Cello Piano. Banter H

An anthem written for SATB choir and organ suitable for Harvest. Biblical text from James 1 vv 17 Romans 8 vv 32 31 & Habakkuk 3 vv 17-19.

This is a wonderful Magnificat And Nunc Dimittis setting written in the key of G for Unison Voices with Organ Accompaniment by Eric H. Thiman.

English Composer Gustav Theodore Holst Most Famous For His Orchestral Suite The Planets Had A Style Many Of His Contemporaries Even Admirers Found Austere And Cerebral. Love Is Enough Is A Four-Part Song Composed By Holst With Words Written By William Morris . The Sheet Music Has Been Arranged For Satb Choir With A Piano Reduction For Rehearsal Only. English composer Gustav Theodore Holst most famous for his orchestral suite The Planets had a style many of his contemporaries even admirers found austere and cerebral. Love Is Enough is a four-part song composed by Holst with words written by William Morris . The sheet music has been arranged for SATB choir with a piano reduction for rehearsal only.

Oper in 9 scenes-(Vocal Score). Einem G

Blessing By Paul Mealor Was Written For The Installation Of Her Royal Highness The Duchess Of Cornwall Gcvo As Chancellor Of The University Of Aberdeen And First Performed By The Chapel Choir Of King'S College Aberdeen Conducted By David J Smith June 2013 Blessing by Paul Mealor was written for the installation of Her Royal Highness The Duchess of Cornwall GCVO as Chancellor of the University of Aberdeen and first performed by the Chapel Choir of King's College Aberdeen conducted by David J Smith June 2013

As cultural ambassador for the state the Orchestra of the Rhineland-Pfalz State Police commissioned this work to celebrate the 60th anniversary of its founding in 2013. What do Steve Jobs Mark Zuckerberg and Johannes Gutenberg all have in common? They all represent a revolution in communication and information technology. Johannes Gutenberg ´man of the second millennium´ was born Johannes Gensfleisch in the German town of Mainz around 1400. He is regarded as the inventor of the printing press with movable type which ushered in a media revolution - thanks to hisinvention knowledge could find its way to every level of society for the first time. This work is an homage to the great man and the far-reaching impact of his invention that is still felt to this day.

A pantomine tragedy by Poul Knudsen.

4 træsange arrangeret for lige stemmer (børnekor) og instrumenter ad lib. Indhold: a) Æbletræet.b) Hyldetræet.c) Birketræet.d) Bøgetræet 4 træsange arrangeret for lige stemmer (børnekor) og instrumenter ad lib. Indhold: a) Æbletræet.b) Hyldetræet.c) Birketræet.d) Bøgetræet

For Bass Voice and Piano>

Jubilate Deo is a work by Paul Mealor for SATB Choir and Orchestra commissioned by Distinguished Concerts International New York and first performed by the Choir and Orchestra of DCINY at Carnegie Hall New York on 15th February 2016. This is the Full Score with orchestral parts and a full performance lasts around 3 minutes. Jubilate Deo is a work by Paul Mealor for SATB Choir and Orchestra commissioned by Distinguished Concerts International New York and first performed by the Choir and Orchestra of DCINY at Carnegie Hall New York on 15th February 2016. This is the Full Score with orchestral parts and a full performance lasts around 3 minutes.

Vestfinsk Dans (West-Finnish Dance) by Selim Palmgren an ABRSM Piano syllabus 2013-14 alternative piece grade 5.

Arranged for Piano by Christopher Le Fleming.

The 'Hallelujah' Chorus arguably the most famous choral work of the western classical tradition is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected remaining a firm favourite with choirs. The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event held in aid of local causes and in order to get the maximum attendance at Neale's new music hall in Fishamble Street men were asked to removetheir swords and ladies the hoops in their dresses. The tradition of standing during performances of the 'Hallelujah' Chorus still indulged at some performances in Britains is said to have been started by King George II at the work's opening run in London in 1743.

Walking down a darkened street it’s hard to resist looking in through lighted windows and catching a glimpse of other people’s lives. The imagination lingers… Night Windows is the title of a painting by Edward Hopper of a scene in one such lighted window. However the scenes in this work – though reflecting something of the loneliness in so many of the Hopper paintings – are all imaginary: highly charged emotional moments. Loneliness: Anger: Nostalgia: Despair: Frenzy This work was commissioned by the International Double Reed Society and it is dedicated to Nicholas Daniel.

British rock band The Police enjoyed their greatest successes during the early 1980’s. The group’s members were Stewart Copeland Andy Summer and Gordon Sumner who went on to enjoy a massive solo career as Sting. Stefan Schwalgin’s medley The Police on Stage brings together some of the trio’s biggest hits: Roxanne De Doo Doo Doo De Da Da Da Every Breath You Take and Every Little Thing She Does Is Magic.

For Flute Clarinet in B Flat Piano Violin and Cello.

Novello New Choral Series- Why O Lord do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005 questions the presence of God in times of human disaster particularly when committed by man upon his fellow man. The piece's focus lies in the two rhetorical questions first sung by the female voices at the beginning. This opening three note motif returns frequently throughout the work forever challenging the whereabouts of God's watchful eye. This commemorative setting of Psalm 10 was recorded by the Exeter College Chapel Choir in 2006. The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around. Jonathan bridcut (b.1984) has written a broad range of works for choir and orchestra that have been performed throughout the UK and europe. Jonathan was a treble at Winchester College where he was head Quirister in 1998 before Moving on to Radley College as top music scholar. He developed his interest in composition at Oxford University while studying at Exeter College as both an academic and choral Scholar. His first set of Evening Canticles was premiered in 2004 and a year later a second was performed in St Paul’s Cathedral. Recent highlights include performances at Oxford’s Sheldonian Theatre Tewkesbury Abbey St James’s Piccadilly and at the Lausanne Summer Festival by choirs and orchestras including Schola Cantorum of Oxford Commotio and The Oxford Spezzati. Future engagements include performances by the Oxford Spezzati and Laudate in London Lyon and Chester (where his latest choral commission will be premiered in September 2011). Jonathan graduated from Oxford in 2006 with a BA in Modern

For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral

A double-CD bumper compilation of chart hits ballads and film themes for Flute in melody line arrangements with specially recorded backing tracks. Hear full performance versions of the songs on Disc 1 Tracks 1-17. The flute partis then omitted from tracks 1-17 of disc 2 to enable you to play along with the recorded accompaniment as the solo. The Guest Spot series provides excellent teaching material in conjunction with examination work and as concert orperformance works.