To commemorate the 200th anniversary of Robert Schumann’s birth an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879–93 all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works comprising six volumes are now available in paperbound or clothbound editions as well as a study edition set in a slipcase. Clearly ordered by opus numbers the complete edition includes not only all of Schumann’spiano works revised to reflect the latest scholarlyfindings but also informative commentary texts alternative versions and many things more. Contents: Fantasie für Klavier C-dur op. 17- Arabeske op. 18- Blumenstück op. 19- Humoreske B-dur op. 20- Novelletten op. 21- Sonate g-moll op. 22-Nachtstücke op. 23 On the 200th anniversary of Robert Schumann 's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project. Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue. The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides. Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces. Contents: Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19 Humoresque B flat major op. 20 Novelettes op. 21 Sonata g minor op. 22 Night Pieces op. 23

Put on your dancing shoes and cut footloose! with this high-energy medley from the Broadway musical. A fabulous show choir feature! Includes: Almost Paradise Footloose The Girl Gets Around Holding Out for a Hero I'm Free (Heaven Helps the Man) Let's Hear It for the Boy. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:00.Put on your dancing shoes and cut footloose! with this high-energy medley from the Broadway musical. A fabulous show choir feature! Includes: Almost Paradise Footloose The Girl Gets Around Holding Out for a Hero I'm Free (Heaven Helps the Man) Let's Hear It for the Boy. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:00.

Uses: General Missions Scripture: James 3:13 I John 2:10 Here's a modern gospel-styled original that works well a cappella but also has an optional accompaniment for churches wanting the support of instruments. Alive with attitude this one is a sermon in song with the very musical syntax taking an almost oratory approach. We must live the message when worship ends and service begins. Innovative!

Trombone Book 1-Preliminary to Grade 4 This book has developed from extensice teaching practice at the Guidhall School of Music & Drama and the National Youth Orchestra of Great Britain. It is a highly practical approach geared to fostering goodplaying habits and reflects the ethos of the Guildhall School.Preliminary to Grade 4 This book has developed from extensice teaching practice at the Guidhall School of Music & Drama and the National Youth Orchestra of Great Britain. It is a highly practical approach geared to fostering goodplaying habits and reflects the ethos of the Guildhall School.

Darius Milhaud's Saudades do Brasil Opus 67 for Piano.

Corelli Variations op. 42- Rachmaninoff wrote his well-known Piano cycle in 1931 at a time when his great works for Piano solo and the Piano concertos had already made him very famous. Yet it is by no means the “work of an old man”. Thecomposer’s variations on the theme “La folia” (taken from a sonata by Corelli) are like a series of fireworks on the Piano. He once drily said to a friend “All this mad running about is necessary in order to efface the theme”.Did Rachmaninoff succeed in silencing “la folia” – i.e. the “madness”? Why not see for yourself.

This revised edition of the Sonata was prepared by Ives himself in 1940-47 with considerable help from George F. Roberts and was published in 1947 by Arrow Music press.

Francesco Maria Veracini's Largo for Cello and Piano accompaniment.

Performed by Billie Holiday Ella Fitzgerald Charlotte Church and many others the music of Oscar Hammerstein II and Jerome Kern lives on. This well-crafted arrangement by John Leavitt showcases the wonderful melody and emotionallyrics in this theater standard.Available separately: SSA. Performance time approx.3:00.Performed by Billie Holiday Ella Fitzgerald Charlotte Church and many others the music of Oscar Hammerstein II and Jerome Kern lives on. This well-crafted arrangement by John Leavitt showcases the wonderful melody and emotional lyrics in this theater standard. Available for SSA. Performance time approx.3:00.

This sparkling arrangement of the Rodgers and Hammerstein favorite from The Sound of Music will make a delightful addition to any program. Available: 2-Part. Performance Time: Approx. 1:20. This sparkling arrangement of the Rodgers and Hammerstein favorite from The Sound of Music will make a delightful addition to any program. For 2-Part choir. Performance Time: Approx. 1:20.

