Here's a handy jazzy collection that's great for both concerts and caroling! Set in an easy swinging style these tunes will be a big hit with your audiences. This instrumental pack contains accompaniment parts for all Showtrax choral versions. Here's a handy jazzy collection that's great for both concerts and caroling! Set in an easy swinging style these tunes will be a big hit with your audiences. This instrumental pack contains accompaniment parts for all Showtrax choral versions.

Here's a simple tuneful holiday piece that you can easily add to your next program. Easy diatonic lines and conventional harmony also make it suitable teaching material for your developing string groups. The optional simple percussion can add to the festive flavor.

By the Waters of Babylon by Edwin Fissinger for SATB choir a cappella.

Arranged For Guitar-Although Johann Sebastian Bach did not write any music for the guitar transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarist Stanley Yates. This definitive work includes performance scores comparison scores and an invaluable 40-page guide entitled Arranging Interpreting and Performing the Music of J.S. Bach. Furthermore the author offers comments on his arranging process and suggestions on using this edition including: ornamentation slurs fingerings notation and implementation of the comparison scores. Written in standard notation in guitar-friendly keys. Although Johann Sebastian Bach did not write any music for the guitar transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this musiccommands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing interpreting and performing this music on the guitar. It is this debate that prompted this long-awaitededition of Bach's unaccompanied cello suites by scholar and concert guitarist Stanley Yates. This definitive work includes performance scores comparison scores and an invaluable 40-page guide entitled Arranging Interpreting and Performing the Music of J.S. Bach . Furthermore the author offers comments on his arranging process and suggestions on using this edition including: ornamentation slurs fingerings notation and implementation of thecomparison scores. Written in standard notation in guitar-friendly keys.

Uses: Christ the Shepherd General Scripture: Psalm 23; Isaiah 66:10-13 Comforting words adapted from the Psalms display the tenderness and nurturing leadership of Christ the Good Shepherd. Using theHebrew name El Shaddai (the God who supplies our needs) the text reminds us of God's provision for our life. God desires to bless and give us an abundant life and the lush musical substance of this choral ballad helps connectthis promise to the heart of the listener.

MusicWorks - Grade 2 This energetic work makes an impressive statement for young bands. Written in a single tempo throughout you'll be amazed at the amount of excitement that can be generated with limited technicaldemands. Richard uses active percussion figures (augmented with optional additional mallet parts) along with powerful brass statements and layers of woodwind lines to create a wonderful overall effect. (3:10)MusicWorks - Grade 2 This energetic work makes an impressive statement for young bands. Written in a single tempo throughout you'll be amazed at the amount of excitement that can be generated with limited technical demands. Richard uses active percussion figures (augmented with optional additional mallet parts) along with powerful brass statements and layers of woodwind lines to create a wonderful overall effect. (3:10)

This syncopated and vibrant psalm setting will be accessible and impressive in performance. An excellent choice for concert festival and contest. Includes parts for optional percussion (Sus. Cymbal Triangle and Castanets). Performance Time: Approx. 2:40

Available: SATB divisi a cappella TTBB a cappella.

Together We Sing Series-This popular spiritual sings of a plaintive soul on the journey through life. It has been beautifully arranged here for SSA and SAB voices with striking vocal writing haunting piano accompaniment and mournful solo violin. Aunique and fresh approach for concert and festival use.This popular spiritual sings of a plaintive soul on the journey through life. It has been beautifully arranged here for SSA and SAB voices with striking vocal writing haunting piano accompaniment and mournful solo violin. A unique and fresh approach for concert and festival use.

The edition is part of the ABRSM syllabus (grade 5)

This matching drum folio to the legendary album includes 17 transcriptions: Are You Experienced? * Fire * Foxey Lady * Hey Joe * Highway Chile * Love or Confusion * Manic Depression * May This Be Love * Purple Haze * Red House *Remember * Stone Free * Third Stone from the Sun * The Wind Cries Mary * more. This matching drum folio to the legendary album includes 17 transcriptions: Are You Experienced? · Fire · Foxey Lady · Hey Joe · Highway Chile · Love or Confusion · Manic Depression · May This Be Love · Purple Haze · Red House · Remember · Stone Free · Third Stone from the Sun · The Wind Cries Mary · more.

The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal about the waysof these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Vocal part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal aboutthe ways of these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Vocal part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Now available for women's voices! Rollicking and upbeat this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibilityand make it a winner! Duration: ca. 2:15. Now available for women's voices! Rollicking and upbeat this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! Duration: ca. 2:15.

First performed by Ulli Heinen on 28th May 1999 at the CBSO Centre Birmingham. Duration 15 minutes. First performed by Ulli Heinen on 28th May 1999 at the CBSO Centre Birmingham. Duration 15 minutes.

Latvian and English texts. Available: SATB a cappella.

Work for Flute Oboe Clarinet Bassoon and Horn. Score available: SOS01178 Work for Flute Oboe Clarinet Bassoon and Horn. Score available: SOS01178

For Soprano and Orchestra. Text: Laurie Lee For Soprano and Orchestra. Text: Laurie Lee

This original composition is one of the commissioned Christmas carols in the ongoing collaboration between the American Composers Forum and the Plymouth Music Series of Minnesota (previously published Sweet Noel; The Virgin's Cradle Hymn). In this publication This Holy Christmas Night uses the two part mixed voices and the option of congregation participation. Easy.

Arranged for string orchestra (individual parts sold separately) by Marshall Ocker. Collection featuring 20 of the most popular Xmas songs ever including: Silent Night The Coventry Carol Joy To The World OCome All Ye Faithful The Holly and the Ivy Angels We Have Heard on High The First Nowell and 13 more!Double Bass Part. Arranged for string orchestra (individual parts sold separately) by Marshall Ocker. Collection featuring 20 of the most popular Xmas songs ever including: Silent Night · The Coventry Carol · Joy To The World · OCome All Ye Faithful · The Holly and the Ivy· Angels We Have Heard on High · The First Nowell · and 13 more!

This a cappella best-seller is now available as a powerhouse arrangement for SSAA voices! Exploring the full range of dynamics this rhythmic and energetic gem is a memorable selection for winter and holiday festivals. This a cappella best-seller is now available as a powerhouse arrangement for SSAA voices! Exploring the full range of dynamics this rhythmic and energetic gem is a memorable selection for winter and holiday festivals.