for Piano (duet and six hands) and for two pianos- György Kurtág's Transcriptions from Machaut to J. S. Bach for Piano Duet (Six Hands).

The edition contains two sonatas originally written for flute and recorder. The trumpet parts of the fine transcriptions are of medium difficulty and provide good opportunity for trumpet players to widen their repertory in the field of early music. An ABRSM syllabus title 2010-17 Grade 6-7. The edition contains two sonatas originally written for Flute and Recorder. The Trumpet parts of the fine transcriptions are of medium difficulty and provide a good opportunity for Trumpet players to widen their repertory in the field of early music.

An ABRSM syllabus title 2010-17 Grade 5-6. Edited by Varasdy Frigyes and Orbán György.

An ABRSM syllabus title 2010-17 Grade 6-7. Bass clef Trombone.

for Flute and Basso continuo nos. 1 - 6-An ABRSM syllabus title 2014-21 Grade 5-6. Benedetto Marcello (1686-1739) published his flute sonatas Op. 2 in 1712 in venice. This was the first printed sheet music in italy to prescribe explicity and exclusively the use of tfe flauto. Marcello may have modelled his work on the sonata-cycle op. 5 by Corelli which appeared in 1700. In this cycle Corelli summed up the possibilities of violin technique and the related compositional technique of his age. For his part Marcello did the same for flautists. The flute sonatas soon became popular and have remained so ever since: three different editions have survived from the 18th century. The present edition (Z. 13476 Z. 13477) wasproduced by collating the three 18th-century sources. Urtext edition of Marcello: 12 Sonatas for Treble Recorder and Continuo - Volume 1 (Sonatas 1-6)Sonata I in F MajorSonata II in D MinorSonata III in G MinorSonata IV in E MinorSonata V in G MajorSonata VI in C Major

Little Pieces for Violin and Piano-The first volume of Bartok's Pour Les Enfants or For Children Violin and Piano.

Werke aus dem 17-18. Jahrhundert für Violoncello gesetzt- Cello transcriptions from the 17th and 18th Centuries arranged by Ferenc Brodszky.

.Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto) and sets of variations (Beethoven Tartini) there aremany shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin’s Ragtime. Two volumes entitled Cello Meets Piano edited and published by arpad Pejtsik were issued many years ago by the Konemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson's Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata 2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorak Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ball

per flauto dolce e basso continuo-An ABRSM syllabus title 2014-21 Grade 6-8. 1. Sonata in do minore (orig. sol minore) RV 27 2. Sonata in do maggiore (orig. sol maggiore) RV 23 3. Sonata in re minore (orig. si minore) RV 36 4. Sonata in fa minore (orig. do minore) RV 8 4 Sonatas by Vivaldi for Treble Recorder and Continuo transcribed from the Violin Sonatas: Sonata in C Minor (RV 27 originally in G Minor) Sonata in C Major (RV 23 originally in G Major) Sonata in D Minor (RV 36 originally in B Minor) Sonata in F Minor (RV 8 originally in C Minor)

An ABRSM syllabus title.

Parte seconda (No. 51-100)-The sonatas are not grouped according to their degree of difficulty they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) The sonatas are not grouped according to their degree of difficulty they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

Zoltan Kodaly's Turot Eszik A Cigany for SATB.

Erstausgabe

per viola archi e cembalo RV 417 (F. III. No. 15 P.V. 369)

Extended and Revised Cloth Bound Edition

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok-Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions commentaries and fingerings for the performer) of several classics of the piano repertoire altogether more than two thousand pages of music. Bartók's editing reflects contemporary ideas about performance but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions commentaries and fingerings for the performer) of several classics of the piano repertoire altogether more than two thousand pages of music. Bartók's editing reflects contemporary ideas about performance but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.

(Nagyszalonta)