SATB Choral-Additional chorus part for HL04490221 - Call of the Champions (Full Orchestra with opt. SATB Chorus).

Love Me Tender - Don't Be Cruel - Heartbreak Hotel - Blue Suede Shoes - Can't Help Falling In Love-Christensen - Grade 4

When Liszt took over the direction of the Court Opera in Weimar he spent a great deal of time exploring Goethe’s works. He was particularly attracted to the subject-matter of Faust. He used Nikolaus Lenau’s “Faust” a comprehensive poem in 24scenes as the model for his orchestral work in two parts “Episodes from Lenau’s Faust”. The second part “Dance in the Village Inn” was originally written for piano solo. He gave this wild piece which builds up to an almost delirious climax thetitle “Mephisto Waltz”. The piano composition soon spread around the world in its own right and even today is considered to be the quintessential bravura piece. For the first time a version of the piece that was abridged and simplified by Liszt canbe found in the appendix.Mephisto Waltz (The Dance at the Village Inn). Episode from Lenau's 'Faust'. Franz Liszt: Mephisto-Walzer (Der Tanz in der Dorfschenke) Episode aus Lenaus 'Faust'

From the pen of Dan Forrest comes the first Jubal House publication Te Deum. Dan's three-movement setting is moving and inspiring. For fans of Dan Forrest this will be a must have.

This is one of Fred Bock's all-time greatest classics. Composed for the a cappella choir the bass and tenor parts divide and the results are a rich luscious texture. The Isaac Watts text of praise soars to new heights with thisbrilliant composition. Available: SATB.

Celebrate the truth of the resurrection with Risen This Day. Beautifully capturing the many moods of Easter and Lent Risen This Day proclaims the message in majestic and moving colors. Classic Easterhymns are paired with exciting new songs to create a worship cantata appropriate for a variety of uses. Accompany with organ piano full or chamber orchestra or the outstanding ChoirTrax CD to make Risen This Day ahighly moving work to heighten your Easter season and services. Available: SATB Instrumental Pak (Orchestra) Instrumental Pak (Chamber) Preview Pak RehearsalTrax Pak Preview Cassette ChoirTrax CD.

Jazz Play-Along Volume 22-The ultimate learning tool for all jazz musicians: Jazz Play-Along ! With musician friendly lead sheets melody cues and other split track choices on the included CD. Book and CD for Bb Eb and C Instruments. This 22nd Volume features ten superb Wayne Shorter Classics in fabulous arrangements for all instruments. The ultimate learning tool for all jazz musicians: Jazz Play-Along ! With musician friendly lead sheets melody cues and other split track choices on the included CD. Book and CD for Bb Eb and C Instruments. This 22nd Volume features ten superb Wayne Shorter Classics in fabulous arrangements for all instruments.

Prince's recent Super Bowl appearance once again proves his mass musical appeal and place among rock icons. Larry Moore has skillfully adapted this mega-hit into a fun playable version for strings. Dur: 2:30

Sopra La Lontananza Del Frato Dilettissimo BWV 992-Along with his major cycles such as the English and French suites the Goldberg Variations or the Well-Tempered Clavier Bach also left a wealth of single pieces with a great diversity of titles they stem in large part from his early youth and student period around the years 1700-1710. The title of the present work – translated as “Capriccio on the departure of his most beloved brother” – reveals that this is programmatic onomatopoeic music of the kind that was very popular in the 17th and 18th centuries. In its six short and imaginatively-titled movements Bach shows a different side of himself from the usual polyphonist. Perhaps we owe this piece to the departure of his brotherJohann Jacob Bach who entered service in Sweden in 1704. J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece waswritten and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas ofJohann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

How Beautiful-This energetic Israeli folksong features the Isaiah text How beautiful are upon the mountains the feet of the messenger of good tidings: of salvation and peace. Available: SATB 2-Part 3-Part Mixed. Performance Time: Approx. 1:45.