Most of the distinctive Purcell realisations by Benjamin Britten with vocal parts edited by Peter Pears have been out of print for some years. This new edition collects 50 pieces for high voice. Includes 9 songs from Harmonia Sacra 24 solo songs and 6 duets from Orpheus Britannicus “The Queen's Epicedium ” and selections from Dido and Aeneas and The Fairy Queen. Most of the distinctive Purcell realizations by Benjamin Britten vocal parts edited by Peter Pears have been out of print for some years. This new edition collects 50 selections for medium/low voice. Includes 9 songs from Harmonia Sacra 24 solo songs and six duets from Orpheus Britannicus “The Queen's Epicedium” and selections from Dido and Aeneas and The Fairy Queen .

Instrumentation: Flute (dbl. Piccolo) Oboe Clarinet in Bb Horn in F Bassoon 2 Violins Viola Violoncello. Instrumentation: Flute (dbl. Piccolo) Oboe Clarinet in Bb Horn in F Bassoon 2 Violins Viola Violoncello.

When was the last time you experienced a good old-fashioned gospel praise song? Recalling the days of dinner on the grounds and the tent revival Glory Time! is a hand-clapping toe-tapping invitation to make a joyful noise! Themelody is easily learned the rollicking accompaniment very accessible.

15 well-known original pieces in progressive order of difficulty with practical comments-Brahms’s music does not have to be difficult or melancholy – our selection here proves it. Even less advanced pianists will find playable immediately appealing pieces amongst his works for piano. His delicate intermezzi are dreamy and soulful in mood while our selection of his waltzes (which Brahms himself published again in simplified versions) shows his cheerful “Austrian” side. Brahms’s music does not have to be difficult or melancholy – our selection here proves it. Even less advanced pianists will find playable immediately appealing pieces amongst his works for piano. His delicate intermezzi aredreamy and soulful in mood while our selection of his waltzes (which Brahms himself published again in simplified versions) shows his cheerful “Austrian” side.

Instrumental Play-Along-Here is a fantastic opportunity for you to become the soloist in these specially selected Disney favourites! Each song is presented in clear notation and the accompanying CD features a full demonstration and backing track for each song so that you can experience the sound of a professional ensemble as your band! Fifteen songs have been selected from rich Disney heritage including unforgettable moments from Mary Poppins and The Jungle Book all specially arranged for Horn. Here is a fantastic opportunity for you to become the soloist in these specially selected Disney favourites! Each song is presented in clear notation and the accompanying audio files feature a full demonstration and backing track for each song so that you can experience the sound of a professional ensemble as your band! Fifteen songs have been selected from rich Disney heritage including unforgettable moments from Mary Poppins and The Jungle Book all specially arranged for Horn.

String Quartets Book XI op. 77 und 103-These are the last of the nearly seventy quartets in Haydn’s oeuvre. Originally he intended to write a set of six quartets as so often in the past but at the time they were written in 1803 Haydn’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103 adding to the print the portentous words: “Gone is all my strength old and weak am I.” Musically however these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far asto call op. 77 no. 2 his “most beautiful string quartet.”? These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets as so often in the past but at the time they were written in 1803 Haydn ’s healthwas so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op.103 adding to the print the portentous words: “Gone is all my strength old and weak am I”. Musically however these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77 no. 2 his “most beautiful string quartet”.

Mozart was neither a flautist nor a harpist but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions- the lean and euphonious piano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the harp part in form of a performance score. This new volume completes Henle’s series of up-to-date urtext editions ofMozart’s surviving concertos and chamber music with flute.? Mozart was neither a flautist nor a harpist but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphoniousPiano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the Harp part in form of a performance score. This new volume completes Henle’s series of up-to-date urtext editionsof Mozart ’s surviving concertos and chamber music with Flute.

Johann Sebastian Bach's 'Suite in B Minor' for Orchestra here arranged for Flute and Piano and edited by Louis Moyse. Includes the famous 'Badinerie'.

