
7.25 £
De Haske Publications
Gezang 370 - 491

48.00 £
De Haske Publications
aus / from: Laudate Dominum 2

9.95 £
De Haske Publications
Begin de Band

9.95 £
De Haske Publications
Begin de Band

8.50 £
De Haske Publications
Duette für Trompeten (Kornette Flügelhörner Teno

13.50 £
De Haske Publications
Horntrios

29.75 £
De Haske Publications
Four Miniatures

7.25 £
De Haske Publications
Gezang 1 - 115

7.25 £
De Haske Publications
Gezang 1 - 115

11.50 £
De Haske Publications
as performed by The Blues Brothers-Black suit and tie white shirt hat and dark sunglasses: the iconic Blues Brothers of course! Their smash hit ‘Everybody Needs Somebody to Love’ is loved by young and old. This easy version can be performed by as few as three players to create an instant party!

14.50 £
De Haske Publications
as performed by The Beatles- When I’m Sixty-Four is a famous love song by The Beatles in which a young man sings to his beloved. ’Sixty-Four’ is the age people were allowed to retire at in 1967. This version for flute quartet is a nice addition to one’s repertoire and perfect for all types of occasions.

14.25 £
De Haske Publications
The Medaillon Calls - Jack Sparrow - Davy Jones - He's A Pirate- Pirates of the Caribbean Medley is a fun medley featuring the most popular melodies from the first two Pirates of the Caribbean films. Songs include: The Medallion Calls and He’s a Pirate from The Curse of the Black Pearl and Jack Sparrow and Davy Jones from Dead Man’s Chest. Ideal for concert performance take your audience on this exciting pirate adventure!

11.25 £
De Haske Publications
Kleine Werke aus großen Kinohits

6.50 £
De Haske Publications
for Trumpet and Piano

15.95 £
De Haske Publications
A Fantasy Overture

16.50 £
De Haske Publications
for Bass Trombone Solo-The Latin phrase De Profundis translates as ‘out of the depths’ – and this is certainly an appropriate title for this solo work for bass trombone since the deep voice of the instrument is featured extensively. This special piece is written without prescribed measures ( senza misura ). Microtone intervals the use of specific physical movements and the use of a ‘plunger’ mute turn this piece into an adventurous and one-of-a-kind addition to the repertoire of the bass trombone.

11.25 £
De Haske Publications
Sassofono contralto

11.25 £
De Haske Publications
Flauto

11.25 £
De Haske Publications
Sassofono contralto

21.25 £
De Haske Publications
Variations on a theme by Jean-Philippe Rameau- Tribute to a Maestro is an homage to Jean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style. Tribute to a Maestro is an homage to Jean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style. Tribute to a Maestro is an homage toJean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style.