A Christmas Carol (Hungarian folksong)-The piece was written originally for equal voice choir in 1929. A mixed-choir adaptation was made in 1961 at the request of Oxford University Press. This appeared in print in the same year with an English text under the title A Christmas Carol in a collection of Christmas songs as well as in a separate print. The musical material of the mixed-choir version largely follows the original. There is one essential difference in verse 5 beginning at bar 35 (Babe all holy) where the tenor solo appears with a delightful eight-bar countermelody not found in the original. Since this version only appeared in Kodály's lifetime with an English text this has been retained but we havealso provided the original Hungarian text upon which the equal voice version is based. Zoltán Kodály's complete choral works for mixed voices were published in a new extended edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Péter Erdei one of the most devoted interpreters of Kodály's choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodály Archives in Budapest. The publication features new easily-legible music scores edited on uniform principles. For better readability the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodály's complete choral works for mixed voices. It has the same format as the volume and has been printed on excellent-quality pale-yellow paper.

Violin Music for Beginners 2

Easy songs from four centuries in six languages for high voice-A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period it seeks to help beginner-level students of voice teachers and répétiteurs and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty and all of them are available for high and low voices (a volumes for high voices b volumesfor low voices). Each volume is a complete unit in itself including all six languages (English French German Italian Russian and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs as well as all the original texts recited by native speakers.

An ABRSM syllabus title 2010-16 Grade 7. A fabulous Sonatina For Cello And Piano by Pal Jardanyi.

Violoncello Music for Beginners 1-ABRSM Syllabus title - Grade 2. This is a collection of popular classics and European folk tunes arranged for beginning cellists. The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. 30 pieces for cello. Edited by Endre Lengyel and Arpad Pejtsik.

An ABRSM syllabus title 2010-16 Grade 2. Repertoire Album for Cello with pieces set on the ABRSM syllabus.

This edition was published for the first time in 1964 for the 400th anniversary of Shakespeare's birth. Pyotr Ilyich Tchaikovsky's Romeo and Juliet for solo Piano.

(oder Flöte oder Violine) mit Cembalo- oder Klavierbegleitung-This is a collection of ballet movements selected from Händel?s operas Il pastor fido Alcina Almira and Rodrigo and arranged as four ?opera suites? in accordance with the practice of the period. The volume is intended for music school students: some of the pieces can be mastered after just a year or two of recorder study from among the more difficult ones the more advanced students can select the pieces that best suit their level of ability. George Frideric Handel's Ballet Music for Descant Recorder and Piano.

ABRSM Syllabus title 2010-15 Grade 4

mit Begleitung einer zweiten Violine-Charles Dancla's Studies For Violin Op.68 with accompaniment of a second Violin.

Lajos Bardos' Cantemus! for SATB.

New edition based on the composer's manuscript-This edition of the three concert études is the first and only for which the composer's autograph has been taken into consideration. This allows Liszt's popular piano cycle to be seen in the most authentic form available today.No closer information has emerged about the origins of the études which appeared in 1849. The autograph which contains all three studies in complete form with elaborated notation and furnished with performance markings appeared in a catalogue in the mid-1930s. But after it was bought by the French pianist François Lang (1908-1944) there were doubts about its whereabouts for several decades. So even Volume I/2 of the complete New Liszt Edition publishedby Editio Musica Budapest in 1971 could rest only on the notation of the first printed editions. This edition of the three concert études is the first and only for which the composer's autograph has been taken into consideration. This allows Liszt's popular Piano cycle to be seen in the most authentic form available today. No closer information has emerged about the origins of the études which appeared in 1849. The autograph which contains all three studies in complete form with elaborated notation and furnished with performance markings appeared in a catalogue in the mid-1930s. But after it was bought by the French pianist François Lang (1908-1944) there were doubts about its whereabouts for several decades. So even Volume I/2 of thecomplete New Liszt Edition published by Editio Musica Budapest in 1971 could rest only on the notation of the first printed editions. The new version edited by Adrienne Kaczmarczyk that appears here pays close heed to the points where knowledge of the manuscript calls for alteration and addition. The autograph also used as the engraver's copy confirms an earlier suspicion. The widely used subtitles (1. Il lamento 2. La leggerezza and 3. Un sospiro) were thought to be alien to Liszt's approach and are now known not to originate from the composer. They were presumably dreamed up by a Paris publisher.

für ein und zwei Melodieinstrumente und Basso continuo- Contents: 1. Marini Biagio: La vetrestain. Corente (Affetti Musicali. Venezia 1617) 2. Marini Biagio: La caotorta. Gagliarda (Affetti Musicali. Venezia 1617) 3. Marini Biagio: Il boncio. Brando (Affetti Musicali. Venezia 1617) 4. Marini Biagio: La soranza. Aria (Affetti Musicali. Venezia 1617) 5. Marini Biagio: Balletto. Allemano (Sonate da Chiesa e da Camera opera XXII. Venezia 1655) 6. Marini Biagio: Balletto (Sonate da Chiesa e da Camera opera XXII. Venezia 1655) 7. Marini Biagio: Gagliarda (Sonate da Chiesa e da Camera opera XXII. Venezia 1655) 8. Marini Biagio: Zarabanda (Sonate da Chiesa e da Camera opera XXII. Venezia 1655) 9. Marini Biagio: Corrente (Sonate da Chiesa e da Camera opera XXII. Venezia 1655) 10. Rossi Salamone: Brando (Il terzo libro de varie sonate sinfonie gagliarde brandi e corrente. Venezia 1623 1638) 11. Rossi Salamone: Brando (Il quarto libro de varie sonate sinfonie gagliarde brandi e corrente. Venezia 1622 1642) 12. Rossi Salamone: Gagliarda detta la turca (Il terzo libro...) 13. Rossi Salamone: Gagliarda detta la silvia (Il terzo libro...) 14. Rossi Salamone: Corrente (Il terzo libro...) 15. Cazzati Maurizio: Balletto (Partitura di correnti e balletti. Bologna 1662 1663 16. Cazzati Maurizio: Corrente (Partitura di correnti e balletti. Bologna 1662 1663 17. Cazzati Maurizio: Balletto (Partitura di correnti e balletti. Bologna 1662 1663 18. Cazzati Maurizio: Corrente (Partitura di correnti e balletti. Bologna 1662 1663 19. Cazzati Maurizio: Balletto (Partitura di correnti e balletti. Bologna 1662 1663 20. Cazzati Maurizio: Corrente (Partitura di correnti e balletti. Bologna 1662 1663

Sheet Music and Songbooks