
1.00 £
Edition Peters
Joseph Haydn's Sonata 45 in E flat for Piano.

12.95 £
Edition Peters
Seasons and Charms is a collection of short pieces for young people’s voices and piano commissioned by Aldeburgh Music for the Friday Afternoons Project. Inspired by Benjamin Britten Friday Afternoons is an initiative created by Snape Maltings (formerly Aldeburgh Music) to open up a world of singing for children and young people. Seasons and Charms is a collection of short pieces for young people's voices and piano commissioned by Aldeburgh Music for the Friday Afternoons Project. Inspired by Benjamin Britten Friday Afternoons is an initiative created by Snape Maltings (formerly Aldeburgh Music) to open up a world of singing for children and young people.

3.00 £
Edition Peters
The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers – Jonathan Rathbone Ben Parry & Mark Williams – were long-standing members ofthe Swingle Singers.

7.95 £
Edition Peters
Handel 'Arrival Of The Queen Of Sheba' arranged for Piano.

2.50 £
Edition Peters
A Spotless Rose for mixed choir a cappella by Fredrik Sixten.

15.95 £
Edition Peters
30 Selected Songs for Low Voice with Piano accompaniment by Ludwig Van Beethoven.

9.95 £
Edition Peters
Brahms' Zigeunerlieder were originally a 12 song set for SATB. Brahms arranged 8 for solo Voice and Piano here published together by Edition Peters. Both German and English sung text. Sung English translation by Mrs John P Morgan.

6.95 £
Edition Peters
More than the Score-Prélude No. 4 includes the printed score a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach this classic of Romantic piano music a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more thanthe score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

2.75 £
Edition Peters
Love Bade Me Welcome by Roxanna Panufnik. Arranged for unison voices mixed voice choir and piano. Love Bade Me Welcome by Roxanna Panufnik . Arranged for unison voices mixed voice choir and piano.

2.75 £
Edition Peters
Sicut Lilium arranged for mixed voice choir by John Barber. Sicut Lilium arranged for mixed voice choir by John Barber.

17.95 £
Edition Peters
60 Highlights for Frauenchor-Original compositions and arrangements from the 16th Century to the present day. Containing 60 pieces for upper-voice choirs mainly a cappella Reine Frauensache! spans six centuries and a wide range of styles – fromsacred through to pop.With accessible repertoire selected to appeal to amateur choirs the book encompasses pieces from composers as varied as Palestrina Brahms Eric Whitacre and rik Ešenvalds – together with arrangements of pop standards including Somewhere over the rainbow and I willsurvive.• 60 easy to intermediate pieces in three or four parts ideally suited for amateur choirs• An inspiring collection of repertoire grouped into four categories: secular sacred folk songs and pop• Mainly a cappella repertoire with piano or organ accompaniments available separately• Includes an appendix with translations of the lyricsA real treasure trove for upper-voice choirs! All piano accompaniments to the first volume of Reine Frauensache! released on occasion of the German Choir Festival in Stuttgart in May 2016. Divided into four sections (Secular Sacred Folklore and Popular) the collection covers newer compositions which are part of the repertoire of many women‘s choirs already as well as ageless beautiful titles from older eras; music spans from Palestrina Telemann Gounod Brahms Distler and Chaminade to Nancy Telfer Sandra Milliken Sarah Quartel and riks Ešenvalds.

13.95 £
Edition Peters
Violin virtuoso Giovanni Battista Viotti's Concerto No.22 In A Minor for Violin and Piano reduction. Published by Edition Peters.

1.95 £
Edition Peters
for SATB (div.)-To invoke the Holy Spirit is the central moment of the motet which is based on a medieval Pentecostal hymn and combines counterpoint and modern harmony. Mattias Sjöberg wrote the work for the Pentecost of Uppsala Cathedral where it was premiered on 19 May 2013 by the Uppsala Cathedral singers under the direction of Ulric Andersson. To invoke the Holy Spirit is the central moment of the motet which is based on a medieval Pentecostal hymn and combines counterpoint and modern harmony. Mattias Sjöberg wrote the work for the Pentecost of Uppsala Cathedral where it was premiered on 19 May 2013 by the Uppsala Cathedral singers under the direction of Ulric Andersson.

6.95 £
Edition Peters
More than the Score-Gnossienne No. 3 includes the printed score a written masterclass from international concert pianist and teacher Joanna MacGregor in which she guides us through the idiosyncratic sound-world of Satie a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage.Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more thanthe score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. more than the score… is a series of classic piano music covering much of the essential repertoire from Bach through Mozart Schubert Mendelssohn Chopin and Debussy right up to John Cage. Each volume focuses on one piece with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters more than the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor Roy Howat Daniel Grimwood Clare Hammond and Adam Tendler. J. S. BACH Prelude and Fugue in C major from The Well-tempered Clavier includes the printedscore a written masterclass from international concert pianist Daniel Grimwood in which he considers how to approach the playing of baroque harpsichord music on the piano a biography of the composer and a short history of the music – all illustrated in full colour.

11.50 £
Edition Peters
The 'Gypsy Rondo' Trio in G major by Joseph Haydn is possibly one of the most popular pieces in the repertoire for Piano Trio.

17.95 £
Edition Peters
Faure's two original pieces for flute and piano - the Fantaisie Op.79 and the Morceau de Lecture - Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions. The solo flute part is also included on a separate insert.

12.95 £
Edition Peters
Nowhere in Fauré's output are the polemics about tempo and metronome markings so pronounced as in this extended and relatively neglected piece. Howat is a passionate advocate of the 'Thème et variations' and believes that a cogent reappraisal of the work's tempo relationships instantly makes the work much more accessible and structurally coherent. The peerless scholarship of this edition is further amplified by corrections performing options and interpretative advice given by Fauré to the pianists José Iturbi Robert Casadesus Ricardo Viñes Marguerite Long and Vlado Perlemuter.

32.50 £
Edition Peters
This wonderful collection includes four of Beethovens unforgettable symphonies arranged for Piano duet. Symphonies included with this title are; Beethoven: Symphony No. 6 in F major Op. 68 'Pastoral' Beethoven: Symphony No. 7 in A major Op. 92 Beethoven: Symphony No. 8 in F major Op. 93 Beethoven: Symphony No. 9 in D minor Op. 125 'Choral'

18.50 £
Edition Peters
Violin virtuoso Giovanni Battista Viotti's arrangement of Joseph Bodin de Boismortier's Concerto No.23 In G . Arranged for Violin and Piano reduction. Published by Edition Peters.

13.95 £
Edition Peters
A complete reconstruction based on the 1731 and 1744 versions of the text- In its various reconstructed and completed version Johann Sebastian Bach 's St. Mark Passion BWV 247 occupies a fixed place in the pre-Easter concert repertoire. As the third of what were originally five Passions not only was it the latest to be written it is also the most enigmatic of the known Good Friday works composed by the Kantor of the Thomasschule. The fundamental approach behind the present version of the St. Mark Passion is to attempt to get as close as possible stylistically to the performed versions of 1731 and 1744. It is hoped that in the service of church music practice this completereconstruction will thus help to transform the third of Bach 's Passion works into a stylistically unified whole.