From the Paramount and DreamWorks Motion Picture S- Saving Private Ryan is certainly one of Steven Spielberg's most powerful films. The brilliant John Williams score creates part of this power. Hymn to the Fallen one of the most powerful and emotional melodies which appears during the closing credits evokes a feeling of hope and strength amid the overall tone of reverence. Philip Sparke has transcribed this moving work for fanfare band using John Williams original orchestral score as the source. For added effect this work can also be performed with a wordless chorus with parts being available separately.

Guantanamera-GUANTANAMERA/4 VX MXTES(PERCUSSION AD LIB)GUITARE Plein Jeu no.216.

For SSATB Choir (Mixed Voices). Text: Liber Canticorum V For SSATB Choir (Mixed Voices). Text: Liber Canticorum V

SATB. Kodaly Z

Include Backing Tracks CD for piano.

No.4 from 'Les Songes merveilleux'

Pelle Gudmundsen-Holmgreen 's Chacun Son Son for Recorder and Orchestra. Full score. This piece is dedicated to Michala Petri and the Aalborg Symfoniorkester. Pelle Gudmundsen-Holmgreen 's Chacun Son Son for Recorder and Orchestra. Full score. This piece is dedicated to Michala Petri and the Aalborg Symfoniorkester.

Songs II for Low Voice and Piano Following the publication of Dvorak's early set of love songs Cypresses (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions. Songs II includes the mature works from Dvorak's late period. Besides the well-known cycle Love Songs and the less well-known cycle Three Modern Greek Songs the volume also contains some entirely unknown and previously unpublished pieces: Lullaby and the posthumously published Song from The Smith of Lešetín completedby Josef Suk. The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition. - Second volume of the new five-volume Urtext edition of the complete songs - First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor - Some songs appear for the first time in print - Vocal texts in three languages (Cz/Eng/Ger)

The sarabande originated in the early 17th century and is a stately dance in triple time. It was popular in France and Spain but as a dance it quickly spread throughout the courts of Europe and the style was soon adopted into instrumental music in dance suites for solo instruments as well as orchestra. Something of this style has influenced Simple Sarabande and although its harmonic language is perhaps more up-to-date it could be seen as a ‘period piece’.

No. 2 Dear Dark Head-SATB. Maw N

Flute Et Orgue - Cpj23- for flute and organ

This series aims to present the significant concert band works of Philip Sparke in a format that enables any player to study their music whether or not they get the chance to play these pieces with their own band.

SATB (Choral Score) (Latin). Kodaly Z

Georg Philipp Telemann (1681 - 1767). Concerto For Recorder And Flute In E Minor TWV 52:e1 . For Treble Recorder Flute Strings Basso continuo. Score and parts available for sale.

kleine Stücke für Klavier- This collection of fourteen pieces together entitled Puppets plays an exceptional role in the catalogue of early works by Bohuslav Martinu (1890-1959) namely in that it represents the first works by Martinu which transcended his initial attempts at composition and quickly found a publisher. Thanks to their lasting popularity particularly with young pianists they were ultimately published in numerous editions. (The way the pieces are numbered which the composer verifiably accepted however does not correspond to their actual chronological order - they were in fact written in reverse order so that Puppets III camefirst while Puppets I is the latest in the series.) All three books of Puppets which emerged between the years 1912 and 1925 and despite their title differ from one another in their aesthetic approaches and progressive maturity are published by EditioBärenreiter in new revised urtext editions edited by Ales Brezina. This urtext edition with its relatively comprehensive preface describing the circumstances surrounding the advent of the work is supported by the latest research and an assessment of all known and accessible sources which the editor presents and clarifies in detail in his critical commentary to the second and third books of Puppets . Thus Puppet's Ball (No. 4) is also published in the third book in two separate versions - in a newer version based on the first edition on which Martinu very probably collaborated and which introduces apart from other changes entirely new music as well in the middle part and in an earlier version based on the autograph. Thanks to its witty musical ideas and the composer's empathy for children and their intellectual world Puppets has since its first edition always been highly popular among performers. Contents: Pierrots Serenade Waltz of a Sentimental Puppet Colombine Puppet's Ball

One of the biggest hits of WetWetWet has been arranged in an excellent way by George Moreau. ‘Love is all around’ will certainly please the young audience.

Vol. 1 - 1 A 5- 1.Berceuse; 2.Hornpipe; 3.Choral; 4.Claire Fontaine; 5.Le Jeux du Sapin

Medieval Pieces for Recorder Duet (SA or SS) edited by Graham Coles. Contents: 1. Fenice Fu' - Jacopo da Bologna 2. Plus Dure - Guillaume de Machaut 3. Estampie - Anon 4. Rex Virginum - Anon 5. Io Son Un Pellegrin - Giovanni da Florentia 6. Nowel Syng We - Anon 7. Roma Gaudens Jubila - Conductus 8. Tant con je vivrai - Adam de la Halle 9. Ave gloriosa mater - Anon 10. Ductia - Anon

Modes 1 and 2

Dødssejleren Efter Liszt-Mistèrio (Dødssejleren) efter Liszt. Instrumentation: Orchestra. B37 Mistèrio (Dødssejleren) efter Liszt. Instrumentation: Orchestra. B37