8 selected Bill Evans' songs for piano with guitar chord symbols. Transcribed by Bobv Hinz.

In Progressive Order for Beginner Flutists-This pack includes access to online audio featuring recordings of performances and piano accompaniments of each piece. Contents include: Gavotte (J.S. Bach) Bourrée (Handel) Little Dance (Haydn) Ah!Vous dirai-je maman (Mozart) Scotch Dance (Beethoven) Moment Musical (Schubert) The Reaper's Song (Schumann) and more.Forty Little Pieces in Progressive Order for Beginner Flautists. This pack includes access to online audio featuring recordings of performances and piano accompaniments of each piece.

Concert Pieces - Teacher's Book-A superb collection of classical favourites show tunes and Latin-American dances as well as ragtime and enticing new pieces by John Pitts arranged and graded for Recorder players of any age. Designed to be used alongsidethe best-selling Treble Recorder From The Beginning tutor series. Pieces begin using the first eight notes taught in the tutor book before steadily increasing. The pieces themselves are absorbing and exciting offeringinspiration and incentive to develop new skills and rhythmic awareness. You will also find eight duets - a superb chance to experience the wonders of small-ensemble performance either with a teacher or a fellow pupil!

Useful concert closer for any time of year. 'Go with a song in your heart. Go with music in your soul.' Optional narration can be custumized.

50 Pieces- New Fiddle Tunes is the latest addition to the Schott World Music Series. Pete Cooper presents 50 new and original folk-inspired tunes for solo Violin however some of the tunes can be performed as duets. All of the pieces draw upon influences ranging from English Scottish and Balkan traditional music Polkas Blues Waltzes and more. Explanations of the playing style is included in the edition which covers ornamentation as well as bowing technique. Suitable for Grade 3 and above. All of the pieces are included on the accompanying CD and performed by Pete Cooper himself.

Valerie Crescenz wrote this meaningful new work in response to the 9/11 tragedy

Commissioned by the BBC. For SATB choir percussion and speaker/narrator.

Written in the Mexican bolero style this Latin classic from the 1940s has enjoyed continual popularity and airplay often recorded with English lyrics as “You Belong to My Heart.” Robert Longfields version is expertly crafted using lush harmoniesand varied scoring and offers an appealing change of pace.

One of the finest graduation anthems to come out in a long time this is another hit by Lantz and Parker written for mixed voices and an energetic accompaniment.

One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer. One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer.

One of the funkiest christmas classics arranged here for soprano alto tenor and bass.

Noel Rawsthorne has a rare and consummate ability to create Noel Rawstorne has a rare and consummate ability to create organ music which sounds spectacular but remains easy to play. This collection of Thirty-Six Miniatures For Organ ranges from the ebullient and thrilling tothe meditative and peaceful. All the features which organists expect to find in his compositions are present in abundance. This is a collection to be highly valued and greatly enjoyed by organists and audiences.

This lesser known spiritual speaks nobly and poignantly of the lifelong heartache and desperation experienced by enslaved Africans in America. In this setting that features a soprano solo the words of the third verse are those ofa nineteenth century woman whose entire life was spent in slavery. The meditative quality of the music creates a pensive atmosphere that is spellbinding. Duration: ca. 5:00.

For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978. For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978.

In Season Two the Glee cast devoted a full episode dedicated Fleetwood Mac's 1977 hit-powerhouse Rumours. Opening with the bright pop sounds of I Don't Want to Know it moves into the sultry Dreams and building into Don't Stop this 6-minute choral tribute spans the generations in its appeal! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Combo parts available digitally (tpt 1 tpt 2 tsx tbn syn el gtr ac gtr b dm). Duration: ca. 5:45.

Percy Grainger composed this work for six hands at one piano in 1902 and subsequently he began a version for percussion ensemble that was never completed. Using sketches of this incomplete arrangement Preston Hazzard has created a unique setting for concert band. The transparent and delicate lilting nature of the original work comes through in this appealing arrangement for winds and percussion.

Published 2003. Solo Violin and Orchestra. Published 2003. Solo Violin and Orchestra.

Five great songs are given the gospel treatment and the result is a guaranteed showstopper - fun funky slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser and were performed by his choir ACM Gospel Choir on BBC's Last Choir Standing - they are all uplifting modern and a joy to sing. Five great songs are given the gospel treatment and the result is a guaranteed showstopper - fun funky slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser and were performed by his choir ACM Gospel Choir on BBC's Last Choir Standing - they are all uplifting modern and a joy to sing. Arranged for SAT choir with downloadable backing tracks using the accompanying card they can also be performed with a Piano or band using the Piano accompaniments and chord symbols. This book has everything included to make it as easy and straightforward as possible to learn with helpful hints for each song and downloads of fulldemonstrations performance backing tracks and individual rehearsal tracks for each vocal part. 'Mark has unique experience of bringing this uplifting genre of choral music to young singers who have never experienced it so the arrangements are skillfully designed to enable involve and captivate. There is a brilliance and energy in this collection that makes it a unique contribution to the repertoire. For directors of all choirs - start-up to veteran - this is a MUST.' - Suzi Digby Voices Foundation. If this all sounds intriguing be sure to check out Mark De-Lisser himself in our video below explaining what makes singing from the Sing Out! Series so great:

For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Alongupon The duration of Wessex Heights is about an hour.

Couple The Tuba - OrganThis is a spectacular collection of festive music for full organ. Each piece makes prominent use of the Tuba or other solo reeds. Eminently suitable for joyful occasions ceremonies and celebrations they do not need a largecathedral instrument to achieve their effect. There are no insuperable technical difficulties and a modest organ is sufficient. The Kevin Mayhew composers have excelled themselves again!