The Festival Toccata is relatively well-known among the works of Fletcher and is popular as a wedding piece and for encores. The brilliance of Festival Toccata’s surface disguises the fact that one does not need to be a virtuoso to play it well and effectively.Percy Fletcher was an English composer conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres including His Majesty’s Theatre for the last seventeen years of his life. He was the Orchestrator and conductor for the big budget spectacular theatre piece Chu Chin Chowwhich ran for five years a record that remained unbroken for forty years. In addition to his myriad works of light music Fletcher also wrote a serious church cantata The Passion of Christ as well as the delightful children’s work The Walrus and the Carpenter.

A quick and highly entertaining setting for young or female voices arranged as a trio by H.A. Chambers. The setting includes a full Piano accompaniment and is ideal for school concerts or just for fun!

Anthem for SATB Choir and Organ.

No.3 of Six Elizabethan Pastorals. Arranged as a 2-part song by H.A. Chambers.

English composer Edward German was Musical Director of The Globe Theatre in London in 1888 when his incidental music brought his work to the attention of the public. He earned applause for his comic opera his serious works and his incidental music of which Orpheus With His Lute is a fine example.It was composed for a production of Shakespeare's Henry VIII and employs a lilting 3/8 melody to effectively convey the magical power of Orpheus's music.

Throughout his musical career Sir William Henry Harris (1883-1973)was engaged as Organist of New College Oxford Christ Church Cathedral Oxford and St. George’s Windsor.

The B.A.C.H. motif has been known and used for centuries but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature and is expressed in standard notation as Bb-A-C-B . The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral but sadly it wasn’t finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece no organist’s library iscomplete without it.

The Fantasia for Organ has been described as both ‘fleshy in its Romanticism’ and also by the composer as ‘quite severe in parts’ an apt combination for the vast changes of the beginning of the post-War era.York Bowne was a British composer whose fifty-year career musical career spanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at the Proms among other concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of Englishcomposers’ early in his career. His compositional style changed little throughout his life so that his later oeuvre was less celebrated than his earlier works as music fashion had moved on.

Work for Organ dating from 1909.

Savoyard Chant for Organ.

The famous Nimrod movement from the Enigma Variations. Arranged by W.H.Harris for organ.

Edited for Organ by Desmond Ratcliffe.

Work dating from 1934.

From '24 Sketches' for Organ (1855). From '24 Sketches' for Organ (1855).

Anthem for SATB Choir and Organ.

Edited by Maud Karpeles for the International Folk Council and arranged with piano accompaniment by Imogen Holst. The Songs in this book are taken from Folk Songs Of Europe an anthology of 183 songs from thirty European countries in which the original textes are given as well as English translations. This book contains English translations only. For unison voices and piano accompaniment.

Composition dating from 1913.

Francis Jackson 'S From A Railway Carriage For Unison Voice And Piano. This Piece Features Words By Robert Louis Stevenson. Francis Jackson 's From A Railway Carriage for Unison Voice and Piano. This piece features words by Robert Louis Stevenson.

Two Spanish Carols arranged for SSA and piano.

For Upper Voices (SSA) and Piano. Text: Richard H. Barham. For Upper Voices (SSA) and Piano. Text: Richard H. Barham.