Clavelitos by this late 19th Century/ early 20th century Spanish composer.

These settings were written to a commission from the Southern Cathedrals Festival and first performed in Salisbury Cathedral on 24 July 1976 by choirs of Salisbury Winchester and Chichester Cathedrals with the Phillip Jones BrassEnsemble conducted by Richard Seal. Pied Beauty The rhythmic elasticity and freedom of the poem matches the vividness of its images and the freshness of the poetic language: it is like light playing on water. In thissetting for choir and brass phrases for trumpets and then voices- ‘Glory to be God’- Alternate with more meditative moments- ‘who knows how?’. The contrast of the poem- ‘swift slow – sweet sour- a dazzle dim‘ quick changes fromsunshine to shadow- are mirrored in the music. Heaven Haven The stillness and serenity of this poem one of Hopkins’ earliest is in direct contrast to the other. ‘Out of the swing of the sea’ to a gently rockingfigure runs as a sort of undercurrent through the piece. At the end this figure combines with a motive in thirds (heard quietly on the trumpets at the opening) and expands slowly with the choir in eight parts before dying awayinto silence.

On a war memorial in the Dutch village of Wons is engraved a list of names to honour the fallen in World War II. This is the basis for the name of this piece. However this composition was written for everyone who has made Wons what it is today: a pretty place near to Lake IJssel with a comfortable way of life. The piece begins with a celebratory introduction in which the village is presented to the listener. There follows a delightful rhythmic and high-tempo theme that reflects the happiness innocence and carefree atmosphere before the war. Now we hear a moody fragmented theme depicting soldiers shooting. This is brought to a close with dissonant clusters of sound intoning the dreadful tragedy of the war. The ensuing quiet gives way to a calm middle section in a minor key that portrays both frustration and consolation. The fast tempo of the beginning returns this time in the form of a victory march. We hear freedom being celebrated. We hear the previous happy innocent and carefree themes too. There follows a festive martial theme a tribute to the village before the piece closes with sounds of celebration.

Original Compositions Arrangements Cadenzas and Editions-World-famous violinist Rachel Barton Pine compiled a collection of 19 pieces mainly for unaccompanied violin ranging from her original compositions and cadenzas to new arrangements of existing violin staples. Pine was inspired to create it when she was asked to write a cadenza for Meude-Monpas' Concerto No. 1 in D Major a rediscovered concerto that had not been played since the composer's lifetime in the eighteenth century. Highlights include an original cadenza for Paganini's Violin Concerto No. 2 in B Minor a new arrangement of The Star-Spangled Banner and many others. Also the book contains a lengthy introduction discussing her love of composition and arrangements.Fans and budding virtuosos alike will delight in this unique and personal collection. CD contains: MP3 audio and printable PDF of piano accomapniments for the Scots Medley the Bach the Berlioz and Meude-Monpas Printable PDFs of vln 1 vln 2 for the Scots Medley Printable PDFs of vln cello for the Meude-Monpas World-famous violinist Rachel Barton Pine compiled a collection of 19 pieces mainly for unaccompanied Violin ranging from her original compositions and cadenzas to new arrangements of existing Violin staples. Pine was inspired to create it when she was asked to write a cadenza for Meude-Monpas' Concerto No.1 in D Major a rediscovered concerto that had not been played since the composer's lifetime in the eighteenth century. Highlights include an original cadenza for Paganini's Violin Concerto No.2 in B Minor a new arrangement of The Star-Spangled Banner and many others. The book also contains a lengthy introductiondiscussing her love of composition and arrangements. Fans and budding virtuosos alike will delight in this unique and personal collection. Piano accompaniment is included on the CD in PDF format.

Guitar Play-Along Volume 195-The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab listen to the audio to hear how the guitar should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing or to simply help you follow along. The audio is available online for download or streaming and it is enhanced so you can adjust the recording to any tempo without changing pitch! 8 songs: Battery - Creeping Death - Fade to Black - For Whom the Bell Tolls - Master of Puppets - One - Seek & Destroy - Welcome Home (Sanitarium). The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab listen to the audio to hear how the guitar should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing or to simply help you follow along. The audio is available online for download or streaming and it is enhanced so you can adjust the recording to any tempo without changing pitch! This title includes the songs Battery Creeping Death Fade to Black For Whom the Bell Tolls Master of Puppets One Seek &Destroy and Welcome Home (Sanitarium).

Vissarion Chebaline's Concerto for Violin Op. 21. Vissarion Chebaline's Concerto for Violin Op. 21.

1st - 3rd Position- A concerto for Viola and Piano covering 1st-3rd positions.

Unaccompanied part-song for SATB choir by Malcolm Pearce.

Symphony composed in 1964 scored for 2+1 2+1 2 3/4 3 3 0/timp/2perc/strings.

M. Jacobsen's Violin Gymnastics - Physical Exercises for the Violinist.

Sonate récréative en trois mouvements : Allegro giocoso - Berceuse - Récréation. Cette oeuvre commande des Editions Le Chant du Monde a été créée par les dédicataires Caroline Lupovici au piano et Hervé Désarbre à l'orgue le samedi 6 juin 2009 en l'église Notre-Dame du Val-de-Grâce à Paris. Durée approximative 8 mn.

Ballade for Organ and English Horn-Written in 1949 for English hornist Louis Speyer the beauty of this piece is just as obvious today. With varying tempos and frequent modulations this piece takes on a life of its own. Optional parts for violin viola andclarinet are included adding to the richness of the setting. This is an excellent concert choice.Written in 1949 for English hornist Louis Speyer the beauty of this piece is just as obvious today. With varying tempos and frequent modulations this piece takes on a life of its own. Optional parts for violin viola andclarinet are included adding to the richness of the setting. This is an excellent concert choice.

Dmitri Shostakovich's 10 Aphorismes Op.13 for Piano.

Aram Khachaturian's Concerto for Flute and Piano.

A recessional hymn setting the text of Rudyard Kipling.

Five Renaissance dances arranged for Clarinet Quartet by Paul Harris.

Sidney Bechet 's Petite Fleur for Voice and Piano.

He Hath Entered The Heven is a work by John Tavener originally composed for Upper Voices while this is the Vocal Score for Mixed Voices arranged by Gregory Rose . Lasting around 8 minutes itwas commissioned by Lady Margaret Hall Oxford. This new arrangement for Mixed Voices was made in 2013 and was first performed on the 9th of August 2013 by the CoMA Summer School Voices and the St VedastHandbell Ringers at St James' Church High Melton Doncaster conducted by Rose himself. In the September 2015 issue of the Organists' Review David Lindley writes: 'the piece is a powerfulone ending with an imploring repetition of the refrain in octaves'

Three Preludes For Organ by Johann Christian Kittel. Edited by Walter Emery.

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘Hard the glad sound’ from Ravencroft’s Psalter (1621) Orlando Gibbons’s Song 24 ‘O word Immortal’ and Song 5 ‘O Prince of Peace ’ and ‘I was glad’ from the Scottish Psalter (1615). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music – in particular histwo settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire. In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘Hard the glad sound’ from Ravencroft’s Psalter (1621) Orlando Gibbons’s Song 24 ‘O word Immortal’ and Song 5 ‘O Prince of Peace ’ and ‘I was glad’ from the Scottish Psalter (1615). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music – in particular histwo settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire.