4 songs for mezzosoprano and piano. Alt.version: mezzosop. & orch KP01752 Text: Knud Sºrensen Anders Nordentoft's 4 Sange / 4 Songs for Mezzo-Soprano and Piano (1980). Text by Knud Sorensen. Alt.version: Mezzo-Soprano and Orchestra: KP01752.

Version for English Horn String Trio and Piano Duration: c. 6 min. Original version 1992: Mezzo Soprano Clarinet Violin Cello and Piano Text by Rainer Maria Rilke Score = WH31261 Set of parts for Herbstlied - Version 2009 - for English Horn String Trio and Piano. Score: WH31261

The initial and prevailing theme is from the song Det Fagreste Træ with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun Set of parts for The Black Waters for String Trio by Peter Bruun . Score: WH31595 Programme note The initial and prevailing theme is from the song 'Det Fagreste Trae' with lyrics by Ursula Andkjaer Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

Together Or Not for Bass Recorder Violin and Accordion was composed by Danish composer Pelle Gudmundsen-Holmgreen in 2012. Together Or Not for Bass Recorder Violin and Accordion was composed by Danish composer Pelle Gudmundsen-Holmgreen in 2012. Parts are available: WH31623A

Four Latin motets (1991) for mixed choir SSATB (SSA) by Per Norgard . Edited by Ivan Hansen . 1 Ne obsurdescas mihi (SSA/SAT) 2 Ad te Domine clamabo (SSATB) 3 Quam dilecta tabernacula tua (SSA/SAT) 4 Exultavit in Deum (SSATB) Programme note All four motets are based on the first motets simple pentatonic initial motif. Like the polarities of the hymn texts between lamentation and jubilation the motif appears in various disguises from a gloomy Japanese (death-) mode (first and second motet) to the lighter celebratory forms inthe familiar Chinese pentatonic scale and the Indonesian pelog scale (third and fourth motet). The mood-creating scales weave (like the text sections) in and out of each other ; just a few changes in notes change grief to joy from idyll to catastrophe. The latin version of the motets (originally with Danish text 1991) was made in 1998 by Per Norgard and Ivan Hansen. Ivan Hansen

Den Lille Havfrue (The Little Mermaid) by the Danish composer Bent Sørensen scored for Soprano and Tenor solo Girl's Choir and Orchestra. The work was commissioned jointly by BBC and Danish Radio to mark the 200th Anniversary of the birth of H. C. Andersen in 2005. Text by Peter Asmussen after H. C. Andersen. Den Lille Havfrue (The Little Mermaid) by the Danish composer Bent Sørensen scored for Soprano and Tenor solo Girl's Choir and Orchestra. The work was commissioned jointly by BBC and Danish Radio to mark the 200th Anniversary of the birth of H. C. Andersen in 2005. Text by Peter Asmussen after H. C. Andersen.

Partita Sevèra (1951) for Piano solo by Per Norgard.

Francois Schubert was born in Dresden in 1808. The Bee is arranged here from a Violin piece for Descant Recorder and Piano Accompaniment by Michala Petri. Francois Schubert was born in Dresden in 1808. The Bee is arranged here from a Violin piece for Descant Recorder and Piano Accompaniment by Michala Petri.

From The Marriage Of Heaven And Hell. For SATB. From The Marriage Of Heaven And Hell. For SATB.

The piece was commissioned by the Carl Nielsen clarinet competition 2001 and was supported by the Danish Arts Council The piece was commissioned by the Carl Nielsen clarinet competition 2001 and was supported by the Danish Arts Council.

Sound II for 4 Solo Voices was composed by Pelle Gudmundsen-Holmgreen in 2011. Dedicated to Theatre of Voices. Sound II for 4 Solo Voices was composed by Pelle Gudmundsen-Holmgreen in 2011. Dedicated to Theatre of Voices.

Work for Guitar Solo dating from 1976. Work for Guitar Solo dating from 1976.

A Chorale arranged for 15 Instruments. Full Score for ensemble. Bach's Befichl du deine Wege is a chorale setting (BWV 272) which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders. - Thomas Michelsen Arrangement 1 Flute 1 Oboe 1 Clarinet In Bb 1 Bassoon 1 Horn in F 1 Trumpet in Bb 1 Trombone (Tenor) 1 Vibraphone (Motor Off) 1 Harp 1 Piano 1 Violin I 1 Violin II 1 Viola 1 Cello 1 Double Bass A Chorale arranged for 15 Instruments. Full Score for ensemble. Bach's Befichl du deine Wege is a chorale setting (BWV 272) which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders. &n

Set of parts for Anders Brodsgaard's Six Sax Examples for Saxophone Quartet (2005).

Gustav Mahler's Symphony No. 4 arranged for 17 soloists by Karl Aage Rasmussen. Parts are available on hire: hire@ewh.dk

Octopus has been beautifully composed by Pelle Gudmundsen-Holmgreen for Organ two Players and assistant(s). Pelle Gudmundsen-Holmgreen is most famously known for his award winning composition from the Nordic Council in 1980 Symphony Antiphony Octopus has been composed by Pelle Gudmundsen-Holmgreen for Organ two Players and assistant(s) (1989). Pelle Gudmundsen-Holmgreen is most famously known for his award winning composition from the Nordic Council in 1980 - Symphony Antiphony.

A catalog of works and recordings with indexes of persons and titles. A catalog of works and recordings with indexes of persons and titles.

For double choir (SATB) For double choir (SATB)

Composition dating from 1975. Composition dating from 1975.

Piano Reduction-This is the piano reduction for Gemmer Hvert Et Ord - Cantata for SATB Choir Organ and Regiment Orchestra by Anders Koppel (1999). This is the piano reduction for Gemmer Hvert Et Ord - Cantata for SATB Choir Organ and Regiment Orchestra by Anders Koppel (1999).Text in Danish by Ulla Koppel.