Work for Double Woodwind Quintet based on the sixteenth century French popular song A l’ombre d’un buissonet first printed in La Couronne et Fleur (1536).

Two inspiring works written by Edward Elgar and arranged for Viola by Alan Arnold with simple piano accompaniment.

The Novello Primary Chorals is a collection of seven Easy Hit songs that children will absolutely love to sing. With simple vocal arrangements and easy Piano accompaniment these top pop hits are guaranteed to get children enjoying singing. This fantastic collection of seven of the biggest hits of the past year or two will make any child excited at the prospect of being able to sing popular songs that they know and love. Gone are the days of the boring classical choral works in are the modern pop melodies and upbeat harmonies. With songs like Ho Hey by The Lumineers to Taylor Swift's Shake ItOff and Beyoncé's Halo these are some of the biggest tunes in the world right now and the easy vocal arrangements will get children singing them and having fun straight away. Not only this but to make it even easier for young singers the Novello Primary Chorals: Easy Hits comes with a download card featuring sound-alike backing tracks as well as vocal demonstrations so that you and your group will be able to hear exactly how each song should sound before taking the spotlight and singing along to professionally-recorded backing tracks. The download cards are remarkably easy to use simply input the code on the website we provide and download the tracks straight to your computer. With seven great contemporary pop tunes your choir is sure to love singing songs like Happy by Pharrell Williams Jessie J's Price Tag Katy Perry's Roar and of course What Makes You Beautiful by One Direction. With a Piano accompaniment and Guitar chord symbols included too a child that can play an instrument will be able to accompany and enjoy playing with a larger group. Featuring seven of the best contemporary pop tunes Easy Hits from Novello Primary Chorals will guarantee

This edition with additional orchestration attributed to Mozart has been made possible thanks to the generosity of Halifax plc. The first performance of this edition (sung in English) was given on 23 June 2002 in the Victoria Theatre Halifax by the Halifax Choral Society and the North of England Chamber Orchestra conducted by John Pryce-Jones. The first German performance was given on 11 June 2004 in the Moritzkirche Halle with the MDR Rundfunkchor und Sinfonieorchester conducted by Howard Arman.

For Voice and Piano. For Voice and Piano.

Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew’s Church Presteigne. Composer's Note 'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet – “Classical” in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed. The only break with “classical” tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn’s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'

British composer Patrick Hawes has crafted a beautiful work The Dane Tree for a Baritone Soloist SATB Chorus Oboe Trumpet Timpani and Strings. This sheet music contains only the Vocal Score : the Soloist and SATB Chorus. For this moving vocal piece Hawes has set the poem The Dane Tree by Alfred Noyes to an atmospheric composition in which the Baritone Soloist represents the Dane Tree of the poem. The work like most of Patrick Hawes 's compositions takes its influence from Baroque and Renaissance periods of classical music but also a love of nature. It is this affiliation that resounds in the poem on which this work is based about a solitary treewhich sees years and years of history where humans come and go but where the one constant through memories created and lost is the tree. British composer Patrick Hawes has crafted a beautiful work The Dane Tree for a Baritone Soloist SATB Chorus Oboe Trumpet Timpani and Strings. This sheet music contains only the Vocal Score : the Soloist and SATB Chorus. For this moving vocal piece Hawes has set the poem The Dane Tree by Alfred Noyes to an atmospheric composition in which the Baritone Soloist represents the Dane Tree of the poem. The work like most of Patrick Hawes 's compositions takes its influence from Baroque and Renaissance periods of classical music but also a love of nature. Itis this affiliation that resounds in the poem on which this work is based about a solitary tree which sees years and years of history where humans come and go but where the one constant through memories created and lost is the tree.

A bright work for unison choirs (especially suited to school choirs) by Arthur Baynon with words by E.V. Knox. A bright work for unison choirs (especially suited to school choirs) by Arthur Baynon with words by E.V. Knox.

Ian Venables' Through These Pale Cold Days was composed in 2016 and is arranged for Tenor Viola and Piano with an approximate duration of 23 minutes.

