Score and Parts

Meredith Willson's famous song is wonderfully arranged for choirs by Mark Hayes and has a terrific piano accompaniment as well as optional orchestral parts. The introduction is captivating and paints the magic of the holidayswhile the heart of the song ends with a big and broad finish. A choral classic for all ages! Available separately: SATB SAB 2-part Digital Orchestration StudioTrax CD. Duration: ca. 3:20.

Score and Parts

Score and Parts

16 Solo Voices

Score

Score

Hear the Song Children Sing-This dynamic new arrangement brings out the direct immediate power of the original song with a driving intense tempo world music percussion asymmetrical meters an accessible voicing and a Latin text. An outstanding and uniqueselection for winter concerts and festivals. Available: SATB< opt. percussion (claves 2 high drums low drum). Duration: ca. 2:13.

Sous le ciel de Paris - Le temps des cerises - Espana - A paris...

Dalla Tecnica Base Alle Interpretazioni Piu' Complesse Dei Ritmi

Sistema Rapido: Dalle Scale ai Giri Armonici. Ritmi Principali Sistema Tab e Diagrammi degli Accordi

528 Posizioni Per Tutti I Bassisti

Easy Piano Duet

Harps 1 And 2

Jesus Ist Mein Aufenthalt'

Klokkenspel en Percussie

Complete method for individual and group lessons - Score-Following the huge success of their instrumental method Look Listen & Learn Michiel Oldenkamp and Jaap Kastelein have focussed their attention on school bands and devised a completely new method that can be used in both instrumental lessons and class bands or wind ensembles. Learning Music Together is the new method for young wind players and percussionists aged eight and above. Learning Music Together has been developed in close collaboration with professionals from the class band world music schools and academies in the Netherlands and Germany. Learning Music Together combines instrumental lessons with a course for class band. The instrumental lessons offer instrument-specific items such as new notes and technical exercises while at the same time supporting the learning of the class band with a focus on rhythm melodic structure and playing music together. The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition supplementary material is available on the extensive website e.g. demo- and accompaniment tracks for all pieces additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians!

Hoorn

for Saxo Bb Saxo Eb Clarinet Bb Trumpet Bb

Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.