For 2 trumpets trombone (or horn) trombone (or euphonium) and organ.

Favourite Operatic Arias - Vol. 1 for Flute or Oboe and Piano is an anthology of famous pieces arranged by Armando Ghidoni . Written for intermediate players this first volume features five pieces which can be played along with the CD which includes the Piano part for each song. The five pieces are: - Habanera from Carmen by Bizet - Che faro senza Euridice from Orfeo Ed Euridice by Gluck - E lucevan le stelle from Tosca by Puccini - Questa o quella per me pari sono from Rigoletto by Verdi - Brindisi from La Traviatta by Verdi Armando Ghidoni is an Italian musician who is very famous in France. He composed and arranged a large variety of pieces influenced by the impressionism à la française and incorporating jazz rhythms to his music. He composed religious pieces operas and numerous pieces of chamber music among others.

Introduction to Music Theory for Children (French text)

For alto (or soprano or tenor) saxophone and piano.

Significant music pedagogues Jo Gougat Jacqueline Toussaint and Serge Lecussant compile a helpful aid for parents regarding their child's initiation to music theory. Volume 2 of the compilation continues the series in informing parents of the different elements of music theory and how their child can be supported in order to progress.

for trumpet horn (or trumpet) trombone (or horn) and trombone (or tuba)

French English German Spanish and Italian text

für Kontrabass und Klavier- Intermezzo and Tarantella for Double Bass and Piano by the Russian composer Reinhold M. Glière whose musical style represents a crucial link between Late Romanticism (Tchaikovsky) and Modernism (Prokofiev).Intermezzo and Tarantella for Double Bass and Piano by the Russian composer Reinhold M. Glière whose musical style represents a crucial link between Late Romanticism (Tchaikovsky) and Modernism (Prokofiev).

For 2 choirs of 2 trumpets 2 horns and 3 trombones each plus tuba and percussion.

Ensemble-Mixed 8 or more- from 'Water Music' (arranged for ensemble of flexible instrumentation)

for 2 trumpets and euphonium (or horn)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert ’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

SATB chorus

1.L'Orphelin; 2.Pluie d'Eté; 3.Mon Oncle; 4.La Gamme; 4.Embarquer?; 5.A quoi bon?; 6.Le Dromadaire; 7.La Bonne Odile (Le Crocodile)

With few study books in existence for the Snare Drum Progressive Technical Studies fills a large gap. As a prominent Snare Drum player himself Guy Lefèvre (1931-2004) produces well-informed studies for the instrument. The first volume of Progressive Technical Studies is intended for beginners of Drum studies. The diversity of these short and progressive rhythmic studies will ensure the student will rapidly advance in their learning of the instrument. Exercises should be addressed slowly with particular attention given to the precision and regularity of the beats. Lefèvre 's 40 pages of exercisesin the first volume of Progressive Technical Studies for the Snare Drum are essential to developing percussionists.

Cahiers d'Analyse et de Formation musicale- Analysis of: Debussy - Prélude à l'Après-Midi d'une Faune

'Le Grand'

Romantische Opera in three acts- Alfonso und Estrella D 732 Romatic Opera in 3 Acts In late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober’s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be. Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881–2 allegedly with 'brilliant acclaim'. Urtext of the New Schubert Edition Full score (BA5540) and vocal score (BA5540-90) available for sale Performance material (BA5540-72) available for hire

Music for Brass no.809.

Stevie Wonder is one of the very few remaining old school soul singers still alive. This famous song became a number one hit in the US in 1972 and landed number 74 in the world’s 500 best songs ever. It is arranged brilliantly for concert band byGilbert Tinner.