New edition based on the composer's manuscript-This edition of the three concert études is the first and only for which the composer's autograph has been taken into consideration. This allows Liszt's popular piano cycle to be seen in the most authentic form available today.No closer information has emerged about the origins of the études which appeared in 1849. The autograph which contains all three studies in complete form with elaborated notation and furnished with performance markings appeared in a catalogue in the mid-1930s. But after it was bought by the French pianist François Lang (1908-1944) there were doubts about its whereabouts for several decades. So even Volume I/2 of the complete New Liszt Edition publishedby Editio Musica Budapest in 1971 could rest only on the notation of the first printed editions. This edition of the three concert études is the first and only for which the composer's autograph has been taken into consideration. This allows Liszt's popular Piano cycle to be seen in the most authentic form available today. No closer information has emerged about the origins of the études which appeared in 1849. The autograph which contains all three studies in complete form with elaborated notation and furnished with performance markings appeared in a catalogue in the mid-1930s. But after it was bought by the French pianist François Lang (1908-1944) there were doubts about its whereabouts for several decades. So even Volume I/2 of thecomplete New Liszt Edition published by Editio Musica Budapest in 1971 could rest only on the notation of the first printed editions. The new version edited by Adrienne Kaczmarczyk that appears here pays close heed to the points where knowledge of the manuscript calls for alteration and addition. The autograph also used as the engraver's copy confirms an earlier suspicion. The widely used subtitles (1. Il lamento 2. La leggerezza and 3. Un sospiro) were thought to be alien to Liszt's approach and are now known not to originate from the composer. They were presumably dreamed up by a Paris publisher.

Lajos Bardos' Cantemus! for SATB.

mit Begleitung einer zweiten Violine-Charles Dancla's Studies For Violin Op.68 with accompaniment of a second Violin.

ABRSM Syllabus title 2010-15 Grade 4

(oder Flöte oder Violine) mit Cembalo- oder Klavierbegleitung-This is a collection of ballet movements selected from Händel?s operas Il pastor fido Alcina Almira and Rodrigo and arranged as four ?opera suites? in accordance with the practice of the period. The volume is intended for music school students: some of the pieces can be mastered after just a year or two of recorder study from among the more difficult ones the more advanced students can select the pieces that best suit their level of ability. George Frideric Handel's Ballet Music for Descant Recorder and Piano.

This edition was published for the first time in 1964 for the 400th anniversary of Shakespeare's birth. Pyotr Ilyich Tchaikovsky's Romeo and Juliet for solo Piano.

An ABRSM syllabus title 2010-16 Grade 2. Repertoire Album for Cello with pieces set on the ABRSM syllabus.

Violoncello Music for Beginners 1-ABRSM Syllabus title - Grade 2. This is a collection of popular classics and European folk tunes arranged for beginning cellists. The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. 30 pieces for cello. Edited by Endre Lengyel and Arpad Pejtsik.

An ABRSM syllabus title 2010-16 Grade 7. A fabulous Sonatina For Cello And Piano by Pal Jardanyi.