First gaining prominence in Australia in the 1970s as a composer of music for dance Carl Vine has 25 dance scores to his credit. His catalogue also includes seven symphonies eight concertos music for film television and theatre electronic music and numerous chamber works. Although primarily a composer of modern 'classical' music he has undertaken tasks as diverse as arranging the Australian National Anthem and writing music forthe Closing Ceremony of the 1996 Atlanta Olympics (the 'Sydney 2000' presentation). This complex and challenging Piano Sonata was composed by Vine for the Sydney Dance Company in 1991. It isdedicated to the Australian pianist Michael Kieran Harvey who first performed the piece in North Melbourne in June 1991. The music is full of rich chordal movements unusual flowing harmonies and tonalities with greatextremes of dynamic and energy. Reflecting the physical origins of the piece as a dance the music is dotted with very strict changes of tempo which require exact adherence rather than the Rubato approach that typifies many Pianointerpretations.

New edition 2001 Study Score. Suite 1 Scenes and Dances from The Three-Cornered Hat a Ballet in two acts by G. Martinez Sierra after a story by D. Pedro Antonio de Alarcon. Conductor's score and orchestral partsare available on hire from the publishers. Translates to Three Cornered Hat.

Concerto for piano and small orchestra based entirely on material selected from the soundtrack for the film The Piano. Commissioned by the Festival de Lille it was composed in spring 1993 and first performed by Kathryn Stottwith the Orchestre National de Lille under Jean-Claude Casadesus on 26th September 1993.

Easy popular pieces for young singers selected and arranged by Olga Lantham and Jerry Lanning. This collection of 14 popular melodies has been carefully arranged and graded to provide attractive teaching repertoire foryoung singers. The familiarity of the material will stimulate pupils' enthusiasm and encourage their practice. With piano accompaniment.

And Do They Do was commissioned by Siobhan Davies and the London Contemporary Dance Theatre. It was composed during the summer of 1986 and first performed at Sadler's Wells Theatre on 25 November in that year. It consistsof four linked 'songs' of which the third is based on Schumann's 'Nachtlied' Opus 96 No. 1.

Kaija Saariaho’s Leino Songs were commissioned by the Osaka International Festival Finnish Radio Symphony Orchestra and Casa da Musica Porto. First performances: 5 April 2008 at Festival Hall in Osaka as part of theOsaka International Festival 24 October 2008 by the Finnish Radio Symphony Orchestra in Helsinki 1 November 2008 by the Finnish Radio Symphony Orchestra in Porto Leino Songs are dedicated to Anu Komsi.

For massed unison voices organ piano and percussion with optional SATB chorus. All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel New Jersey onApril 29 2009 to be sung by a large chorus of 500 voices. It was written to follow a performance of Son of God Mass by the same composer sung by a smaller choral group.

Written for saxophone quartet and pre-recorded backing track.

Teacher's Book-The Wizard has created some simple magical accompaniments for Piano Guitar and classroom percussion to include your friends in your first ever recital! Written to accompany the Recorder Wizard Recital Pieces (CH69432) now your musical friends and family can get involved and play along with you. Your confidence will soar as you learn to play with other musicians and instruments. Plus it doesn't matter if your gang can't play yet as theRecorder Wizard is there to help them too by starting with very easy patterns and building to exciting recital performances! A companion to the book Recorder Wizard Tutor! (Catalogue number CH68574)

Notes On Light by Kaija Saariaho for cello and chamber ensemble. Full Score. Notes On Light by Kaija Saariaho for cello and chamber ensemble. Full Score.

This work was written for Endymion’s ‘Sound Census’ project in celebration of their 30th Birthday. It was first performed by Endymion with Melinda Maxwell (oboe) at Kings Place London as part of their ‘Sound Census’ weekend on 3rd June 2009.

This is the study score for Simon Holt 's Sueños scored for Bass-Baritone soloist and Instrumental Ensemble. Commissioned by the South Bank Centre it was first performed on 5th November 2007 at the Queen Elizabeth Hall by the London Sinfonietta. Sueños is a setting of six Antonio Machado poems which are predominantly about dreams. The work lasts around 25 minutes and is comprised of 8 movements. This is the study score for Simon Holt 's Sueños scored for Bass-Baritone soloist and Instrumental Ensemble. Commissioned by the South Bank Centre it was first performed on 5th November 2007 at the QueenElizabeth Hall by the London Sinfonietta. Sueños is a setting of six Antonio Machado poems which are predominantly about dreams. The work lasts around 25 minutes and is comprised of 8movements.

Written for three soprano saxophones and a tenor saxophone.

This work was commissioned by KlaraFestival Flanders Belgium. It was first first performed by Sarah Nicolls at the Palais des Beaux-Arts Brussels on 22nd September 2005 as part of KlaraFestival.

Commissioned by Richard Gooding and Central Newcastle High School Festival Choir who gave its first performance in December 2008.

This work was commissioned by Geoffrey Herdman for the 2006 Paxos Festival and first performed on August 31st 2006.

Released in 2005 the album Once Around The Sun is the outcome of Joby Talbot 's residency with Classic FM. During his year in residence Talbot composed a new piece of music each month scoredfor up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. May - Cumulonimbus was the fifth piece to be composed and is scored here forCello with Piano accompaniment.

John Tavener 's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and Strings lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and first performed by them with soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the full score. In the composer's note Tavener explains his high regard for Mozart and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic or contrapuntal. John Tavener 's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and Strings lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and first performed by themwith soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the full score. In the composer's note Tavener explains his high regard for Mozart and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic or contrapuntal.

Elogium Musicum Amatissimi Amici Nunc Remoti (A Musical Eulogy In Praise Of A Best Beloved Now Far Away) Was Commissioned By The Leipzig Gewandhaus. The Premiere Took Place On 2 October 2008 In The Main Auditorium Of The Gewandhaus With The Gewandhaus Orchestra And The Choir Of The Mdr Conducted By Riccardo Chailly. Duration: C.25 Minutes Elogium Musicum amatissimi amici nunc remoti (A Musical Eulogy in praise of a best beloved now far away) was commissioned by the Leipzig Gewandhaus. The premiere took place on 2 October 2008 in the main auditorium of theGewandhaus with the Gewandhaus Orchestra and the Choir of the MDR conducted by Riccardo Chailly. Duration: c.25 Minutes

Spinning Jenny is a portrait of Leigh Lancashire circa 1948 and one of a series of occasional pieces inspired by Davies' youth in Salford. Spinning Jenny Street was a noisy hazardous street clangerous with industry andactivity when davies was at Grammar school in 1945. A modest work but one which reflects many aspects of the place period and people it was inspired by. Commissioned by the BBC it was first performed on 21st July 199 as partof the BBC promenade concert at the Royal Albert Hall by the BBC Philharmonic conducted by Davies himself. This is the miniature format of the full orchestral score..