Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately 13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace (a contemporary of William Lawes) in his 1676 book Musicke’s Monument as‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behind the piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the house and just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Como eran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke’s Monument as ‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Comoeran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt

Psalms for Festivals comprises 17 joyful and memorable psalm-settings for the big occasion. Each has a rousing congregational response and all the psalms are through-settings (rather than chants) for choir. Psalms For Festivals is a book of joyful and memorable Psalm-settings for the big occasion. Each setting has a rousing Congregational Response and all are through-composed settings (rather than simply chants) for any choiror choral group. Featured composers include Timothy Blinko Rosalie Bonighton and Andrew Fletcher. Each setting also includes details of appropriate services or occasions and a full Piano/Keyboard accompaniment.

Five favourite pieces arranged for Piano Duet by Anne Applin.

The Ukulele from the Beginning: Pop Songs (Yellow Book) is a great collection of 16 favourite pop songs selected and arranged specially for younger ukulele players. All of the songs have been simplifiedand annotated with easy chord diagrams strumming and picking patterns. Designed to be accessible and enjoyable to play this songbook mixes contemporary hits with a selection of pop classics.

Great Performer's Edition. Contents: Moment Musical (Schubert) œ Abendlied (Schumann) œ Sicilienne (Faur?) œ The Swan (Saint-Sa?ns) œ Hungarian Rhapsody (Popper) œ Tarantelle (Popper). Encores For Cello is a compilation of wonderful pieces for the Cellist to keep in reserve for encores. It offers an excellent opportunity to display their technique whilst entertaining the crowd at the climax of a concert! This Great Performers Edition has been expertly arranged and edited by the Cellist Janos Starker. With popular works by Schubert Schumann and Saint-Saens these are guaranteed crowd-pleasers!

Thiman 'Eternal Ruler Of The Ceaseless Round' arranged for Unison voices and Organ.

Understand music with the help of this series of theory workbooks. Understand music with the help of this series of theory workbooks.

Ralph Vaughan Williams The Female Highwayman scored for unison voice with piano accompaniment.

Here is a reflective setting with echoes of Celtic and folkThe New Raemoir Communion was inspired by an idyllic retreat in the Scottish countryside and echoes its tranquillity. Celtic folk and plainchant-style melodies have been woven together to create a gentle contemplative piece intended for liturgical use or meditative listening. The Communion may be sung congregationally in unison by mixed voices but also be performed in two parts by female voices. The FREE CD includes a demonstration ofevery movement and backing tracks.

Judith Weir 'S Ave Regina Caelorum For Unaccompanied Choir Ssatbb. This Piece Was Commissioned By Merton College Oxford As Part Of The Merton Choirbook A Collection Of Music Being Assembled To Celebrate Merton College’S 750Th Anniversary In 2014. Ave Regina Caelorum Was First Performed On 8Th July 2014 In Gloucester Cathedral As Part Of The Cheltenham Music Festival By The Choir Of Merton College Conducted By Benjamin Nicholas. Judith Weir 's Ave Regina Caelorum for unaccompanied choir SSATBB. This piece was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled tocelebrate Merton College’s 750th anniversary in 2014. Ave Regina Caelorum was first performed on 8th July 2014 in Gloucester Cathedral as part of the Cheltenham Music Festival by the Choir of MertonCollege conducted by Benjamin Nicholas.

Simple arrangements of twenty-three popular classics - includes Sheep May Safely Graze La Paloma and the stirring William Tell Overture . All pieces feature full melody arranged for the novice orearly player along with full chord guide and suggestions for appropriate auto-accompaniments.

Uses: General revival All Saints' Day Scripture: Romans 4:11 Galatians 3:9 John 14:2 This medley of beloved hymns literally jumps off the page and into the heart. In her inaugural publication withShawnee Press popular composer Mary McDonald decorates a few favorite hymns with gospel joy. This is a guaranteed AMEN special for your choir! Also available: LiteTrax CD.

Dale Warland Choral Series-California composer Dale Trumbore is quickly becoming one of America's leading young composers. Commissioned by Brandon Elliott and the Choral Arts Initiative the music begins softly with soft and energetic excitement and ends serenely following the powerful statement I am the instrument of God as the choir whispers I am music. ScorePlay - click to view score with recording. California composer Dale Trumbore is quickly becoming one of America's leading young composers. Commissioned by Brandon Elliott and the Choral Arts Initiative the music begins softly with soft and energeticexcitement and ends serenely following the powerful statement 'I am the instrument of God' as the choir whispers 'I am music'.

Spiritual-This deeply moving African-American spiritual is ideally suited for an Easter service. The score is in C. Douglas Smith has arranged this piece for 2 B flat trumpet/cornet a trombone/baritone/horn in F and a trombone/baritone with optional tuba.

Nursery rhymes folk tunes show tunes - it's all here! Here is a super collection of 172 songs for children Nursery rhymes folk tunes spirituals show tunes traditional melodies - all the favourites! They are all in child-friendly keys the accompaniments are easy to play andthere are historical notes about the origins of songs and some of the peculiar words. For the teacher who wishes to keep singing at the heart of their school as recommended by the Music Manifesto this book is a godsend.

Many of us would love to play the greatest works of Mendelssohn but unfortunately ambition often outweighs technique. Mendelssohn Made Playable is a collection of Felix Mendelssohn 's greatestworks in Colin Hand ’s special arrangements designed to make this music accessible to the intermediate pianist (Grade 5). The 12 pieces included: Cavatina No 1 from Seven Characteristic Pieces Notturno from A Midsummer Night's Dream For the wings of a dove On wings of song Rest in the Lord from Elijah Scherzo from A Midsummer Night's Dream Scherzo from SymphonyNo 5 Second movement from Organ Sonata No 1 Second movement from Violin Concerto Venetian Gondola Song and War March of the Priests from Athalie.

For SATB Choir and Organ. Text: W. Ballet

The very best of Bob Dylan in piano vocal guitar arrangements. Includes 'All Along the Watchower' 'Knockin' On Heaven's Door' and 'Lay Lady Lay'.

A practical and helpful how-to book designed to answer thousands of questions that face jazz ensemble directors every day. Author John Berry draws on over thirty years of experience as a director and writer to pass on tips andtricks mostly learned the hard way. The book is written with a concise easy-to-read style and answers basic questions about real-life situations such as: teaching jazz styles improvisation leading and conducting and usingtechnology. The twenty-three chapters cover information about the saxes trumpets trombones and a comprehensive treatment of the rhythm section. Among the other topics are sound engineers clinicians live performances and '12Ways To Have A Better Band...Almost Instantly!'A practical and helpful how-to book designed to answer thousands of questions that face jazz ensemble directors every day. Author John Berry draws on over thirty years of experience as a director and writer to pass on tips andtricks mostly learned the hard way. The book is written with a concise easy-to-read style and answers basic questions about real-life situations such as: teaching jazz styles improvisation leading and conducting and usingtechnology. The twenty-three chapters cover information about the saxes trumpets trombones and a comprehensive treatment of the rhythm section. Among the other topics are sound engineers clinicians live performances and'12Ways To Have A Better Band...Almost Instantly!'

For SATB Choir A Cappella.