Anonymous medieval melody trasncribed for guitar solo by Venancio Garcia Velasco. Anonymous medieval melody trasncribed for guitar solo by Venancio Garcia Velasco.

Estudio en la Mayor by Francisco Tarrega for the guitar. Estudio en la Mayor by Francisco Tarrega for the guitar.

A set of challenging and authentic Flamenco Guitar studies covering playing disciplines such as arpeggios slurs and tremolo picking. A set of challenging and authentic Flamenco Guitar studies covering playing disciplines such as arpeggios slurs and tremolo picking.

Zarzuela in one act.

Composed in 1968. Duration approx. 12 minutes. Arranged for Soprano and Orchestra: Piccolo Flute Oboe Clarinet Horn Trumpet Trombone Tuba Percussion Harp Strings. Spanish/English edition. Composed in 1968. Duration approx. 12 minutes. Arranged for Soprano and Orchestra: Piccolo Flute Oboe Clarinet Horn Trumpet Trombone Tuba Percussion Harp Strings. Spanish/English edition.

Garcia Leoz (1904 - 1953) was the favourite pupil of Turina whose nationalist style he followed in his own music while keeping his individuality. He had many popular successes and was twice winner of the National Music Prize. Garcia Leoz (1904 - 1953) was the favourite pupil of Turina whose nationalist style he followed in his own music while keeping his individuality. He had many popular successes and was twice winner of the National Music Prize.

Spanish Songs of the Renaissance for Voice and Piano

Text by Jaime Armiñan music by Cristobal Halffter.

Songs from the Zarzuela for Tenor with piano accompaniment including notes on the dramatic context of each song and English literal translations by Christopher Webber. This unique collection presents celebrated songs from Zarzula the popular Spanish tradition of music theatre which draws on elements of opera popular song dance and spoken drama. As well as providing an excellent selection of high quality vocal music the ever-increasing popularity of Zarzuela means that this collection of songs will be welcomed by a wide range of experienced singers students amateur musicians and audiences everywhere.

Félix Lavilla 's Canciones Para Violonchelo Y Piano features songs from the popular Basque songbook contributed to over many years by Lavilla and his student pianist and researcher Josu Okiñena . This valuable publication is considered Lavilla 's last great contribution to the Basque culture and is a continuation of his work recovering Basque musical heritage a project which he started in the 1950s with his wife and prestigious singer Teresa Berganza.

Dos Poemas De Juan Ramon Jimenez are settings of two poems by the Spanish Nobel Prize-winning poet arranged for either Voice and Flute or Voice and Piano (one hand). Written c. 1959 they were first performed in December 1962 in Valencia. A perfect gift for any young singer looking for quirky but easy performance pieces. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three which is believed to have heightened his hearing and inspired him to pursue a musical career. He began to study music five years later and became one of Spain’s most distinguished composers musicologists and pedagogues.

Motet for SSATB Choir.

Written for violin and piano. Written for violin and piano.

Las Canciones populares de Federico Garcia Lorca. Para Canto Y Piano. Las Canciones populares de Federico Garcia Lorca. Para Canto Y Piano.

The setting of a romantic text by E. Guanyabens for Voice and Piano by Enrique Morera.

Traditional Spanish songs composed by this Catalan composer and theorist (1665 - 1747) for voice flute and piano.

Sum Vermis is the setting of a poem by Jacinto Verdaguer for Soprano two Pianos and two Percussionists.

'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet. 'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet.

Text by Juana Ine De La Cruz music by Rodolfo Hallfter.

Bolero El Majo-Dos Piezas Para Guitarra by Bartolome Calatayud