Mille Regrets; Gaillarde 'Le Tout'; Ronde; C'est une dure Despartie; Ronde 'Mon Amy'; Danse des Bergers; Danse d'Hercule; Allemande; Ronde; Allemande; Mélodie pastorale; Danse du Roy

Volume 1- Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his éclairs Sur L'Au-Delà for Orchestra is no exception to the composer's popular distinctive style. Composed between 1987-1991 éclairs Sur L'Au-Delà was one of the composer's last works with the premiere occuring six months after his death. The work includes Messiaen 's popular compositional techniques such as his modes of limited transposition and the use of birdsong. Messiaen 's piece for orchestra is divided in to eleven movements and a typical performance lasts about one hour. éclairs Sur L'Au-Delà is essential to all advanced orchestras seeking to expand and vary their repertoire.

Bleu Nocturne is a work by Armando Ghidoni for Trumpet and Piano Accompaniment.

D'après Les Elfes de Leconte de Lisle- French harpist and composer Henriette Renié (1875-1956) lived in poverty for much of her life. However this did not stop her from composing significant works for the Harp including Legende D'Apres Les Elfes inspired the poem of the same name by French poet Leconte de Lisle. Despite being a talented composer Renié lived at a time where fame and success was socially unacceptable for women. In 1903 she composed her substantial work for Harp Legende D'Apres Les Elfes. As a highly virtuosic work this Renié piece displays use of cadenza passages exploitation of tonality complex rhythms and variety in performance directions. For advanced harpists Renié 's Legende D'Apres Les Elfes is an exciting and varied addition to the repertoire.

Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Miniature Studies For Tenor Trombone therefore makes for a well-informed compilation. With few study books existing specifically for Tenor Trombone 50 Miniature Studies fills a large gap. In Galiègue and Naulais' book no tempo or dynamics are given as they are left to the teacher and student's discretion. With all fiftyexercises addressing a variety of musical features 50 Miniature Studies for Tenor Trombone makes for an imperative aid to technical progression on the instrument.

2.Pour l'Indulgence; 3.Pour la Croyance

For brass quintet and harp.

Version for Male Voice Choir A Cappella.

Sophie Dufeutrelle 's Vagues Vagues (Waves) for Alto Flute solo.

The Last Judgment is a through-composed symphonic tableau that follows the structure of the text of Matthew underlining it in a figuralistic manner. Other scriptural references are also to be found: an image of the sun that turns dark (Acts of the Apostles 2: 20) and before the gathering of the nations twelve chords representing the thrones for the judgment of the twelve tribes of Israel (Matthew 19: 28). The thematic material combines original figures with Gregorian chant: the Gloria from the Missa de Angelis; the Alleluia of the Epiphany; Dies irae the sequence from the Requiem Mass; In paradisum theburial antiphon. The sections in recitative style follow the declamatory rhythm of the corresponding verses in Arabic the composer's mother tongue. Finally the registration requires a symphonic style organ such as the Goll organ in Memmingen Germany at which the composer prepared the orchestral expression of this work.

for soprano or alto saxophone solo

Brass Percussion (score & parts). Prokofiev S

La Joueuse de Flûte

Etude du rythme par les themes musicaux/volume 2 weber a

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so that various combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble. Includes a 32-page pull-out part for violin.This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

No.1 from 'Suite'

Being a fascinatingly unique composer Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen 's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limited transposition. It is for these reasons that the composer compiled TheTechnique of my Musical Language . The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition amongst many others. For all fans of Messiaen The Technique of my Musical Language is essential to the understanding of the composer's much loved music. Being a fascinatingly unique composer Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique Of My Musical Language provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen 's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. It is for these reasons that the composer compiled The Technique Of My Musical Language . The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition amongst many others. For all fans of Messiaen The Technique Of My Musical Language is essential to the understanding of the composer's much loved music.

For horn (or euphonium) and trumpet.

for Viola and Piano- This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the viola while the piano part is identical to Schuberts original as presented in the New Schubert Edition. „Ulrich von Wrochems editing gives clear indications of bowings fingerings phrasing and dynamics; …(Louise Grattan ESTA Summer 1998)

The Glenmasan Manuscript is an historic Scottish manuscript from the fifteenth century that contains legendary Celtic texts from the Ulster region. In his composition Marc Jeanbourquin has evoked the atmospheres and illustrated thelandscapes as well as legendary heroes from this country through music. The extraordinary spectacular finale is certainly one of the reasons this piece is both suitable as a challenging contest piece as well as a concert piece.