Eight challenging and unique pieces for Organ by contemporary composers including Thiman Lloyd Webber and Eldridge. An excellent source of unusual and less familiar repertoire for the adventurous Organist.

Upon entering a painting was written in 2008/09 and it was commissioned with funding from the Britten-Pears Foundation and the RVW Trust by Piano 4 Hands (Joseph Tong and Waka Hasegawa) to whom it is dedicated. The inspiration of the piece was the kind of painting which as you gaze at it seems to draw the onlooker into the frame indeed into the very paint itself. The specific trigger for the idea of the piece was the Rothko Exhibition at Tate Modern in 2008 – Rothko has long been a favourite painter of mine even though his creative world is very different from my own. However there were one or two paintings in the exhibition in which I felt strongly this sense of beingdrawn into the inner life of the painting especially when I was able to incur the wrath of the curators and step close to the paintings and examine the surface in detail. The opening and closing sections of the piece with their gradual thickening of the harmonies and (at the end) equally gradual thinning reflect this sense of stepping forward into and backward out of the works. The inner life of the faster sections while apparently very un-Rothko-like reflects the extraordinary teeming inner life of the brush-strokes.

Matthew Martin's Psalm 150 for SATB and Organ. Duration: 4 minutes

A Short Communion Service by John Nourse contains eight songs scored for Unison voices and Organ.

The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus Confounding the doctors the poor little Child while the fifth carries us to Calvary and a singularly lame conclusion as Mary Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd sing husheenlo. Strophically composed with small variations Warlock's tenderness seems generic. eltine . The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus 'Confounding the doctors the poor little Child ' while the fifth carries us to Calvary and a singularly lame conclusion as Mary 'Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd singhusheenlo.' Strophically composed with small variations Warlock's tenderness seems generic. eltine .

Pocket or Study Score. Kelterborn R

Oriental Fantasy-A few flavoursome introductory bars carry the listener off to a temple garden in Manchuria in North-eastern China. Mysterious incantations of the priests in the temple and the scent of incense set the scene while the melody tells of two lovers. A Manchurian wedding procession passes by outside. In the street the coolies are becoming restless. Within the temple all is calm. Again we hear the incantations of the priest before the lovers’ theme is heard in birdsong with short quotes from the temple theme and coolie theme to end the piece.Vocal score available separately: 1883-12-050 MS

The traditional French carol Quelle Est Cette Odeur Agréable has here been arranged for unaccompanied SATB choir by Matthew O'Donovan. Originally published in Noël! 3 . The traditional French carol Quelle Est Cette Odeur Agréable has here been arranged for unaccompanied SATB choir by Matthew O'Donovan. Originally published in Noël! 3 .

Trumpet Trombone Piano (Score & parts). Acker D

Ave Verum Corpus for SATB chorus with keyboard accompaniment. Edited by Ralph Allwood and David Hill. Latin text.

Ballett von Tatjana Gsovsky-Piano Score. Blacher B

Piano. Soegijo Pg

Alto saxophone and piano arrangement of the tune made famous by Terry Wogan. Grade: 3

72 Classic Songs-This collection of Just Great Songs features a massive 72 classic pop and rock songs from over the years that are essential parts of any musician's repertoire. Arranged for Piano Vocal and Guitar you'll besinging and strumming all of these brilliant songs with ease. The 72 tunes included here are guaranteed to get your vocal cords warmed up and your fingers itching to play with their simple melodies funstrumming and relatable lyrics. Songs like Razorlight's America When You Were Young by The Killers and The Bucket by Kings Of Leon will take you back to that awesome period when Guitar-based rock wasreinvigorated at the turn of the millennium while Wonderwall Yellow and Primal Scream's Country Girl will make you yearn for the exciting britpop era again. If on the otherhand you have more of a predilection for pop then you'll be excellently served as well with Lily Allen's Smile Corinne Bailey Rae's Put Your Records On and KT Tunstall's Suddenly I See. Similarly if you prefer the older classics you'll be able to learn Jeff Buckley's Hallelujah The Clash's Should I Stay Or Should I Go and Walk On The Wild Side by the immortal Lou Reed. Whatevergenre you're into or whether you love the new tunes or the old songs it doesn't matter as all of these are Just Great Songs . All arranged for Piano Vocal and Guitar with standard notation Guitar chord boxesand symbols with full lyrics you'll never be stuck for something to learn or play. Featuring 72 of the biggest and best songs from the pop and rock genres taken from recent years as well as some classicselections for good measure this sheet music songbook is a collection that'll be well worthy of your music stand. The songs in this book aren't contentious and there isn't any filler they're Just Great

Mass For St. Marylebone-Paul Mealor's Missa Sancta Maria Tota Bona was composed in 2017 and is arranged for unnacompanied SATB. Duration approximately: 8 minutes. Paul Mealor's Missa Sancta Maria Tota Bona was composed in 2017 and is arranged for unnacompanied SATB. Duration approximately: 8 minutes. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macaulay the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.

Ihr Hirten erwacht (Ye Sherperds Awake) is one of the most beloved of all German Christmas songs. The origins of this reflective folk tune are unknown but it was printed for the first time in a song book in 1852. Michael Friedmann has crafted an outstanding arrangement that features all sections of the band.

Op. 2 No. 5. AMEB (Australian Syllabus) 2004

A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'. A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'.

For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1]) Composer's Programme Note: Points of View is a work about the different musical elements which are personified by soloists from the orchestra all unifying at the end in a passionate climax. The first section ‘Mysterious’ features a solo horn and also establishes tonality [B flat] texture and harmony. The harmonies are often chordal 6-note clusters and they are an important binding articulating and textual element throughout the work. A solo trumpet joins the solo horn and as the chordal clusters disappearinto the stratosphere initiates the rhythm of a light-hearted scherzo – ‘Lively’. The trumpet’s rhythmic figure is echoed and developed by the winds. The solo oboe and cor anglais now introduce a very lyrical melody in falling thirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figure eventually reappear to accompany this melodic theme and then the violins passionately respond by taking it over – ‘Passionato’. All the elements thus unifying to culminate in the coda. These elements could also perhaps be described in non-musical terms as ‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and cor anglais] which eventually combine in the climax [violins].

Cello Concerto was one of Moeran's last major works written for his wife - the cellist Peers Coetmore - in 1945 and stands as a robust and sweeping confirmation of his compositional brilliance. This is a version arranged for cello with piano accompaniment. Piano reduction.