This work is an arrangement of Crystal the second movement of Tell My Fortune (2004) for chamber orchestra. In the composer's words Crystal visits the dark world of gypsies who attempt to tell fortunes by gazing into crystal balls.

Le Carnaval de Venise is the only piece from Jean-Baptiste Arban which still holds a place in the repertoire today. The piece is arranged for Cornet in B Flat with Piano Accompaniment.

from West Side Story-One of Bernstein's most memorable and beloved melodies is long overdue in a version for developing strings. John Moss has carefully crafted an exquisite showcase for your orchestra - a piece you'll program for years to come.

Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means the musiccan be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. Edward Huws Jones' popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.

Trumpet Organ. Tull F

Ala et Lolly-Miiniature score version of Sergei Prokofiev's Scythe Suite Op.20 for Orchestra. This work was composed in 1914-15 and was first performed on 16th January 1916 at the Maryinski Theatre Petrograd conducted by the composer. Hawkes Pocket Score 636.

Hawkes Pocket Scores HPS 942-Study Score - Hawkes Pocket Score 942. Lees B

Horn Piano. Lees B

Wondrous Love is one of the most beloved songs of the shape-note Sacred Harp (1844). This arrangement is based on the original version of the tune and maintains its stark quartal harmonies. SATB. Rogers W

Arranged for SSA Missa Brevis displays Britten's characteristic flair for writing for children but retains a devout liturgical gravitas. The decisive opening immediately presents declamatory vocal writing as each of the three treble parts enter. The Gloria with its 7/8 metre is a jaunty setting that immediately appeals to young performers and lends appropriate joy to the text.

Ommaggio a Italo Calvino-Study Score - Hawkes Pocket Score 1167. Carter E

The Vocal Score of Benjamin Britten's Cantata Misericordium Op69 for Tenor and Baritone Solo Mixed Chorus and small Orchestra. This edition contains a Piano reduction of the original orchestral material. With Latin text.

Choral Dances- The set of six Choral Dances from Gloriana was first performed by the BBC Midland Chorus in March 1954 and later arranged for Tenor solo SATB Chorus and Harp for a performance to mark the opening of the Queen Elizabeth Hall London in 1967. The dances were intended as a homage to Elizabethan music and dance with each dance representing a different character from the opera. The opera Gloriana (op. 53) was written by Benjamin Britten in 1953 to mark the coronation of Elizabeth II and first performed at Covent Garden in June of that year with the Queen herself present. An unsympathetic critical reception meant that the full workwas rarely performed again until after the composer's death although extracts like the Choral Dances quickly became popular.

Choral Dances-At the opening of Act II of the opera Gloriana Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Choral Dances from Act II of Benjamin Britten's opera Gloriana op. 53. Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Six movements are featured for mixed choir with piano accompaniment for rehearsal only.

No. 6 Haste on my joys!-SSATB. Finzi G.

Quarter Military Band QMB 225-Full score for Symphonic Band of Holst's Hammersmith Prelude & Scherzo .

51 favorite songs-'Bumper collections of folk songs with manageable piano accompaniments guitar chords and background notes. Many songs are in original languages. Ideal for solo singers of all ages or for classroom singing and cross-curricular activities ages 7-14.The edition is part of the ABRSM syllabus (grade 1 2 3 4) A selection of Welsh songs for Voice and Piano by Margery Hargest Jones.

No. 1 Justorum animae- The first in a set of Three Motets op. 38 arranged for unaccompanied mixed choir Justorum animae is perfect for concerts or as part of services. Organ accompaniment for rehearsal only.

Kodaly's setting of Geoffry Russell-Smith's text for mixed choir unaccompanied.

Still falls the Rain-For Voice Horn in F and Piano accompaniment.