Vesperpsalm- J.A. Hasse's Confitebor tibi for SATB.

Denn Es Will Abend Werden- J.S. Bach's Kantate 006 Bleib Bei Uns for SATB.

D-Dur-As it does not require a festive choir of trumpets Zelenka's Magnificat was apparently not written for the Vesper service on a high feast day. On comparing the work with Bach's large-scale Magnificat the simpler formal and musical cast of the former becomes immediately apparent. Jan Dismas Zelenka's Magnificat in D (ZWV 108; D-Dur) for SATB. As it does not require a festive choir of trumpets Zelenka's 'Magnificat' was apparently not written for the Vesper service on a high feast day. On comparing the work with Bach's large-scale 'Magnificat' the simpler formal and musical cast of the former becomes immediately apparent.

cis-Moll- The Messe solennelle op. 16 for mixed choir and two organs by Louis Vierne was composed in 1899. At its world premiere in St. Sulpice in December 1901 Charles-Marie Widor played the main organ and Vierne the choir organ. The work belongs to the highlights of the late Romantic organ masses and more-over is comfortable for the choir to sing. The present edition is based upon the first edition that was published in 1900 by Pérégally & Fils in Paris. Due to practical reasons a performance with two organs is often not possible therefore parallel to the original edition the publishers have also published an arrangement for choir and one organ by ZsigmondSzathmary. Additional editions in the Series Choir & Organ Louis Vierne's Messe solennelle en ut dièse mineur (Op.16; cis-Moll) for SATB and Two Organs. The Messe Solennelle Op. 16 for mixed choir and two organs by Louis Vierne was composed in 1899. At its world premiere in St. Sulpice in December 1901 Charles-Marie Widor played the main organ and Vierne the choir organ. The work belongs to the highlights of the late Romantic organ masses and more-over is comfortable for the choir to sing. The present edition is based upon the first edition that was published in 1900 by Pérégally & Fils in Paris. Due to practical reasons a performance with two organs is often not possible therefore parallel to theoriginal edition the publishers have also published an arrangement for choir and one organ by Zsigmond Szathmáry.

Haydn's Insanae et vanae curae for SATB. For the revival in the Burgtheater Vienna in March 1784 Haydn modernized his oratorio 'Il ritorno di Tobia'. He added the choruses 'Ah gran Dio' and 'Svanisce in un momento' the second of which called 'Der Sturm' was reworked in the sacred motet 'Insanae et vanae curae'. This was an authentic or an authorized parody.