Following the success of Jazz Studies for Flute Tilman Dehnhard has now produced another volume of original pieces but this time at an easier level. The included CD is a real bonus. Each piece is presented in three versions: two full recordings at differing tempi for playing-along and a version providing the accompaniment only for playing-along with full confidence. Notes and explanations are provided on swing rhythm off-beat articulation and other conventions encountered in the playing of jazz.

A delightful arrangement for solo piano.

Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981). Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981).

29 Little Preludes Op. 51 (29 Smaa Præludier) for Organ or Harmonium by Carl Nielsen (1929). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12 29 Little Preludes Op. 51 (29 Smaa Praeludier) for Organ or Harmonium by Carl Nielsen (1929). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12

Afskrift was composed in 1971 by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet. Afskrift was composed in 1971 by Karl Aage Rasmussen. Scored for Flute Violin Viola Cello and Piano. Dedicated to the Poul Birkelund Quintet.

Per Norgard 's 9 Danske Sange Op.14 for Voice and Piano. Former known as 9 Strofiske Danske Sange. 1. Overstaet angst (Halfdan Rasmussen) 2. Tordenbygen (Thoger Larsen) 3. Den jyske blaest (Johannes V. Jensen) 4. Fred (Haldan Rasmussen) 5. Min sjael er som en enlig baek (Joh. Jorgensen) 6. Landskab (Thoger Larsen) 7. Vinternat (Jens August Schade) 8. Pa Himmelbjerget (Jens August Schade) 9. Vedis Vuggevise - Mit lov mit lille trae (Johannes V. Jensen)

Six jazzy rock numbers with piano accompaniments. Optional recorded accompaniments are available with the acompanying CD. Three of the tunes in the collection also have extended versions for improvising.

String Quartet No.11No Ground2012Score = WH31465Duration 14 min. Set of parts for String Quartet No.11 'No Ground' (2012) by Pelle Gudmundsen-Holmgreen. Score: WH31465

J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1 expertly arranged for Chamber Ensemble by Karsten Fundal . Parts are available: KP01004 J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1 expertly arranged for Chamber Ensemble by Karsten Fundal . Parts are available: KP01004

Ten tunes with CD backing tracks to play along with. Recorded by Piano Bass Drums Perc Trp Tbn and Saxes.

Set of parts for Vagn Holmboe 's String Quartet No.13 / Strygekvartet Nr.13 Op.124 (1975).

Work for Orchestra composed in 1977. Parts are for hire : hire@ewh.dk Work for Orchestra composed in 1977. Parts are for hire : hire@ewh.dk

Vioolsleutel In C-Treble Clef Version. Versatile music and very easy wherein each of the five short pieces sounds good in two three or four parts. Grade: 0 - 1

10 songs from three of Kurt Weill's most famous stage works are presented in easy arrangements for viola and piano. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist.

For SATB a cappella. Second extract from Quatre Motets pour le temps de Noël .

In Six Movements-Six 'tongue in cheek' inspirations for solo piano based on well known Christmas tunes. Amusing seasonal 'studies in style' from the highly entertaining piano guru: Mark Tanner. Mark Tanner 's Christmas Suite contains six 'tongue in cheek' inspirations for solo Piano based on well-known Christmas tunes. These amusing seasonal 'studies in style' include A Not So Silent Night I Saw Three Queens A Partridge in a Holly Tree and more.

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan). Programme Note: As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!). In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keyper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keyper's son was the bassoonist Franz Jacob August Keyper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keyper's music is easily approachable in its

Gottlieb Muffat's Arioso arranged for cello with piano accompaniment by Gaspar Cassado.

Nicolai Podgornov's compositions for piano students at all levels inspire and stimulate with beautiful and enjoyable melodies. At the same time however quite specific pianistic skills are addressed. This new collection of pieces for grades 4 - 6 is the second in a three-volume series: EASY INTERMEDIATE and ADVANCED. The pieces are presented in order the technical level gradually increasing throughout but never obscuring the pleasure of music making.

Pour Violon Seul-Arthur Honegger's four movement Sonata for Solo Violin with fingerings by Ginette Neveu.