This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is in Moderato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.

Score-Parts available on rental. Work for Orchestra composed in 1986.

From Taverner To Purcell-Ten assorted Madrigals and Anthems from the Renaissance and Early Baroque era.

Score-Second String Quartet composed in 1954.

Regina Caeli by Francesco Suriano edited by Steven Porter for SATB a cappella.

China Gates a work minimalistic in nature was written in 1977.

Contents: Adieu My Love œ I Put Memories to Rest œ We Sang a Joyful Song œ When You and I Were Young. Norman Dello Joio 's Love Songs At Parting for SATB choir with Piano accompaniment. This volume includes four love songs: I Put Memories to Rest We Sang a Joyful Song When You and I Were Young and Adieu My Love .

Score-Features diversified textures dramatic passages and several string solos and duets in each movement. Duration: ca. 40 minutes. The years from 1935 to 1950 were difficult ones for Elliot Carter. Wide recognition came only in 1951 when he was forty-three with this work The First String Quartet . This work features diversified textures dramatic passages and several string solos and duets in each movement. Duration: 40 minutes.

Parts-For flute clarinet and bassoon. This composition has become Walter Piston's best-known work from the 1920s. This three-movement piece for woodwinds is scored for Flute Clarinet and Bassoon.

Score-This is the Study Score edition of Heitor Villa-Lobos' String Quartet No.7 .

Contents: Two Little flowers œ The Greatest Man œ Where the Eagle. Three relatively simple songs setting the text of Anne Collins M.P Turnbull and Ives himself.

Contents: Aspen Leaves œ Between Two Mountains œ The Deserter œ Echo in the Mountains œ Homeland Goodbye œ Lost Love œ The Snowball œ Song for Dancing œ Sunrise œ What is Wrong? œ When I Sing œ Who is That? Karel Husa (b. 1921) is an American composer who was born and raised in Czechoslovakia. Twelve Moravian Songs is a charming collection of moderately difficult songs for solo Voice and Piano originally intended for school use. They were finished c. 1955 just after the composer had settled in New York. The text and melodies were taken virtually unaltered from traditional folk songs from the Czech region of Moravia. The straightforward Piano accompaniment was added by the composer and reflects the simplicity and beauty of the traditional tunes. The original text has been translated into English by Ruth Martin.

English Only.Vocal Score. English Only.

For Double Bass and Orchestra (piano reduction).

With 2 percussionists. Percussion parts available on rental from G. Schirmer.

From 'Seven Songs'.

For Trombone and Piano.

Duration: c. 14 minutes Alvin Etler (1913 - 1973) was an American composer and oboist who abandoned a promising orchestral career in order to focus on composition. The Sonata for Bassoon and Piano was written in 1951 while he was a professor at Smith College in Northampton Massachusetts. It is dedicated to the bassoonist Emil Hebert and scored in four movements: Moderately Slow - Fast - Slow - Fast . It is a twentieth century work which remains tonal without being overly reliant on traditional key structure. Influences of Hindemith Bartok and Copland can all be found especially in the second movement.

The Benediction for SATB Chorus a capella with a Piano accompaniment for rehearsal purposes.

High Voice in A-Flat-Sheet Music In the Key of A Flat.