Work for Piano and Orchestra premiered by the Netherlands Radio Chamber Orchestra. Work for Piano and Orchestra premiered by the Netherlands Radio Chamber Orchestra.

Work for Organ. Work for Organ.

A Hymn to God the Father. A Hymn to Christ. The sun rising. A Hymn to God the Father A Hymn to Christ The sun rising

Commissioned by the Swedish Radio and first performed in March 1965 in Stockholm by La Salle Quartet. Study Score. Duration c.24 mins. Commissioned by the Swedish Radio and first performed in March 1965 in Stockholm by La Salle Quartet. Study Score. Duration c.24 mins.

'Butterflies' Scored For Voice And Harp. 'Butterflies' scored for Voice and Harp.

Work for Wind Quintet. Premiered by the President's Quintet in San Diego March 1989. Score available: SOS12796 Work for Wind Quintet. Premiered by the President's Quintet in San Diego March 1989. Score available: SOS12796

Work for Countertenor Solo composed in 1973. Work for Countertenor Solo composed in 1973.

For Percussion Quartet. For Percussion Quartet.

Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet. Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet.

Third Movement - Piano Concerto In D Minor K.466-The Cadenza from the third Movement of Mozart's popular Piano Concerto In D Minor K.466 as re-written by Andre Previn. The Cadenza from the third Movement of Mozart's popular Piano Concerto In D Minor K.466 as re-written by Andre Previn.

An attempt to express in music and words the mystery of the Trinity. The text is taken form the ancient Trisagion (sung in Greek). The first section represents God The Father the second section God The Son and the third section God The Holy Spirit. For chorus of mixed voices. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. An attempt to express in music and words the mystery of the Trinity. The text is taken form the ancient Trisagion (sung in Greek). The first section represents God The Father the second section God The Son and the third section God The Holy Spirit. For chorus of mixed voices. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell) So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell)

Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075 Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075

For Percussion Solo. For Percussion Solo.

Chamber Work For Clarinet Cello And Piano. Chamber Work for Clarinet Cello and Piano.

Morning Noon And Night' Scored For Solo Harp. 'Morning Noon And Night' scored for solo Harp.

Work for Contralto Clarinet Violin and Cello. Text: Christopher Logue. Premiered in the Wigmore Hall in 1961. Score available: CH55491 Work for Contralto Clarinet Violin and Cello. Text: Christopher Logue. Premiered in the Wigmore Hall in 1961. Score available: CH55491

Work for Clarinet Horn Violin Cello and Piano. Commissioned by the Music Group of London and premiered at the 1967 Cheltenham Festival. Parts available: SOS11244 Work for Clarinet Horn Violin Cello and Piano. Commissioned by the Music Group of London and premiered at the 1967 Cheltenham Festival. Parts available: SOS11244

Parts for the clarinet quintet. The score is available SOS11145. Parts for the clarinet quintet. The score is available SOS11145.

Five Songs for High Voice and Piano. Premiered at the Canterbury Festival by Lorna Anderson and Malcolm Martineau September 1987. Five Songs for High Voice and Piano. Premiered at the Canterbury Festival by Lorna Anderson and Malcolm Martineau September 1987.