From the original score for the Norwegian drama ’90 minutes’ for solo cello and string orchestra. From the original score for the Norwegian drama ’90 minutes’ for solo cello and string orchestra.

Eivind Buene’s orchestration of Der Feuerreiter by Hugo Wolf was commissioned by Stiftung Berliner Philharmoniker. The world premiere was given at the Berliner Philharmonie by the baritone Christian Gerhaher and the Berliner Philharmoniker conducted by Ivan Fischer on 20 December 2018. Eivind Buene’s orchestration of Der Feuerreiter by Hugo Wolf was commissioned by Stiftung Berliner Philharmoniker. The world premiere was given at the Berliner Philharmonie by the baritone Christian Gerhaher and the Berliner Philharmoniker conducted by Ivan Fischer on 20 December 2018.

The Planets op. 80 for mezzo-soprano flute viola and guitar was composed in spring 1978 and given its first performance on 30 July the same year at the Lerchenborg Music Days. The occasion which led to the composition of the work was the 50th anniversary of the finding of a block book from the second half of the 15th century with texts on the planets. The inspiration came from Louise Lerche-Lerchenborg who organised the Lerchenborg Music Days and the work is dedicated to her. In connection with the concert at Lerchenborg Poul Rovsing Olsen wrote the following about his opus: “The Planets derives from the block book found in Lerchenborg’s library in 1928. Seven fine coloured drawings tell of the seven celestial bodies which in many European languages have given the weekdays their names. Each drawing is accompanied by a Latin text under which there is a two-line dictum that briefly – though very concisely – gives an account of the characteristics of the children who belong to that particular celestial body. And these concentrated portrayals form the basis for the music. In the music I have attempted to give indications of my own experience of the particular power and nature characterizing each one of the heavenly bodies just as I have allowed this cycle of planet songs to pass like a journey through the ethereal realms with motifs that appear are repeated are varied and disappear (but only so as to be replaced by new ones) until we finally return to the point of departure. The introduction – Aether – is purely instrumental. Two of the planets – Venus and Luna – are female; in the music written for them small (Indian) cymbals are used that are also present in Aether.” The Planets op. 80 for mezzo-soprano flute viola and guitar was composed in spring 1978 and given its first performance on 30 July the same year at the Lerchenborg Music Days. The occasion which led to the composition of the work was the 50th anniversary of the finding of a block book from the second half of the 15th century with texts on the planets. The inspiration came from Louise Lerche-Lerchenborg who organised the Lerchenborg Music Days and the work is dedicated to her. In connection with the concert at Lerchenborg Poul Rovsing Olsen wrote the following about his opus: “The Planets derives from the block book found in Lerchenborg’s library in 1928. Seven fine coloured drawings tell of the seven celestial bodies which in many European languages have given the weekdays their names. Each drawing is accompanied by a Latin text under which there is a two-line dictum that briefly – though very concisely – gives an account of the characteristics of the children who belong to that particular celestial body. And these concentrated portrayals form the basis for the music. In the music I have attempted to give indications of my own experience of the particular power and nature characterizing each one of the heavenly bodies just as I have allowed this cycle of

Six Trilogues

Edizione critica di Italo Vescovo-Paganini’s Valtz in A Major M.S. 80 is a short but appealing composition with a tripartite structure. The piece is part of a larger group of pieces meant for entertainment like the Divertimenti carnevaleschi M.S. 4 (which also includes the ”Quattro Valzer”) and the Alessandrine Valtz e Inglesi found in M.S. 137 compositions from Paganini’s juvenile period intended for the “Festone dei Giustiniani” held in a building in Genova’s historical centre. The present critical edition which should help to complete the variegated collection of works for solo violin is based on the autograph source held in the Biblioteca Casanatense of Rome.

testi tratti da filastrocche popolari e da poesie dialettali di Nino Costa e Sandro Cappelletto

per pianoforte e orchestra

Beginning Jazz Band Collection

Standard of Excellence: Festival Solos Book 3

Beginning Jazz Band Collection

Acoustic Guitar Songs (Hal Leonard Guitar Method)

Beginning Jazz Band Collection

Standard of Excellence: Festival Solos Book 3

Entertainment Weekly calls Dennen a big talent with a fresh face and an old soul. This folio matching his second studio CD features an intro and artist-approved notes & tab for all ten tunes: Ain't No Reason - Because You Are a Woman - Darlin' Do Not Fear - I Asked When - The One Who Loves You the Most - She's Mine - So Long Sweet Misery - Someday - There Is So Much More - When You Feel It. Entertainment Weekly calls Dennen 'a big talent with a fresh face and an old soul.' This folio matching his second studio CD features an intro and artist-approved notes & tab for all ten tunes: Ain't No Reason; Because You Are a Woman; Darlin' Do Not Fear; I Asked When; The One Who Loves You the Most; She's Mine; So Long Sweet Misery; Someday; There Is So Much More; When You Feel It.

Standard of Excellence: Festival Solos Book 3

Includes: Epistrophy 52nd Street Theme I Mean You Well You Needn't

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

A true feel-good song in a cheerful gospel style this toe-tapper will lift everyone's spirits! A positive service opener with a message to praise God in every situation this scripture-based song offers a fascinating blend of traditional styling and gospel sizzle. A call-and-response format defines the verses making for easy learning. A slower contrasting middle section gives the choir a chance to enjoy richer harmonies before the anthem crescendoes to a praiseworthy conclusion. Joyful!

The faithfulness of God and the constancy of His promises form the backbone of this regal acclamation. Comforter Creator and Christ all reflect the character of the Almighty in a text that encourages us to follow Him with obedience. This admonition is accompanied by an urging melody luxurious chords and a confident accompaniment creating unison of purpose for the listener. Ideal for church anniversaries or to affirm the church and her ministries this anthem inspires a spirit of service. Motivating!

12 Selections from Sondheim Musicals-This collection features intermediate-level arrangements for flute and piano accompaniment in a range flattering to the flute. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracksonline for download or streaming. The tracks include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right - available exclusively from Hal Leonard.