Organ ad lib during Gloria and Credo. Written for Christ Church Cathedral Oxford.

April Sonatina is a work composed by John McCabe for Solo Violoncello in 2011/2. The piece lasts around 3 minutes and was dedicated to David Matthews on the occasion of his 70th birthday. April Sonatina is a work composed by John McCabe for Solo Violoncello in 2011/2. The piece lasts around 3 minutes and was dedicated to David Matthews on the occasion of his 70th birthday.

The Somerset folksong Dashing Away With The Smoothing Iron arranged by Keith Roberts for SATB choir. Piano accompaniment is included for rehearsal purposes only. The Somerset folksong Dashing Away With The Smoothing Iron arranged by Keith Roberts for SATB choir. Piano accompaniment is included for rehearsal purposes only.

The 1st Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus Violins and Piano.

Aulis Sallinen’s Barabbas Dialogues was commissioned by Naantali Music Festival. It received its first performance on 11 June 2004 at Naantali Church (part of the Naantali Music Festival) with Mari Palo (soprano) Riikka Rantanen (mezzo) Topi Lehtipuu (tenor) Petteri Salomaa (baritone) Juha Kotilainen (bass) Kalle Holmberg (narrator) Ralf Gothoni (conductor and piano) Mika Väyrynen (accordion) Elina Vähälä (violin) Arto Noras (cello) Petri Alanko (flute) Michel Lethiec (clarinet) and Ari-Pekka Mäenpää (percussion)

This James Bond theme tune was released in 1981 with the film starring Roger Moore. The vocalist Scottish singer Sheena Easton beat out the band Blondie to record the song which went on to become a chart success and nominated for an Academy Award. The soaring love song integrates the signature style of Bond themes usually composed by John Barry but this time written by Bill Conti and Mick Leeson. With a great use of dynamic range this SATB arrangement by Thomas Lydon captures the seduction of the classic Bond film. This James Bond theme tune was released in 1981 with the film starring Roger Moore. The vocalist Scottish singer Sheena Easton beat out the band Blondie to record the song which went on to become a chart success and nominated for an Academy Award. The soaring love song integrates the signature style of Bond themes usually composed by John Barry but this time written by Bill Conti and Mick Leeson. With a great use of dynamic range this SATB arrangement by Thomas Lydon captures the seduction of the classic Bond film.

Carol For Unaccompanied Voices was written in 2000. It was commissioned by the BBC for the BBC Singers and is scored for SATB chorus. The words are taken from a poem by W. R. Rodgers . Richard Rodney Bennett (1936-2012) was a British composer who lived and worked in New York. During his lifetime he was one of Britain’s most respected and versatile composers remaining fresh and popular throughout his long life and after his death. He wrote over 200 works for the concert hall and 50 scores for film and television. He was knighted for services to music in 1998.

A Northumbrian Folk-song arranged for SATB unaccompanied choir by David Stone. Includes Piano for rehearsal only.

Hofmann's Opus 19 No.6 is a majestic and stately Wedding Processional and has been arranged for Organ by J.B. Lott and C.C. Palmer. Hofmann's Opus 19 No.6 is a majestic and stately Wedding Processional and has been arranged for Organ by J.B. Lott and C.C. Palmer.

Arranged for Baritone solo and SATB (unaccompanied)

This English folk song will be recognised instantly by British listeners as the tune formed the first few opening bars of the ‘Radio 4 UK Theme’ – an orchestral arrangement of traditional British airs compiled by Fritz Spiegl – which was played every morning at the switch-on of BBC Radio 4 for almost 28 years. The lyrics of Early One Morning can be found in publications as far back as 1787 but the well-known melody was not printed until ca. 1855-1859 in William Chappell’s publication of his ‘National English Airs’. As is usual with folk art of any kind no two versions of the song agree beyond the second line although the subject is always thesame - a damsel's complaint for the loss of her lover. In this Novello edition Early One Morning is arranged for SATB Voices with Piano accompaniment for practice only by Thomas F. Dunhill .