For unaccompanied flute.

Husa's Sonatina was originally composed in 1945 for Violin and Piano while the composer was a student at the Conservatory of Music in Prague. This transcription for Flute and Piano was created at the request of flutist LeonaBuyse who gave its premiere on July 4 2002.Husa's Sonatina was originally composed in 1945 for Violin and Piano while the composer was a student at the Conservatory of Music in Prague. This transcription for Flute and Piano was created at the request of flutist LeonaBuyse who gave its premiere on July 4 2002.

Score and Parts-Grades 4-5

Modern American composer John Harbison wrote this sonata for pianist Robert Levin. A complex and intriguing Sonata composed for the celebrated performer and improvisor Robert Levin. Harbison's piece seeks to integrate some of his favoured choral techniques in an instrumental setting leading to a work that isstructurally dense and ever-changing. He combines the explicit with the implicit allowing the performer a great deal of freedom in nuance and phrasing - especially ideal for those accustomed to the situation of improvisation andrisk-friendly cliff-hanging performance. The work was completed in 2001 for commission by the publisher and was first performed by Levin in Boston 2003.

Composed for two alto recorders played simultaneously by one player Cat n's work is truly enchanting. Haunting sonorities and virtuosic melodic lines are used by Cat n to achieve a mesmerizing effect in this unique andchallenging work for one player on two different instruments.for Two Alto Recorders One Player. Composed for two alto recorders played simultaneously by one player Catán's work is truly enchanting. Haunting sonorities and virtuosic melodic lines are used by Catán to achieve a mesmerizingeffect in this unique and challenging work for one player on two different instruments.

Score and Parts-Grades 4-5

Libretto by Marcela Fuentes-Berain. This passionate tale of an opera singer on a nostalgic and mysterious voyage down the Amazon was premiered at Houston Grand Opera in 1996. In Spanish. Libretto by Marcela Fuentes-Berain. This passionate tale of an opera singer on a nostalgic and mysterious voyage down the Amazon was premiered at Houston Grand Opera in 1996. In Spanish.

Standard US Set (without european suppl. parts)-G. Schirmer Concert Band - Grade 3-5 Joan Tower's first major work for winds is characterized by an energetic style that is colorful rhythmic and muscular. The title refers to the many contours of motives shaped incurved ribbon patterns. Commissioned by the College Band Directors National Association and premiered at the national conference in 2001 this is an important addition to the contemporary repertoire for band. (Grade5) (11:00)G. Schirmer Concert Band - Grade 3-5 Joan Tower's first major work for winds is characterized by an energetic style that is colorful rhythmic and muscular. The title refers to the many contours of motives shaped in curved ribbonpatterns. Commissioned by the College Band Directors National Association and premiered at the national conference in 2001 this is an important addition to the contemporary repertoire for band. (Grade 5) (11:00)

Score-for Jazz Ensemble. Study Score for All Set - a work for Jazz Ensemble dating from 1957.

Score and Parts-For Mezzo-Soprano Bass/Baritone Guitar and 10 instrumentalists. Elliott Carter 's Syringa (1978) for Mezzo-Soprano Bass/Baritone Guitar and 10 instrumentalists. Score and parts.

Score-For tenor and chamber orchestra (7 instruments).

Score and Parts-For Brass Band of Old Instruments (or modern brass quintet or sextet) and Concert Band. Arranged by Keith Brion. Grades 4-5. For Brass Band of Old Instruments (or modern brass quintet or sextet) and Concert Band. Arranged by Keith Brion. Grades 4-5.

Score-Elliot Carter is considered one of the most significant composers of the 20th century whose works are usually quite involved and intellectual. This full score includes extensive notes on seating for the players types ofinstruments used performance suggestions and program notes. Instrumentation: Piano Harpsichord and 2 chamber ensembles. Parts available on rental.Elliot Carter is considered one of the most significant composers of the 20th century whose works are usually quite involved and intellectual. This full score includes extensive notes on seating for the players types of instruments used performance suggestions and program notes. Instrumentation: Piano Harpsichord and 2 Chamber Ensembles.

StudyScore- Carson Kievman 's Hollowangels for Chamber or Symphony Orchestra. Score.

Score-Arranged for String Orchestra by John Krance. Bachianas Brasileiras or Brazilian Pieces In The Manner Of Bach is a collection of nine pieces of which this is the fifth. This piece is easily the most popular piece of the set and was originally scored for Soprano Voice and eight Cellos. This arrangement retains the emotion and simplicity of the original whilst utilising the full expressive resources of the String Ensemble. Scored for 3 1st Violins 2 2nd Violins 2 Violas 2 Cellos 2 Bass and 1 optional Spanish Guitar by John Krance.

Score and Parts-For violin violoncello and piano. Written in memory of Cole Carsan St. Clair son of conductor Carl St. Clair who passed away at the age of 18 months. 27 minutes. For Violin Cello and Piano. Score and Parts. Written in memory of Cole Carsan St. Clair son of conductor Carl St. Clair who passed away at the age of 18 months. Performance time: 27 minutes.

Four songs on texts by Toni Morrison. The lyrics are an attempt to evoke both the meaning of and the passion in our desire for Paradise. For Soprano Violoncello Contrabass and Piano. Four songs on texts by Toni Morrison. The lyrics are an attempt to evoke both the meaning of and the passion in our desire for Paradise. For Soprano Violoncello Contrabass and Piano.

This work consists of four songs set to the whimsical poetry of Marianne Moore: O to Be a Dragon A Jellyfish To a Chameleon and To Victor Hugo of My Crow Pluto. Performance time: 15:00. Four songs by the Pulitzer Prize-winning composer Yehudi Wyner. Each song is set to the whimsical poetry of Marianne Moore: O to Be a Dragon A Jellyfish To a Chameleon and To Victor Hugo of My Crow Pluto . For SAChoir.

Score- The Great Crush Collision written in 1896 is dedicated to the Missouri Kansas and Texas Railroad. It is a musical description of an actual locomotive accident that was masterminded as a publicity stunt by William George Crush. Two old locomotives Nos.999 and 1001 locked head on as their engineers jumped to safety to the applause of an excited crowd. The huge success of this pre-hollywoodish event inspired Scott Joplin to compose this ususual 'character' piece. This work is one of six transcriptions of Joplin rags. At the conclusion of each an interlude - or hinge- has been appended. They are meant to be used as a possible (optional)connection for the various Joplin-Marcinak arrangements so that each piece can be played singly or as part of a selective group.

Score-Elliott Carter's complex and powerful Piano Concerto was written in 1965 as a birthday present for Igor Stravinsky.