Flowing Creek (Xiao He Tang Shui) a Yunnan folksong arranged for SATB and piano by Ma Shuilong. Flowing Creek (Xiao He Tang Shui) a Yunnan folksong arranged for SATB and piano by Ma Shuilong.

Score and part for Gaetano Donizetti's Oboe Sonata In F (Concertino) includes Piano accompaniment.

A Collection of 35 canzonettas and songs (12 English Canzonettas 2 Songs and 21 German Songs) by Joseph Haydn for Voice and Piano.

Scriabin's Prelude in C-sharp minor; Nocturne in D-flat for left hand Piano. Urtext edition

Choral Suite for unaccompanied double choir SSATBB - SSATBB-Shared Ground Choral Suite for unaccompanied double choir SSATBB – SSATBB by Alec Roth. Alec Roth's Shared Ground for SSATBB.

The singing of VOCES8 is impeccable in its quality of tone and balance. They bring a new dimension to the word ‘ensemble’ with meticulous timing and tuning – Gramophone Magazine. The internationally-renowned British vocal ensemble VOCES8 is proud toinspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble’s ethos and this is shown in their versatile concert programmes and innovative educational work. Description: The‘VOCES8 singles’ series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8. The composer’s poem is based on the early 15thCentury Middle English carol ‘This Endris Night’ that iscast as a discourse between Mary and the infant Jesus where her lament alternates with his responses on what the future holds. In the arrangement the sacred meaning is combined with the secular tradition of Ember Days so that it is not clearwhether the poem is religious or secular nor if the poet is expressing personal belief or musing on the passing of the year. The composition worked so wonderfully with the themes of the VOCES8 album ‘Equinox’. The VOCES8 singles' series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8. The composer's poem is based on the early 15th Century Middle English carol This Endris Night' that is cast as a discourse between Mary and the infant Jesus where her lament alternates with his responses on what the future holds. In the arrangement the sacred meaning is combined with the secular tradition of Ember Days so that it is not clear whether the poem is religious or secular nor if the poet is expressing personal belief or musing on the passing of the year. The composition workedso wonderfully with the themes of the VOCES8 album Equinox'.

More than the Score-Arabesque No. 1 includes the printed score a written masterclass from concert pianist and musicologist Roy Howat in which he considers Debussy’s structures and musical language a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series includewritten masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

Georg Katzer's Die D-Dur Musikmaschine für Orchester.

32 Carols and Anthems for Choir- On Christmas Night is a collection of 32 carols and Christmas anthems composed or arranged exclusively by living composers. Written for SATB choir either with organ accompaniment or a cappella the volume provides a rich and varied collection of music for carol concerts and Christmas services. All the pieces in the collection are also available separately.

No other work by Mozart is so enshrouded in myth as his final composition the D-minor Requiem. Mozart died before its completion and the missing sections had to be added by others. The many handwritten copies circulated after his death added to the corruption of the text by contributing errors of their own. Now Peters is publishing a new urtext edition of this staple of the choral repertoire edited by David Black. The edition relies on Mozart's composition and the traditional completion by Franz Xaver Sussmayr. For the first time however it incorporates sources previously unavailable to earlier editions including the Neue Mozart-Ausgabe.

This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces. Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).

Sospiro (from Madrigalismen) arranged for mixed voice a cappelll by Jens Klimek.

Solos Duets and Terzets for soprano tenor and bass with piano violin & cello. Score and parts. Contents: Lochnagar WoO 156 No.9 (terzet) Ye Shepherds WoO 156 No.4 (terzet) Faithfu' Johnie Op.108 No.20 (solo) Farewell bliss WoO 152 No.20 (duet) The Soldier WoO 157 No.2 (soprano solo) The pulse of an Irishman WoO 154 No.4 (male voice solo) Enchantress farewell Op.108 No.18 ( male voice solo) Bonnie Laddie Highland Laddie Op.108 No.7 (soprano solo) The chace of the wolf WoO 155 No.1 (duet for soprano & tenor) O might I but my Patrick love! WoO 153 No.16 (soprano solo) Sally in our alley Op.108 No.25 (tenor solo) DuncanGray WoO 156 No.2 (terzet) Sunset Op.108 No.2 (solo) The soldier in a foreign land WoO 154 No.11 (duet for soprano & tenor) Come fill fill my good fellow Op.108 No.13 (terzet) Auld lang syne WoO 156 No.11 (terzet)

Christoph Willibald Gluck's Dance Of The Blessed Spirits from Orfeo ed Euridice Act II has been arranged for Flute or Violin with Piano accompaniment by Arthur Campbell.

More than the Score-In A Landscape includes the printed score a written masterclass from pianist and John Cage specialist Adam Tendler in which he considers how to approach this mesmerizing classic of modern American piano music a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters morethan the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

American Traditional- The VOCES8 singles' series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8. This beautiful folk song was commissioned as part of our fifth anniversary celebrations in 2012 and was included in our EP In the Beginning' and on our US concert tour. It has always been a fun challenge to perform with gorgeous flowing lines and a great opening solo for the bass. Our annual visit to sing for friends in the Shenandoah Valley is never complete without a rendition of this arrangement; performing it at Abbey Road Studios (the film can be found on YouTube) was also an unforgettableexperience.

Arranged for SATB a capella chorus.

Paganini's Violin Sonata in A major.

World of Merriment arranged for mixed voice choir by Alexander Campkin. World of Merriment arranged for mixed voice choir by Alexander Campkin.