For Flute Mime 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977. For Flute Mime 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977.

For Orchestra (triple winds). Published in 1977. 3(all+picc 3rd+afl).3(3rd+ca).3(3rd+Ebcl bcl).3(3rd+cbn) / 4.4.3(2T 1B).1 / amplified harp.pf.6perc / 12.12.12.10.8 Commissioned by BBC. First performance: BBCSO conductor Pierre Boulez Paris 1977. Score. For Orchestra (triple winds). Published in 1977. 3(all+picc 3rd+afl).3(3rd+ca).3(3rd+Ebcl bcl).3(3rd+cbn) / 4.4.3(2T 1B).1 / amplified harp.pf.6perc / 12.12.12.10.8 Commissioned by BBC. Firstperformance: BBCSO conductor Pierre Boulez Paris 1977. Score.

For Flute Clarinet Percussionist (Marimba and Vibraphone) Piano Violin and Cello. First published in 1999. For Flute Clarinet Percussionist (Marimba and Vibraphone) Piano Violin and Cello. First published in 1999.

For Orchesta. Score. For Orchesta. Score.

For Tuba 3 Mimes Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival Rotterdam Holland 1979. For Tuba 3 Mimes Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival Rotterdam Holland 1979.

For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Study Score. For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Study Score.

For Sopranino-Saxophone and Flute. Published 1978. Commissioned by Ryo Noda. First performance: Tokyo 1978 Ryo Noda (sax) Yukihiko Nishizawa (fl) For Sopranino-Saxophone and Flute. Published 1978. Commissioned by Ryo Noda. First performance: Tokyo 1978 Ryo Noda (sax) Yukihiko Nishizawa (fl)

For Flute Clarinet Violin Viola Cello and Piano. Commissioned by the Australia Ensemble. First performance: Sydney June 1985. For Flute Clarinet Violin Viola Cello and Piano. Commissioned by the Australia Ensemble. First performance: Sydney June 1985.

For SSATBB choir. For SSATBB choir.

For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recorded and broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992. For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recordedand broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992.

The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and political conspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both have the same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmentedstructure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by Double Image (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and politicalconspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both havethe same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmented structure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by DoubleImage (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in

Times For Flying by Sadie Harrison Published 2000. Commissioned by Colin Lawson and Ian Mitchell. First performance: Goldsmiths College May 2000. Recorded on Clarinet Classics CC0032. 9'; for 2 clarinets Times For Flying by Sadie Harrison Published 2000. Commissioned by Colin Lawson and Ian Mitchell. First performance: Goldsmiths College May 2000. Recorded on Clarinet Classics CC0032. 9'; for 2 clarinets

Orchestra (double winds). Published 1995 Commissioned by Hiroyuki Iwaki and Orchestra Ensemble Kanazawa. First performance: Kanazawa Japan 1995 Hiroyuki Iwaki (cond) Orchestra Ensemble Kanazawa. Orchestra (double winds). Published 1995 Commissioned by Hiroyuki Iwaki and Orchestra Ensemble Kanazawa. First performance: Kanazawa Japan 1995 Hiroyuki Iwaki (cond) Orchestra Ensemble Kanazawa.

For String Quartet. Published 1976-7. First performance: the Medici Quartet Sir Jack Lyons Concert Hall York 15th June 1977. Study score. For String Quartet. Published 1976-7. First performance: the Medici Quartet Sir Jack Lyons Concert Hall York 15th June 1977. Study score.

For Brass Quintet and Tape. Published in 1970. Commissioned by the BBC and first performed by the Philip Jones Brass Ensemble London 1971. Score. For Brass Quintet and Tape. Published in 1970. Commissioned by the BBC and first performed by the Philip Jones Brass Ensemble London 1971. Score.

For Mezzo-Soprano Flute Clarinet Piano Percussion Violin Cello and Contrabassoon. Published 2001 Text by Tom Lowenstein. First performance: 19 May 2001 Brighton Festival; Louise Mott (mezzo) New Music Players conducted by Patrick Bailey. For Mezzo-Soprano Flute Clarinet Piano Percussion Violin Cello and Contrabassoon. Published 2001 Text by Tom Lowenstein. First performance: 19 May 2001 Brighton Festival; Louise Mott (mezzo) New Music Playersconducted by Patrick Bailey.

For string quartet. Published 2000. First performance: Kreutzer Quartet Newcastle International Chamber Music Festival December 1999. Parts. For string quartet. Published 2000. First performance: Kreutzer Quartet Newcastle International Chamber Music Festival December 1999. Parts.

For Oboe Bassoon Piano Guitar 2 Percussion Violin Published 1985. First performance: Tokyo 1985 Ryoichi Kawai (cond) Musica Practica Ensemble. For Oboe Bassoon Piano Guitar 2 Percussion Violin Published 1985. First performance: Tokyo 1985 Ryoichi Kawai (cond) Musica Practica Ensemble.

For 4 amplified voices and quad click-track tape. First published in 1985. Commissioned by Sound Art at Mobius and first performed by Electric Phoenix Mobius Gallery Boston USA 1985. For 4 amplified voices and quad click-track tape. First published in 1985. Commissioned by Sound Art at Mobius and first performed by Electric Phoenix Mobius Gallery Boston USA 1985.

For Soprano and Double Bass soloists 2 narrators large chamber ensemble tapes and live electronics. 0.0.3(all+bcl).0 / 1.1.1.0 / hp.2perc / 0.0.0.0.1 Commissioned by the BBC. First performed by Jane Manning Barry Guy John Baddeley and John Rye with London Sinfonietta conductor ELgar Howarth Liverpool 1973. Published in 1973. Score. For Soprano and Double Bass soloists 2 narrators large chamber ensemble tapes and live electronics. 0.0.3(all+bcl).0 / 1.1.1.0 / hp.2perc / 0.0.0.0.1 Commissioned by the BBC. First performed by JaneManning Barry Guy John Baddeley and John Rye with London Sinfonietta conductor ELgar Howarth Liverpool 1973. Published in 1973. Score.