The edition is part of the Trinity syllabus 2007 (grade 6 7 8)The edition is part of the ABRSM Summer 2006 syllabus (grades 7 8)

...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken (Oliver James Contact Magazine)A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts) country dance tunes and excerpts from the standart treble repertoire - Bach Barsanti Corelli Händel Telemann etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give in only a few minutes concentrated practice onthe more usual leaps to and from each new note and instant recognition of random notes.Quickly emulating the outstanding success of the descant tutors these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

The edition is part of the Trinity syllabus 2007 (grade 8)

Melodic mastery from Arnold Trowell. This book features 'Arioso' 'Valsette' and 'Meditation' from the '12 Morceaux Faciles'.

No. 1-3- Michael East 's Twelve Ayerie Fancies (volume 1) for SSAT Recorder Quartet.

“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts) country dance tunes and excerpts from the standart treble repertoire - Bach Barsanti Corelli Händel Telemann etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give in only a few minutes concentrated practice on the more usual leaps to andfrom each new note and instant recognition of random notes.Quickly emulating the outstanding success of the descant tutors these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Bist du bei mir / Komm süßer Tod- The edition is part of the ABRSM syllabus (grade 7)

Edward Elgar wrote relatively few works for the piano but his Salut d'amour Op.12 - Love's Greeting has proved to be very popular over time. Written when he was still a struggling little known composer this beautiful ode to his wife still shows all the compositional skill and imagination that are to be found in his larger-scale compositions. This arrangement is for Violin and Piano in D.

For up to 8 recorders For up to 8 recorders

Written when he was still a struggling little known composer Edward Elgar's beautiful ode to his wife still shows all the compositional skill and imagination that are to be found in his larger-scale compositions. Originally for Violin and Piano this version presents an enjoyable arrangement for solo Piano in the original key of E major.

A Child Of Our Time is probably Tippett's most celebrated work. It began life in 1938 when Tippett was searching for an appropriate subject for a full-scale oratorio which would be modelled on Handel's Messiah and Bach's Passions . With the Second World War and particularly the news of Kristallnacht in Nazi Germany the idea for A Child Of Our Time was born. He enriched the work with Negro spirituals the perfect modern equivalent to Bach's chorales. The result is an exultant assertion of compassion and brotherhood against all divisions of race or religion. This is the Vocal Score with Piano reduction.

from Sonata No. 3 in F- Minuet And Variation from Sonata No.3 In F for Cello and Piano by William Flackton. It has been selected as part of the ABRSM Cello Syllabus Grade 5.

Nine poeces for Soprano Recorder with Piano accompaniment by by Jean-Philippe Rameau. Selected for the ABRSM Descant Recorder examinations grade 4 and 5.

These five spirituals for unaccompanied chorus despite the occasional appearance of complexity are basically simple: the harmony indeed is of the simplest possible. The apparent complexity arises primarily from the number of parts which are not however all real parts. These in fact seldom comprise more than the traditional four. Lines are frequently doubled at the octave rather in the manner of organ registration so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner mustbe selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect even to the extent of using low female voices for the high registers of written tenor parts or high male voices for the low registers of written alto parts etc.The only parts which are strictly differentiated are those marked Leader. These should be an individual voice standing out from the choir sufficiently to lead the singing both in the words and in the music. They need not be soloists engaged from outside.If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.

Dance Music-The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

For Flute and Piano-The edition is part of the Trinity syllabus 2007 (grades 4 & 5)

Voice and Keyboard Nr. 4-Henry Purcell's 'Twas Within A Furlong Of Edinborough Town is a delightful piece in the style of a folk-song which has been arranged for Low Voice with Piano accompaniment by Michael Tippett and Walter Bergmann. Henry Purcell's 'Twas Within A Furlong Of Edinborough Town is a delightful piece in the style of a folk-song which has been arranged for Low Voice with Piano accompaniment by Michael Tippett and Walter Bergmann.

Part of the Modern Recorder Series.

Also suitable for violins

Barsanti Sonata No. 1 for Treble recorder and keyboard with optional cello.