for unison voices and piano This setting of a mysterious and amusing poem by Rudyard Kipling for Unison Voices and Piano Accompaniment composed by Christpher Le Fleming.

Score-For double orchestra and brass choir. Morton Gould 's Venice for Double Orchestra and Brass Choir. Full score. Commissioned by Milton Katims for the Seattle Symphony Orchestra pursuant to a grant from the U.S. Office of Education Department of Health Education and Welfare under Title III of the Elementary and Secondary Education Act of 1965. First performance May 2 1967 by the Seattle and Spokane Symphony Orchestra under the direction of MiltonKatims in Kennedy Pavilion Gonzaga University Spokane Wash. assisted by the Gonzaga U. Brass Choir and Spokane Junior Symphony.

Sonatina Favorites Book 1 contains sonatinas from the major composers complete with analysis of form and practise suggestions all selected and edited by James Bastien for early intermediate Pianists.

for SSAA unaccompanied Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Morning Light will be a welcome addition to the upper-voice repertoire. Sarah Quartel 's Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Scored for unaccompanied SSAA Choir Morning Light will be a welcome addition to the upper-voice repertoire.

A setting of a selection from the Panikhida Service (Service For Those Fallen Away). For unaccompanied SATB choir. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. A setting of a selection from the Panikhida Service (Service For Those Fallen Away). For unaccompanied SATB choir. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

for SATB and organ For this joyous piece McDowall set a text from the Ambrosian Rite celebrating the Virgin Mary's recent motherhood. The lively organ accompaniment and strong rhythmic drive create an instantly celebratory mood making the piece an ideal conclusion for any Christmas service. For this joyous piece McDowall set a text from the Ambrosian Rite celebrating the Virgin Mary's recent motherhood. The lively organ accompaniment and strong rhythmic drive create an instantly celebratory mood making the piece an ideal conclusion for any Christmas service.

for SATB organ and optional handbells Through luminous choral harmonies images of a winter night and echoes of scripture Advent Moon evokes deep human longing and the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece. Through luminous choral harmonies images of a winter night and echoes of scripture Cecilia McDowall 's Advent Moon evokes deep human longing as well as the promise of the coming of light. Advent Moon is scored for SATB with Organ and optional Handbells which underscore both the haunting opening and the radiant conclusion of this piece.

Features all common keyboard chords shown in every key in root position. Chords are shown as keyboard diagrams and also notated on both treble and bass clefs. Chords are arranged by type and presented in the order of the Circle of Fifths. The book also presents scales in treble and bass clef for all major keys. An excellent supplement to any piano or keyboard method. Features all common keyboard chords shown in every key in root position. Chords are shown as keyboard diagrams and also notated on both treble and bass clefs. Chords are arranged by type and presented in the order of the Circle ofFifths. The book also presents scales in treble and bass clef for all major keys. An excellent supplement to any piano or keyboard method.

No.7 From the Promenade Series of Piano Music

Rigwreck sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions a wide range of dynamic expression spoken lines and powerful word-painting highlight the poem's emphasis on humanity's responsibility for the natural world and make this piece an exciting challenge for choirs. Rigwreck sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions a wide range of dynamic expression spoken lines and powerful word-painting highlight the poem's emphasis on humanity's responsibility for the natural world and make this piece an exciting challenge for choirs.

Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge. Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

Cello Piano. Bortkiewicz S

The edition is part of the Trinity syllabus (grade 5 & 8)

Vaughan Williams's earliest known piece for solo instrument with orchestra written 1896-1904 and rediscovered in 2010. Showing influences of late 19th-century composers but also hallmarks of Vaughan Williams's later style it offers a fascinating glimpse into the composer's development. Vaughan Williams began this work - his earliest known piece for a solo instrument with orchestra - in 1896 shortly after returning to the Royal College of Music to study composition with Stanford and completed it in 1904. After his death the manuscript was donated to the British Library and it was here that the pianist Mark Bebbington rediscovered it in 2010 subsequently recording it for Somm Records. The work shows influences of late nineteenth-century composers but also hallmarks of Vaughan Williams's later style and maturity. As such it offers a fascinating glimpse into the composer's development as well as being a powerful work in its own right. This isits first publication; a reduction for two pianos is also available on sale. Orchestral material is available on hire/rental.

POD-Set of parts for String Quartet No. by Anders Koppel (2016). Commissioned by Faaborg Musikforening on the occassion of the re-opening of Helios Teatret 2016. First performance: October 30 2016 at Helios Teatret Faaborg Denmark by Nightingale String Quartet. Set of parts for String Quartet No.4 by Anders Koppel (2016). Commissioned by Faaborg Musikforening on the occassion of the re-opening of Helios Teatret 2016. First performance: October 30 2016 at Helios Teatret Faaborg Denmark by Nightingale String Quartet.

Uses: Communion Scripture: Psalm 133; Mark 14:22-25 Here is essential repertoire for the choir as it ministers through music during communion. Beautiful melody joins with inspired words to truly capturethe heart of this special moment in worship. Celebrate the banquet of grace with this lovely new composition. Highly recommended! Duration: ca. 2:43.

Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

for SSAA unaccompanied This piece was originally published in a version for mixed voices. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service. Originally published in a version for mixed voices this heartfelt upper-voice arrangement begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service.

for SATB and piano or brass quintet timpani and organ Chilcott's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria' a tender yet majestic 'Domine Deus' a lyrical 'Qui tollis' and a dancing and upbeat 'Quonium tu solus sanctus'. Chilcott 's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria' a tender yet majestic 'Domine Deus' a lyrical 'Qui tollis' and a dancing and upbeat 'Quonium tu solus sanctus'.

Complete band transcriptions for eight songs by the progressive supergroup Dream Theater. Includes accurate arrangements of all guitar keyboard bass drum and vocal parts with lyrics and chord symbols.