Heard in the final scenes of Master and Commander: Far Side of the World this masterwork by Boccherini provides a lighthearted musical picture of a typical night in Spain's largest city including the posting of thenight watch the uncertain steps of the late-night revelers returning home and the changing of the guard at dawn. Dur: 10:25

A Broadway-styled sequel to the fun-filled Hats. With gloves galore follow the delightful stick figures and your performance will earn you the warmest of hands! Available: 2-Part. Performance Time: Approx. 2:10. A Broadway-styled sequel to the fun-filled Hats. With gloves galore follow the delightful stick figures and your performance will earn you the warmest of hands! Available: 2-Part. Performance Time: Approx. 2:10.

with Piano Accompaniment-Contents: Adagio (Mozart) Gymnopedie No. 2 (Satie) Intermezzo (Granados) Theme from New World Symphony (Dvorak) Notturno (Borodin) Sicilienne (Fauré) Sonata (Marcello) Sonata (Telemann) The Swan (Le Cygne) The Swan of Tuonela (Sibelius) Tristan and Isolde Theme (Wagner) When I Am Laid in Earth (Purcell) Where E'er You Walk (Handel).A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne Borodin's Notturno and Mozart's Adagio K.58a .

A collection of patriotic songs which can be played by the entire string group or by individual soloists with optional CD accompaniment. Each song is correlated with a specific level in the Essential Elements series. Includes:America the Beautiful Anchors Aweigh Battle Hymn of the Republic The Caissons Go Rolling Along God Bless America Hymn to the Fallen Marine's Hymn My Country 'Tis of Thee (America) The Patriot The Star Spangled Banner Stars and Stripes Forever This Is My Country Yankee Doodle.

(arr. O'Neill) SATB A special selection of seven songs from the classic musical Showboat arranged for SATB chorus.

Every young violinist is familiar with Schubert’s sonatinas for violin and piano. The title “sonatinas” used here is derived from the posthumous print of 1836 Schubert himself called them “sonatas.” The diminutive form was no doubt selected because the pieces are fairly easy to play marketing considerations perhaps also played a role here. With their typically lively Schubertian melodies they are among the most popular pieces ever written for piano and violin and have continuously maintained their position as “bestsellers” in the Henle catalogue (having the “early” publisher’s number 6). Schubert wrote them in 1816 thus at the age of 19. The first edition sometimesdiverges considerably from the autograph fortunately it has survived almost in its entirety (missing is the finale of the 2nd sonatina). For this final movement the first edition had to be consulted as a source. An authoritative Urtext edition of Franz Schubert's Sonatinas for Piano and Violin Op. post.137 as edited by Gunter Henle and KarL Rohrig.

Composed in 1954.

Contents: A La Claire Fontaine * Amazing Grace * Battle Hymn of the Republic * Chorale * Crimond * Echo Carol * Fanfare for a Maple Leaf * Kelligrew's Soiree * Music from the Royal Fireworks * Ode to Joy * Processional * SaintAnthony * Sanctus * Steal Away * Tudor Motet * Westminster Abbey.

The first Prelude from volume I of the Well-Tempered Clavier is among the most-played pieces in the piano repertoire. Though it seems easy to play this is misleading since the performer must build up and maintain the musical tension. Only in the closing measures does the tension let up and lead to the more challenging fugue.

Bartók’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces organised in ascending order of difficulty engage not only with technical aspects of piano playing but also with the fundamentals of composition – from “Ostinato” “Free variations” and “Imitation and inversion” concerning compositional technique to programmatic ideas as in “From the diary of a fly” or the famous “Six dances in Bulgarian rhythm” that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently inpreparation and also includes specific practical comments and tips concerning Bartók’s own performances. Furthermore the six volumes of the first edition which first appeared in 1940 are here gathered together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction to this work. Bartok's Mikrokosmos is one of the milestones in the pedagogical piano repertoire - and yet it is also far more than a classical piano primer. These 153 piano pieces organised in ascendingorder of difficulty engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Ostinato Free variations and Imitation andinversion concerning compositional technique to programmatic ideas as in From the diary of a fly or the famous Six dances in Bulgarian rhythm that form the passionate close of this unique work.This Henle Urtext Edition is based on the corresponding volume of the Bartok Complete Edition that is currently in preparation and also includes specific practical comments and tips concerning Bartok's ownperformances. Furthermore the six volumes of the first edition which first appeared in 1940 are here gathered together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction tothis work.

It was like finding an unknown Rossetti poem when Anna Mullin contacted the Bock Company about an arrangement she had that Fred Bock had completed shortly before his death. There are all the classic Bockisms that made him sofamous wedded to a brand new text and tune. And so timely since the anthem is a Memorial Day hymn.

Flute Trio or Section with Optional Rhythm Section-Arranged by Larry Moore for Flute Trio with optional rhythm section of Piano Bass and Drums.