For mixed voices a cappella Lyrics: Ellen Heiberg For mixed voices a cappella Lyrics: Ellen Heiberg

Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go on to describe themusic a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet. Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go onto describe the music a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed; melodically - and in sound - it employs the naturally based overtones and undertones* (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10; behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet.

Carl Nielsen (1865-1931) was a Danish musician often seen as his country’s greatest composer who now occupies a distinguished platform in the national and cultural heritage of his native Denmark. The Carl Nielsen Edition is an independent project which aims to publish all of his finished works in the version last approved by the composer. His Sonata No.2 for Violin and Piano (Op. 35) was composed in 1912 for a concert the following year by two of the composer's friends. It is scored in three movements: Allegro con Tiepidezza - Molto Adagio - Allegro Piacevole . Despite a poor critical reception after its first performance itwas for a while one of the composer's most popular works with the general public.

Second Piano Concerto-Commissioned by Det Norske Kammerorkester (Norwegian Chamber Orchestra). 2007-2009. Bent Sorensen's La Mattina (Second Piano Concerto) 2007-2009. Commissioned by the Norwegian Chamber Orchestra.

Mitternacht Mit Mignon for Piano solo was composed by Bent Sørensen in 2012. Dedicated Katrine Gislinge. Mitternacht Mit Mignon for Piano solo was composed by Bent Sorensen in 2012. Dedicated Katrine Gislinge.

Day's Nightmare' - Symphony No. 3 Op. 57 in one movement by Ib Nørholm dating from 1973. 'Day's Nightmare' - Symphony No. 3 Op. 57 in one movement by Ib Nørholm dating from 1973.

Godmorgen Lille Land was expertly composed for TTBB a capella by Carsten Johs. Mørch with lyrics written by Niels Brunse . Godmorgen Lille Land was expertly composed for TTBB a capella by Carsten Johs. Morch with lyrics written by Niels Brunse.

Water Like A Stone for Ensemble (1996). Parts are available on hire: hire@ewh.dk

SAB-Bogen 1 - Popular European and American folksongs arranged for Mixed Choir SAB. Edited by Thomas Alvad & Svend-G Asmussen . SAB-Bogen 1 - Popular European and American folksongs arranged for Mixed Choir SAB. Edited by Thomas Alvad & Svend-G Asmussen .

From The Carl Nielsen Edition CN 00045 Incidental Music I Text: Jeppe Aakjær From The Carl Nielsen Edition CN 00045 Incidental Music I. Text: Jeppe Aakjaer.

Sadan Ligger Landet - Vinder af Spil Dansk konkurrencen 2004. Arrangeret for blandet kor SATB af Henrik Metz. Musik af Ivan Pedersen og Soren Skov. Tekst af Henrik H. Lund.

Zig Zag Og Mer Ostinat er en sangbog idébog og metodik for børnekor af John Høybye . Zig Zag Og Mer Ostinat er en sangbog idébog og metodik for bornekor af John Hoybye .

The 'Dante-Sonata' was composed in 1970 inspired by two quotations from Dante’s 'La Divina Comedia' Inferno each in its turn forming the program of the two movements. Movement 1: Wandering through Inferno Dante sees all those who during their life on earth were ill-tempered and discontented and who are now doomed for all eternity to stand in mud up to their necks fighting each other tearing and scratching each other’s flesh. Movement 2: Here the doomed wretches recollect life on earth - the blessed sun and the green meadows; but it is too late to repent. Apart from having this connection with 'La Divina Comedia' the title: 'Dante-Sonata' has a dialectical andmusic-historical reference a reference to Franz Liszt’s Dante Sonata without quoting from it in any way. An elusive 'air' of the music of bygone days can be percieved in the second movement which with its many types of graces is reminiscent of a slow movement of a Baroque dance. 'Dante-Sonata' is dedicated to Elisabeth Klein.

Vi Venter På Det Lys has been beautifully composed by Søren Birch for SATB Choir. Vi Venter Pa Det Lys by Soren Birch for SATB Choir a cappella. Text by Johannes Mollehave.

Bornesange- Becifret melodilinie med underlagt tekst. Musik og tekst af: Grethe Agatz Frans Bak Claus Bjerring Jan Bredsdorff Gerz Feigenberg Per Hald Ellen Heiberg Povl Kjoller Hans-Henrik Ley Kirsten Lockhart Connie Skovvart Jorgen Sorensen og Jorgen Wedege. Becifret melodilinie med underlagt tekst.

Hjerternes Sange - De 175 Bedste indeholder noder becifringer og tekster til sange som Nar lyset bryder frem Du er ikke alene Den lille malkeko Stille for storm Hodja fra Pjort Ostesangen Varvise Anemonesangen I Danmark er jeg fodt og mange mange flere. Hjerternes Sange - De 175 Bedste henvender sig bade til Sebastian-kendere men ogsa til alle dem som har lyst til og mod pa en rejse ind i et af Danmarks mest originale omfangsrige og overvaeldende musikalske universer. Og rejsen fortsaetter ...

Work for Solo Cello. Work for Solo Cello.

player's score-For 2 harps For 2 harps

Songs For Einar Christiansens Play Cosmus by Carl Nielsen for Tenor solo and Choir SATB.Score corresponding to The Carl Nielsen Edition: CN00043 - Incidental Music. Songs For Einar Christiansen's Play 'Cosmus' by Carl Nielsen for Tenor solo and Choir SATB. Score corresponding to The Carl Nielsen Edition: CN00043 - Incidental Music.

Nostalgie Op.78 for Guitar solo by the Danish composer Poul Rovsing Olsen (1922-1982). Composer's programme note: Nostalgie was composed in December 1976. In the four movements of the work the listener is confronted with music which flirts with recollections of not far distant albeit bygone times. The lyrically dramatic introduction is followed by a toccata a Spanish dance then a waltz. At times we are close to the past then we are suddenly drawn away from it. The music is infatuated ironic nostalgic. Nostalgie is dedicated to Erling Møldrup. Poul Rovsing Olsen (Lerchenborg Music Days 1978) Nostalgie Op.78 for Guitar solo by the Danish composer Poul Rovsing Olsen (1922-1982). Composer's programme note: Nostalgie was composed in December 1976. In the four movements of the work the listener is confronted with music which flirts with recollections of not far distant albeit bygone times. The lyrically dramatic introduction is followed by a toccata a Spanish dance then a waltz. At times we are close to the past then we are suddenly drawn away from it. The music is infatuated ironic nostalgic. Nostalgie is dedicated to Erling Møldrup. Poul Rovsing Olsen(Lerchenborg Music Days 1978)