vocal and instrumental varieties. Recently I have become interested in the ways in which musical forms based on rhythmic processes can enablelayering to emerge so that harmonies and textures coexist rather than resolve. Chamber Concerto scored for seven players (Flute Clarinet Bass Clarinet Horn Piano Violin Cello) works with this idea in apiece conceived for the virtuoso musicians of The New Music Players. The work is in four movements. ' - Ed Hughes Chamber Concerto was first performed by The New MusicPlayers conducted by Patrick Bailey Kings Place London Out Hear Series 27 September 2010.

Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score. Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score.

15': Concerto for solo violin with string orchestra and percussion (1) 15'; Concerto for solo violin with string orchestra and percussion (1)

Study Score. For Viola and Orchestra. Study Score. For Viola and Orchestra.

For Soprano Flute Oboe and Violin. Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.For Soprano Flute Oboe and Violin. Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in anycombination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The durationof Wessex Heights is about an hour.

Written in 2006. Duration: 7 minutes. For clarinet and string quartet (after W. A. Mozart) Written for Sounds New Mozart NOW Festival. First performance 2006. Written in 2006. Duration: 7 minutes. For clarinet and string quartet (after W. A. Mozart) Written for Sounds New Mozart NOW Festival. First performance 2006.

Published 1991. Commissioned by Tokyo Summer Festival. First performance: Tokyo (Tokyo Summer Festival) 1991 Yasunori Yamaguchi Sumire Yoshihara Atsushi Sugawara. Published 1991. Commissioned by Tokyo Summer Festival. First performance: Tokyo (Tokyo Summer Festival) 1991 Yasunori Yamaguchi Sumire Yoshihara Atsushi Sugawara.