Staying true to the rocksteady roots of the 1967 original this choral arrangement of The Tide Is High is a bright and vivid reimagining of The Paragon’s signature track famously covered by Debbie Harry and Blondie. Arranged by Barrie Carson Turner for SSA choir with piano accompaniment this Jamaican-tinged choral pop is an excellent choice for groups seeking a calm and uplifting number to add to their repertoire.

18 easy pieces for solo piano-Piano Sketches is a fabulous new collection of easy pieces for younger pianists around the level of Grades 2-3. The pieces include a broad range of appealing and accessible styles and will delight student and listener alike as well as helping to reinforce technical skills. Piano Sketches Book 1 is a fabulous new collection of easy pieces for younger pianists around the level of Grades 2-3. The pieces include a broad range of appealing and accessible styles and will delight student and listener alike as well as helping to reinforce technical skills. Get ready to groove with the ' Frog Boogie ' indulge in the beautiful harmonies of ' Lullaby ' be transported by the energetic rhythms of the Scottish and Cuban dances and sample the sounds of the Orient. As well as being great fun to play these pieces offer young pianists an adventure in texture melody and harmony and will support formal study.

Film suite composed in 1992.

A set of three traditional English folk songs arranged by John Duarte for the classical guitar.

The Bailiff's Daughter Of Islington (Sussex folksong) arranged by Harold Darke for unaccompanied SATB choir. The Bailiff's Daughter Of Islington (Sussex folksong) arranged by Harold Darke for unaccompanied SATB choir.

Volume 10-Contents: Chorale from Nocturne Op. 37 No. 1 Etude No. 2 from Three New Etudes Lento Religioso from Nocturne Op. 15 No. 3 Mazurka Op. 7 No. 1 Mazurka Op. 67 No. 2 Mazurka Op. 67 No. 4 Mazurka Op. 68 No. 2 Mazurka Op. 68 No. 3 4 Preludes Op. 28 (Nos. 6 7 15 20) Theme from Ballade Op. 38 Trio from Funeral March Op. 35 Waltz Op. 70 No. 2 Waltz inE.Each volume contains a collection of the technically easiest compositions of the composer represented. Carefully edited and fingered by Edwin Hughes.

Edward Gregson 'S String Quartet Was Commissioned By The Manchester Mid-Day Concerts Society In Celebration Of Its 100Th Year. The Premier Performance Took Place On The 14Th Of January 2015 Performed By The Navarra Quartet At The Bridgewater Hall In Manchester. The Piece Is Divided Into Three Distinct Movements Each Developing And Changing What Has Come Before. When Commenting On His Compositional Process For String Quartet Gregson Noted That He Desired To Return To The Classical Principles Of Beethoven And Bartok Deciding To Include Extended Sonata Variation And Rondo Forms. Edward Gregson 's String Quartet was commissioned by The Manchester Mid-day Concerts Society in celebration of its 100th year. The premier performance took place on the 14th of January 2015 performed by the Navarra Quartet at the Bridgewater Hall in Manchester. The piece is divided into three distinct movements each developing and changing what has come before. When commenting on his compositional process for String Quartet Gregson noted that he desired to return to the classical principles of Beethoven and Bartok deciding to include extended sonata variation and rondo forms.

Vocal score for Aulis Sallinen's Chamber Music IX composed for vocal soloist and String orchestra. Aulis Sallinen's Chamber Music IX is dedicated to the Kimito Island Music Festival in its twentieth anniversary year 2018. The first performance took place in the Kimito church on 20th July 2018 given by Johanna Rusanen-Kartano(soprano) and the Ostrobothnian Chamber Orchestra conducted by Ralf Gothoni. Duration: c.10 min

for unaccompanied SATTB A sacred setting by Thomas Tallis for SATTB voices with accompaniment for keyboard instrument.

For Acoustic Guitar-During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this for the piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. I then made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.GÇ¥ All 12 solos are scored in notation and tablature. During the course of my teaching piano and guitar I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this forthe piano but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. Ithen made easy arrangements of them mostly using the top four strings simple chords and fingerings. The right hand fingering is not indicated because I used the general rule of thumb: a = 1st string m = 2nd string i = 3rdstring p = 4th 5th and 6th strings.” All 12 solos are scored in notation and tablature.

Geschichten Aus Dem Wienerwald

No. 4 Husarendurchmarsch-TTBB. Reger M

Work for Double Woodwind Quintet based on the sixteenth century French popular song A l’ombre d’un buissonet first printed in La Couronne et Fleur (1536).

The Mickey Mouse March goes back to the early 20’s but almost everybody knows it whether you’re 8 years old or 80 years old! This fresh arrangement was made by Philip Sparke and is a funny and joyful moment for your next concert!

Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts. Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts.

This affirming song of discipleship written for the Bethany Lutheran Church in West Hartford Connecticut invites the worshipper into a more committed walk of faith. The writing team of Nancy Price and Don Besig has created awarm and moving challenge from the words of the gospels. Come Now and Follow Me may be sung by any size group and the inclusion of the congregation on the final refrain makes for a worshipful as well as musical experience.The trumpet descant adds interest and scope while the flowing piano part beautifully supports the rich harmonic writing. This directive from Christ to come and follow will strengthen your personal resolve and thatof your faith community to walk together as friends and fellow disciples of the Lord.

Two inspiring works written by Edward Elgar and arranged for Viola by Alan Arnold with simple piano accompaniment.

This collection of well-known classical pieces can be used on its own or as supplementary material to the iconic A Dozen A Day techniques series by Edna Mae Burnam. The pieces have been arranged to progress gradually applying concepts and patterns from Burnam’s technical exercises whenever possible. Teacher accompaniments and suggested guidelines for use with the original series are also provided. These arrangements are excellent supplements for any method and may also be used for sight-reading practice for more advanced students. The difficulty titles of certain editions of the A Dozen A Day books may vary internationally. This repertoire bookcorresponds to the first difficulty level.

The polonaise was a fashionable dance form not only in Chopin and Liszt’s time for Johann Sebastian Bach’s son Wilhelm Friedemann had already brought this Polish national dance to a high-point. His twelve Polonaises were so popular in his time that they survive in numerous manuscripts meaning that today’s pianists can enjoy these most successful of W. F. Bach’s piano compositions. Colourful and effective they ascend stepwise through the keys with a polonaise in the major and one in the minor juxtaposed in each case. The pieces are sensitive and expressive and Bach is clearly setting off along the path to the character piece with these Polonaises. He probably played themon the clavichord the delicate and favoured instrument of this time of sensibility.

for SATB unaccompanied Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion. David Bednall 's Like As The Hart for SATB choir unaccompanied. Like As The Hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion.