Composed in 1940 Geoffrey Bush ’s Rhapsody For Clarinet And Strings has been transcribed here for Clarinet and Piano and is a great addition to the repertoire of both clarinettists and pianists. While enhancing cooperative skills between musicians it also presents plenty of opportunities for the soloist to show off their talent. Duration ca. 9 minutes. Geoffrey Bush was a British composer organist and scholar of 20th-century English music. His compositions include 5 operas 2 symphonies choral pieces such as his Christmas Cantata and many songs generally in the liederstyle.

The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale

Hardback-This volume contains edited full scores and notes for the overtures. This volume contains edited full scores and notes for the overtures.

Elegy has been performed throughout North America and Europe by over twenty-five artists including Levon Ambartsumian (Moscow State Conservatory) Jacques Israelievitch (Toronto Symphony) and Silvian Iticovici (Saint Louis Symphony). Unaccompanied. Elegy has been performed throughout North America and Europe by over twenty-five artists including Levon Ambartsumian (Moscow State Conservatory) Jacques Israelievitch (Toronto Symphony) and Silvian Iticovici (Saint Louis Symphony). Unaccompanied.

J. Ireland 's Spring Sorrow In F for Voice and Piano.

One hundred and seven Two-part exercises by Zoltan Kodaly based on the concept that singing is the most effective way of entering fully into the spirit of music and of understanding it. The theoretical studies for correct intonation in Let us Sing Correctly attempt to instill a natural intervallic approach to singing.

The evergreen My Way originally a French chanson (Comme d’Habitude) was written by Jacques Revaux and Gillies Thibault and first released by Claude Francois in 1967. Paul Anka wrote the English lyrics which were used by Frank Sinatra who made it in to the American charts with his world famous interpretation in 1969. Since then the song has been covered by a variety of pop stars including Elvis Presley. This arrangement is based on the Elvis version and within it the chorus appears in a swinging blues style. This popular song will be ideal for that spectacular ending to your concert.

Der weltbekannte Gospelsong als Arrangement fur Gemischtchor SATB mit Klavier ad lib von Thorsten Kuhn.

Songwriter and composer Peter Skellern was a great writer of many truly sensitive love songs with You’re A Lady being the most famous by far. This evergreen was originally performed with brass band backing making it an obvious choice for a brass band arrangement.

Caleb Henry Trevor (1895-1976) was a British organist editor and pedagogue known simply as 'CH' to his friends. Primarily self-taught he studied at Oxford before spending 8 years in the army. From 1936-1964 he was Professor of Organ at the Royal Academy of Music where he taught many of the best organists of the last century including Simon Preston and and Barry Rose. He is best remembered for his educational volumes such as the Oxford Organ Method and also for his many volumes of music for Manuals. The Organ Miscellany is a collection of popular classic works for Organ which have been easily arranged by C. H.Trevor .

Four Studies In Japanese Harmony. Four Studies In Japanese Harmony.

Intermezzo-Szene bearbeitet für Flötengruppe Metallophon und Schlagwerk von A. Rosenstengel. Diese Komposition gehöret zu seinen bekannt testen Orchesterwerken. Eine echt orientalische Atmosphäre beherrscht dieses Werk. Die Kameltreiber kommen allmählich näher die Rufe der Bettler nach Gaben werden erhört. Die schöne Prinzessin tritt auf von ihren Dienerinnen begleitet. Die Prinzessin bleibt stehen um sich an den Gauklern und Schlangenbeschworen zu ergötzen. Der Kalif schreitet jetzt über die Markt und unterbricht die Unterhaltung. Die Prinzessin macht sich zum Aufbruch bereit und die Karawane setzt ihre Reise fort. Die Motive der Prinzessin und der Kameltreiber hört mannoch in der Ferne und der Marktplatz wird wieder einsam. Scène d'intermède pour groupe des Flûtes à bec Vibraphone et Percussion arrangée par A. Rosenstengel du morceau Orchestral original par Albert W. Ketelbey. Une atmosphère orientale se répand de ce morceau. Les chameliers approchant lentement du marche on entend dans le tumulte les mendiants réclamer leur ‘Backchiche’. La belle princesse entourée de ses servantes fait son apparition et s'arrête a regarder les jongleurs et charmeurs des serpents. L’arrive du Calife interrompt l’entrain du marché la princesse prépare son départ et les chameliers continuent leur chemin. Les thèmes de la princesse et des chameliers s'éteignent dans la lointain et la marché devient désert. Intermezzo scene for Recorder/Flute group Vibraphone and Percussion arranged by A. Rosenstengel from the original Orchestral piece by Albert W. Ketelbey. An oriental atmosphere pervades this work. The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she stays to watch the jugglers and snake-charmer. The Caliph now passes through the market and interrupts the entertainment the princess prepares to depart and the caravan resumes its journey as the sounds of the Persian Market fade into the distance.

