This Ode was written by Purcell to welcome King Charles II back home to Windsor in 1680. It is arranged for soprano alto tenor and bass vocal parts.

When Love Speaks Is A Piece Composed By Owain Park For His Cycle 'Shakespeare Love Songs' Commissioned By The Maesbury Singers. This Work Is Arranged For Unaccompanied Satb Choir. The Cycle 'Shakespeare Love Songs' Is A Series Of Four Compositions That Set Shakespeare'S Words To Music. When Love Speaks Is A Setting Of Shakespeare'S Sonnet 116. Park'S Composition Certainly Does Justice To The Beauty And Universal Theme Of This Sonnet. When Love Speaks is a piece composed by Owain Park for his cycle 'Shakespeare Love Songs' commissioned by The Maesbury Singers. This work is arranged for Unaccompanied SATB Choir. The cycle 'Shakespeare Love Songs' is a series of four compositions that set Shakespeare's words to music. When Love Speaks is a setting of Shakespeare's Sonnet 116. Park's composition certainly does justice to the beauty and universal theme of this sonnet.

The Village Organist Book 44 contains six beautiful pieces arranged for solo Organ suitable as introductory or concluding voluntaries respectively and has been edited by John E. West. This music is suitable for Lent and Holy Week.

Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces Pastorale Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed. Brimming with melodic invention and radiant lyricism the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord with an Elgarian influence firmly on its sleeve. Romance exhibits the best kind of artistic simplicity a musical love-letter featuring an achingly heartbreaking conversation between the two instruments often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance a fitting end to this series of dialogue between the Violin and Piano. Ian Venables ' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments.

Going North was commissioned by the Young People’s Chorus of New York for ‘Transient Glory the Voices of Children’ Francisco J. Nunez artistic director. First performed at the Transient Glory Concert on 29th April 2006 at the Ethical Culture Society New York City. The composer writes of her composition 'It is challenging to find a way to compose that hopefully will be interesting and fun for young people and yet not too difficult. A major concern of course is to find the right text: something that will be appreciated by urban young people. I thought that this 'nonsense' poem of John Keats would be highly suitable. It is set for young voices soprano and alto andaccompanied by two clarinets.' Going North was commissioned by the Young People’s Chorus of New York for ‘Transient Glory the Voices of Children’ Francisco J. Nunez artistic director. First performed at the Transient Glory Concert on 29th April 2006 at the Ethical Culture Society New York City. The composer writes of her composition 'It is challenging to find a way to compose that hopefully will be interesting and fun for young people and yet not too difficult. A major concern of course is to find the right text: something that will be appreciated by urban young people. I thought that this 'nonsense' poem of John Keats would be highly suitable. It is set for young voices soprano and alto andaccompanied by two clarinets.'

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir with funds from Arts Council England. Received its première in St Mary’s Church Dorchester in a performance on 22nd May 2004 conducted by David Gostick. The piece includes the options of Harp and Percussion players to ad lib.

The classic standard Blue Moon composed by Richard Rodgers and Lorenz Hart is here arranged by David Nield for unaccompanied Alto Tenor Baritone and Bass Choir with a Piano Accompaniment for rehearsal purposes. Having been covered innumerable times thanks to its wonderful melody and meaningful lyrics now Blue Moon has been arranged for Choir letting you perform your own unique version of this popular ballad. The classic standard Blue Moon composed by Richard Rodgers and Lorenz Hart is here arranged by David Nield for unaccompanied Alto Tenor Baritone and Bass Choir with a Piano Accompaniment for rehearsal purposes. Having been covered innumerable times thanks to its wonderful melody and meaningful lyrics now Blue Moon has been arranged for Choir letting you perform your own unique version of this popular ballad.

Novello Ladies Barbershop-A series of outstanding songs taken from the bestselling Close Harmony Ladies’ Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women’s choirs. Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal.

Work for Organ dating from the early 20th Century.

Madrigal for four voices (SATB) with accompaniment. Words imitated and adapted from the original Italian by W.S.Barrett. May be sung by male voices in the key of E Flat.

An Opera in 3 acts.

Concerti Grossi by Simon Bainbridge was commissioned by the Northern Sinfonia and first performed at The Sage Gateshead by the Northern Sinfonia conducted by Thomas Zehetmair on 4 June 2010. Concerti Grossi by Simon Bainbridge was commissioned by the Northern Sinfonia and first performed at The Sage Gateshead by the Northern Sinfonia conducted by Thomas Zehetmair on 4 June 2010.

Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ssa Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements a Barcarola a Serenata a Scherzo and an Epilogue.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ‘An American Werewolf in London’ was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by Simon Foxley & Christopher Hussey for SATB choir makes the evocative standard a welcome addition to the Novello Choral Pops series. The juxtaposition of melancholy and melodic creates a bittersweet atmosphere of love and lust perfect for a classicallyromantic addition to your choir's repertoire. Your choir's own interpretation of this standard will thrill audiences invigorating the already-long list of cover versions.

A collection of songs arranged for medium voice and piano. First performance was given 5 May 1994. Duration c.17 minutes. A collection of songs arranged for medium voice and piano. First performance was given 5 May 1994. Duration c.17 minutes.

Dramatic Music Part 1 (Full Score)-A highly authoritative and accurate edition of Henry Purcell's Dramatic Music with a wide selection of his Vocal and Instrumental music for the stage. This edition has been edited under the supervision of the Purcell Society by Margaret Laurie.

Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me . Marvin Hamlisch and Carole Bayer Sager’s song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon’s longest-charting hit and the title of her greatest hits album. This choral version has been arranged for male voice TTBB choir with Piano accompaniment by Thomas Lydon.

Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label. 'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music. It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds. In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales. A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.' Edward Gregson - December 2011 Instrumentation: Solo oboe Solo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)

Originally composed by Andrew Lloyd Webber with lyrics by Jim Steinman this soaring and tender ballad from the musical Whistle Down The Wind was a chart hit for Boyzone in 1998 reaching number one in 18 countries including the UK. No Matter What has been specially arranged by Peter Foggitt for SATB choir with piano accompaniment.