Gladys Knight: Licence To Kill is the theme song from the James Bond film of the same name. This powerful piece is perfect for any Choral group. Gladys Knight: Licence To Kill has been beautifully arranged by Thomas Lydon for S.A.T.B Choir and Piano.

Three hymn tunes bought in line with modern sensibilities and arranged for unison voice and organ.

This work was commissioned by the Cheltenham International Festival with funds from South West Arts.

Sleep Adam And Take Thy Rest is a work by Henry Purcell for Voice Continuo and Organ Accompaniment. It is a setting of a poem by an unknown lyricist.

Winner of the Turner Prize in 2001 British artist and musician Martin Creed is one of the most eminent artists of his generation. As a centrepiece of the Chorus festival Southbank Centre invited artist Martin Creed to create a version of his Work No. 409 specially for the JCB glass lift in Royal Festival Hall in which visitors’ journeys are accompanied by the recorded voices of Voicelab singers rising as the lift rises and descending as it falls. Winner of the Turner Prize in 2001 British artist and musician Martin Creed is one of the most eminent artists of his generation. As a centrepiece of the Chorus festival Southbank Centre invited artist Martin Creed to create a version of his Work No. 409 specially for the JCB glass lift in Royal Festival Hall in which visitors’ journeys are accompanied by the recorded voices of Voicelab singers rising as the lift rises and descending as it falls.

Sonatas V-VII-The Works of Henry Purcell Volume 7. Sonatas V-VII with Appendix 1

Arranged for Piano by John York. These dances were composed early in 1957 and are dedicated to the BBC Light Music Festival. They are based on original melodies except one the melody of which was composed by Robert Burns.

Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus the unison harmonies totally reinvigorating these favourite pop songs. From the classic rock anthem of the 1980s in Toto's Africa to the modern pop heartbreaker All Of Me by John Legend these are great songs with even greater arrangements. The unabashed positivity of Nico & Vinz's Am I Wrong makes a fantastic counterpart to the optimism in the face of pain represented by the arrangement of the traditional gospel song Take MyHand Precious Lord a tune used to wonderfully affecting effect in the recent film 'Selma'. Finally this fresh pop choral setlist is rounded off nicely with Ed Sheeran's Thinking Out Loud a beautiful love song in which the power and emotion of the words will enhance the performance. Arranged for SAT (Soprano/Alto/Tenor) Choir these songs are designed to be sung to backing tracks but Piano accompaniments and Guitar chord boxes are included for rehearsal purposes or if you wish to perform with a live band. Aside from De-Lisser's incredible arrangements this pack includes an innovative and user-friendly download card with performance backing tracks full demonstrations and individual rehearsal tracks of each Vocal part recorded by members of ACM Gospel Choir. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. Mark De-Lisser is a celebrated Vocal Coach and Choral Director who has been featured on BBC1's 'Last Choir Standing'. His extensive introduction and notes within this songbook bring a personal touch as De-Lisser really is passionate about getting people singing improvising and most of all enjoying themselves. The new Choral arrangements of these fantastic pop tracks are ideal for spicing up a performance with these Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus the unison harmonies totally reinvigorating these favourite pop songs. From the classic rock anthem of the 1980s in Toto's Africa to the modern pop heartbreaker All Of Me by John Legend these are great songs with even greater arrangements. The unabashed positivity of Nico & Vinz's Am I Wrong makes a fantastic counterpart to the optimism in the faceof pain represented by the arrangement of the traditional gospel song Take My Hand Precious Lord a tune used to wonderfully affecting effect in the recent film 'Selma'. Finally this fresh pop choral setlist is rounded off nicely with Ed Sheeran's Thinking Out

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John’s College Cambridge and was premièred under the direction of David Hill in the College chapel on 25th November 2006. Written for Advent the work aims to highlight the yearning that all societies have in their time of need for guidance from beyond their community. By coincidence however this composition was completed on the eve of 29th August 2006 one year after Hurricane Katrina one of the deadliest in the history of the United States made landfall in Louisiana. Looking at Raine’s words in this context (‘Go back my child to the rain and storm’ ‘I will not go back for sorrow or pain’) the poem can be seen to echo the conflicted and anguished thoughts of displaced New Orleanians. The original Advent sense ofdesired guidance takes on a specific if unintentional significance with regards to the tragic outcome of that hurricane; this is emphasized by the bluesinflectedharmonies found throughout Threshold of Night .

'Commuting Sketch' arranged for mixed voices ATTB.

A setting of the evening canticles for SATB Choir and Organ. For John Scott Whiteley and the girls and gentlemen of York Minster Choir.

Anthem with recorders oboe strings ATB soloists and mixed voice choir. Edited by Bruce Wood. Swifter Isis swifter flow is taken from Volume 15 of the Purcell Society Edition ‘Royal Welcome Songs Part I’ and instrumental parts are available for sale separately.

Three movements for piano written by the composer.

The Works of Henry Purcell Volume 7 Sonatas V-VII

Catches (Paperback)- The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Cloth edition available: NOV151103-01.

Shakespeare Love Songs Features Settings Of Four Shakespeare Texts To Music For Unaccompanied Satb Divisi Choir. Composer Owain Park Was Commissioned By The Maesbury Singers Conducted By Ian Macleod-Jones For This Wonderful Work. The Four Songs Included Are Love Is A Smoke From 'Romeo & Juliet' Love Whose Month Is Ever May So Sweet A Kiss And When Love Speaks All From 'Love'S Labours Lost'. Shakespeare Love Songs features settings of four Shakespeare texts to music for unaccompanied SATB divisi choir. Composer Owain Park was commissioned by The Maesbury Singers conducted by Ian MacLeod-Jones for this wonderful work. The four songs included are Love Is A Smoke from 'Romeo & Juliet' Love Whose Month Is Ever May So Sweet A Kiss and When Love Speaks all from 'Love's Labours Lost'.

Composed in 1967

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Written for Organ solo. Opus 141. I.Recitative II.Aria III.Funeral March IV.Epilogue