Cantata for Trinity Sunday- Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Work for String Orchestra. Work for String Orchestra.

for viola da gamba solo

Jay Althouse's I Saw A Star! arranged for unaccompanied mixed choir (SATB).

Newly engraved scholarly-critical performing edition. Detailed notes on performance practice (Ger/Eng). Practical page turns. Access to Schubert ’s drafts at www.baerenreiter.com. New Foreword (Ger/Eng) and Critical Commentary (Eng). Schubert ’s great C Minor Sonata D 958 was composed in 1828 just a few months before his death along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych they constitute his musical testament to the Piano sonata genre. This scholarly-critical edition by Walburga Litschauer is based on the New Schubert Edition and presents thismasterpiece in a spacious new engraving. Notes on performance practice especially on pedalling and Schubert’s distinctive manner of writing accents form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert’s drafts for all four movements of the sonata can be accessed on Bärenreiter’s website. This new edition replaces our existing edition BA 5632.

Born in Jarrow northeast England in 1949 John Miles was something of a child prodigy learning the piano from the age of five. In the early ’60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band The Influence. The group soon disbanded and by 1969 Miles was recording with his own group The John Miles Band releasing a dozen singles in the early ’70s. In 1975 Miles decided to move to London and secured a deal with Decca Records. By October that year a newly formed band John Miles and Co had released their debut single Highfly but their greatest hit which stormed the British charts in March 1976 was Music.

This march from Philip Sparke is in the tradition of the English ceremonial or concert march such as the masterpieces written by Sir Edward Elgar and Sir William Walton. It attempts to continue this tradition with a march for intermediate band that has all the recognisable hallmarks such as broad melodies counter melodies and a nobilmente trio.

from 'Le Chevalier errant'

Giovanni Battista Somis ' Sonata No. 8 In F Major from the ms. CF-V-23 of the Biblioteca Palatina in Parma (early 18th century).

Francis Jackson's Benedicite In G arranged for SATB.

Lively and upbeat in nature The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Le Tableau Parlant - Classiques No.13- For Oboe and Piano.

Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer Bitsch has composed orchestral works chamber works and numerous pieces and studies for wind instruments. 12 Rhythmical Studies comprises unique studies covering all technical aspects asked of Clarinet players. Suited to advanced-level clarinetists Bitsch 's 12 Rhythmical Studies for Clarinet covers a variety of musical aspects including articulation complex rhythms range scales and dynamics. The variety of musical elements included in this Marcel Bitsch study book is outstanding creating a necessary addition to the Clarinet player's progression. Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer Bitsch has composed orchestral works chamber works and numerous pieces and studies for wind instruments. 12 Rhythmical Studies comprises unique studies covering all technical aspects asked of Clarinet players. Suited to advanced-level clarinetists Bitsch 's 12 Rhythmical Studies for Clarinet covers a variety of musical aspects including articulation complex rhythms range scales and dynamics. The varietyof musical elements included in this Marcel Bitsch study book is outstanding creating a necessary addition to the Clarinet player's progression.

Instrumental concertos with orchestral accompaniment hold a special place in the oeuvre of Jirí Pauer (1919-2007). Apart from his Violin Concerto (1959) he wrote three more compositions of the type for wind instruments. The Bassoon Concerto (1949) Oboe Concerto (1954) and Horn Concerto (1957) were all inspired by superb Czech wind soloists motivated by the lack of new repertoire for the respective instruments. The three movements of the Horn Concerto comprise a single structure which alternates between contrasting moods and musical tableaux. It was first performed in 1958 at the Second Exhibition of New Works by Prague Composers by the soloistMiroslav Štefek and the Czech Philharmonic conducted by Karerl Ancerl. - Horn and piano reduction (H2955) available for sale. - Full score & performance material available for hire.

Harmonious Blacksmith Keyboard- Handel's Suite No. 5 'The Harmonious Blacksmith' in E Major for Keyboard first published in London in 1720.

SATB chorus khalam (or harp) and tam-tam

In 1887 Antonin Dvorak revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time. In this context he asked the music critic Ludevit Prochazka to return a manuscript copy of the PianoQuintet in A major op. 5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key - the famous op. 81. And so the manuscript copy he requested fromProchazka remains the sole source for this early piece of chamber music. Dvoraks first Piano Quintet was never published during his lifetime. This edition presents the musical text from the Complete Edition of the Works of Antonin Dvorak IV/11. Early piano quintet for Piano 2 Violins Viola Violoncello In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time. In this context he asked the music critic Ludevít Procházka to return a manuscript copy of the Piano Quintet in A major Op.5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key – the famous Op.81. And so the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music. Dvorák’s first Piano Quintet in A majorwas never published during his lifetime. This edition presents the musical text from the “Complete Edition of the Works of Antonín Dvorák” Volume IV/11. Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge

Based on the Henle Complete Edition of the Works of Joseph Haydn. Orchestral parts available in a large format (25.5 x 32.5 cm). Haydn ’s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn ’s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other. Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn ’s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn ’s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.

Concertos n01(re majeur)et n05 (sol majeur) Flûte traversière et orchestre partition lp42. Par Devienne aux éditions Leduc. Partition / Livre de chansons pour Orchestre

SSATTB Piano. Brahms J