A whole new generation has been introduced to the music of Elvis through Lilo and Stitch. This new concert choir arrangement uses rich vocal textures and a flowing accompaniment to make it a perfect addition to your program.Available: SATB SAB 2-Part ShowTrax CD. Approx. Time: 3:00. A whole new generation has been introduced to the music of Elvis through Lilo and Stitch. This new concert choir arrangement uses rich vocal textures and a flowing accompaniment to make it a perfect addition to your program. Available: SATB SAB 2-Part ShowTrax CD. Approx. Time: 3:00.

For SSATBB choir. For SSATBB choir.

Uses: Communion invitation Scripture: Matthew 26:26-29 Mark 14:22-26 Luke 22:17-20 Heartwarming and full of gentle grace this new communion moment works for groups of all sizes. For thecommunion processional or to prepare hearts for the Lord's Table this anthem is sure to be well received. Beautiful imagery and thoughtful arranging capture this sacred moment with sensitivity and grace.

Mishima String Quartet (String Quartet No.3) originally appeared as parts of the film score for Mishima by film maker Paul Schrader. The film follows a complex narrative structure which divides the life of thisfamous contemporary Janpaeses novelist into 3 parts - his childhood his mature years and the last day of his life. These subjects were intercut to produce a shifting kaleidoscopic vision of Mishima's life. The scenes of hischildhood were filmed in black and white and scored for String Quartet. An excellent contemporary string quartet by the innovative Philip Glass.

This concerto for Guitar and Orchestra was composed by Ernesto Cordero one of Puerto Rico's outstanding contemporary composers. The pastoral first movement portrays the idyllic Antillean landscape using a combination of continental Spanish and Antillean Spanish Creole influences which are most discernible in the lush romantic cadenza. The second movement is distinguished by the alternation of two melodies: one a melody blending a number of ancient influences and the second distinctly Cuban in nature. This movement was inspired by the peaceful summer calm of the Antillean seas. The third movement is the only one in the work to draw directly on Puerto Rican folklore quoting a fragment of the seis milonga a traditional dance. This excerpt is united in this movement with its familiar Argentinean counterpart. The last movement is the most challenging movement of the three for the guitar soloist demanding a nearly virtuosic performance. The full score calls for Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in B-flat Timpani and Strings in addition to the Guitar soloist. Orchestral parts are available for rental from the publisher. This conductor's score is 60 large-format (13.75 x 10.25) pages. This concerto for Guitar and Orchestra was composed by Ernesto Cordero one of Puerto Rico's outstanding contemporary composers. The pastoral first movement portrays the idyllic Antillean landscape using a combination ofcontinental Spanish and Antillean Spanish Creole influences which are most discernible in the lush romantic cadenza. The second movement is distinguished by the alternation of two melodies: one a melody blending a number ofancient influences and the second distinctly Cuban in nature. This movement was inspired by the peaceful summer calm of the Antillean seas. The third movement is the only one in the work to draw directly on Puerto Rican folklore quoting a fragment of the seis milonga a traditional dance. This excerpt is united in this movement with its familiar Argentinean counterpart. The last movement is the most challenging movement of the three for the guitarsoloist demanding a nearly virtuosic performance. The full score calls for Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in B-flat Timpani and Strings in addition to the Guitar soloist. Orchestral parts areavailable for rental from the publisher. This conductor's score is 60 large-format (13.75' x 10.25') pages.

The 1970 pop hit by Stevie Wonder in a full-blown show choir setting. Sensational! Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30. The 1970 pop hit by Stevie Wonder in a full-blown show choir setting. Sensational! Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30.

For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recorded and broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992. For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recordedand broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992.

The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and political conspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both have the same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmentedstructure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by Double Image (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and politicalconspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both havethe same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmented structure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by DoubleImage (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in

This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 in the Fitzwilliam Museum Cambridge. The piece has a fast rhythmic opening in which the violin and cello answer short statements by the pianowith the clarinet mediating between them. The work is decorated by rhythmic and melodic flourishes on the clarinet violin and cello and development sees the piece pick up in tempo and activity. Score edition of PeterMaxwell Davies 'Economies Of Scale'. Parts available: SOS15774

This powerful original spiritual recounts the tale of Shadrach Meshach and Abegnego as they escape the mighty fiery furnace of King Nebuchadnezzar. A super showcase for men's groups! Performance Time: Approx. 3:40

Here is an expressive setting of the traditional Irish hymn tune that makes a wonderful feature for treble choirs and is ideal for sacred concerts.Available separately: 3-Part Treble. Performance Time: Approx. 3:00.

From the familiar Choral Masterworks Series this edition uses the original organ reduction and combines the original French text with an English translation designed to fit the music as well as possible. The interpretive markings are as they appear in the original.

TTBB with piano or organ-An arrangement for Men's Voices (TTBB) with Piano or Organ accompaniment of one of the most renowned choruses. Stimulating rousing and uplifting the Hallelujah Chorus from Handel's Messiah truly is a classic in the repertoire. This version has been arranged by F. Heath.

Contents: Sonata in Bb Major œ Sonata in C minor œ Sonata in F Major œ Sonata in G Major. Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

Edited by Carl Mikuli.

Adapted from the famous novel by Charles Dickens Lionel Bart's Oliver! is a well known musical full of memorable songs and is ideal for secondary schools. This vocal score has been transcribed by John Evans and includes all the songs from the musical including the songs Food Glorious Food Consider Yourself and I'd Do Anything .

Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collection for a student performing in a contest or recital after 3-4 years of study. Contents: Sheep May Safely Graze (J.S. Bach) o The Daisies (Barber) o Polovetzian Dance from Prince Igor (Borodin) o Trumpet Voluntary(Clarke) o Orfeo's Lament from Orfeo ed Euridice (Gluck) o Minuet from L'Allegro il penseroso ed il Moderato (Handel) o Minuet from Music for the Royal Fireworks (Handel) o Siciliana from L'Allegro il penseroso ed il Moderato(Handel) o To a Wild Rose from Woodland Sketches Op.51 No. 1 (MacDowell) o A Lover and His Lass (Morley) o Trumpet Tune (Purcell) o The Pirate King from The Pirates of Penzance (Sullivan). An ideal collection for a student preparing for exams and/or looking for performance repertoire after 3-4 years of study. The books in this collection present literature appropriate for recitals or contests in threedistinct difficulty levels: Easy to intermediate; Intermediate; intermediate to advanced. Historical information is included on each piece and each volume includes access to online audio tracks featuring performances and Pianoaccompaniments recorded by Mark Niehaus Principal Trumpet of the Milwaukee Symphony Orchestra and pianist Laura Ward.

Music recorded by the Beach Boys never goes out of style. Here is a very easy arrangement of one of their biggest hits that everyone is sure to remember. (Watch the parents sing along!) Dur: 2:00

Composed by Wolfgang Amadeus Mozart (1756-1791) and revised phrased and fingered by Giuseppe Buonamici.

With piano accompaniment. Revised and edited by Estelle Liebling.