This stately march was composed to mark any celebration and more specifically the anniversary of the foundation of a band. The main theme is a wonderful legato melody which is interrupted several times with flowing arpeggios. Following a regal trio melody the main theme returns with a triumphal feel. A great new march for use at any celebration.

For Oboe and Piano. A set of contrasting studies each lasting less (and sometimes much less) than a minute. For Oboe and Piano. A set of contrasting studies each lasting less (and sometimes much less) than a minute.

A powerful modal opening brings your concert to life with this new and different opener for young band. Make a statement that will be remembered. Carefully scored to help your young band sound good the Brass fanfares Woodwind flourishes and energetic Percussion parts make this a joy to play and a wonderful addition to any concert program. Powerful!

Learn to Be a Studio Musician-You've just received your first studio call and already you can feel the tension mounting. Will you be able to read and interpret the music? Can you immediately get into the 'groove' without a lot of rehearsal time? How about coping with headphones and the ever-present click track? Here's an album that will give you 'studio' experience without the butterflies. No producer hovering over your shoulder no engineer hassling you for 'better sound.' This series is invaluable to every developing musician and will repay you with the experience you need and have a great time playing great music with this top-flight ensemble of working studio players! Includes a compact discfeaturing a complete version and a minus version of each piece with removable click-track on one channel and music book. Accompaniment: Tom Collier Keyboards Drums & Percussion Howard Roberts Guitar Dan Dean Electric Bass You've just received your first studio call and already you can feel the tension mounting. Will you be able to read and interpret the music? Can you immediately get into the 'groove' without a lot of rehearsal time? How about coping with headphones and the ever-present click track? Here's an album that will give you 'studio' experience without the butterflies. No producer hovering over your shoulder no engineer hassling you for 'better sound.' This series is invaluable to every developing musician and will repay you with the experience you need and have a great time playing great music with this top-flight ensemble of working studio players! Includes a compact discfeaturinga complete version and a minus version of each piece with removable click-track on one channel and music book. Accompaniment: Tom Collier Keyboards Drums & Percussion Howard Roberts Guitar Dan Dean Electric Bass

Opus 97 Zehn klavierstücke aus dem Ballett-Prokofiev composed his ballet Cinderella between 1940-1944. At the same time he also extracted three sets of pieces from the work transcribed them for Piano and assigned them each a separate Opus number. Opus 97 focuses mainly on the lighter and shorter aspects of Cinderella . A typical performance of these pieces lasts approximately 20 minutes.

Ilarie by the Spanish pop group Buttons arranged for Voice and Piano with chord symbols. Spanish text.

This volume features a collection of 14 scenes: Typical jazz-phrases create a great party atmosphere.

The first page of the autograph of the Mass K.49 (47d) bears below the author's name the crossed-out (autograph?) suffix in Wien (in Vienna). 1768 and in Wien have been added by two other unidentified eighteenth-century hands. Mozart's handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart's list of works composed byWolfgang up to 1768 Eine kleinere Messe a 4 vocibus 2 Violinis &c (a small Mass with 4 voices 2 violins etc.) appears as the penultimate entry; the year 1768 was added by Mozart's sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.